Lovescapes introduces the reader to the various meanings and manifestations of love and its many cognates such as compassion, caring, altruism, empathy, and forgiveness. It addresses how love and compassion have been understood in history and the religions of the world. It goes on to explore the ways that our environments and heredity influence our capacity to love and suggests ways to cultivate love and compassion in one's life. The book shows how the values of love and compassion are integral to finding humane solutions to the daunting problems we face as individuals, as a human family, and as an earth community--a world in crisis. Lovescapes has the following features: -Describing how love is the essence of the divine, and therefore the ground of reality -Understanding the meaning of love and its place in our lives -Learning how love and compassion have been understood across history, culture, and tradition -Gaining insight about how to increase our capacity to love and show compassion -Discerning how love and compassion can be applied in all aspects of our lives, in the regions where we live, and in our global setting.

A portrait of Neil Diamond, and what he means to his fans, told by a journalist who has interviewed the "Jewish American Elvis."

Following up on Francis: The Journey and the Dream, Murray Bodo offers a maturing of his own friar's spirituality in this dramatic storytelling of Francis' close connection and relationship with Jesus. Here we see a multi-dimensional, yet internal Francis as the ultimate disciple of Jesus: Francis as sufferer, in the wilderness, as itinerant, as misunderstood, in prayer, as teacher, as lover and protector of the poor, in authority while subject to God's authority, in community, as healer, as wounded.

This book presents a major re-examination of the works of the fifteenth-century Scottish poet, Robert Henryson. Encompassing the full range of the poet’s work, Professor John MacQueen opens up previously unexplored areas of both Henryson’s literary practice and his underlying moral and philosophical vision. MacQueen argues that numerology is central to the intellectual landscape that shaped Henryson’s development as a poet, and that numerological patterns and structures are embedded throughout his corpus, revealing themselves not simply in such overtly allegorical works as The Testament of Cresseid, but also in many of the Fables as well. This book therefore recovers for a modern audience qualities to which Henryson’s original readers would have been alert, while at the same time conveying something of the energy and excitement of his intellectual and poetic culture. Through a series of close and sensitive readings of the poems, the book presents an original and lucid account of Henryson’s work that will not only engage specialists in medieval Scottish literature, but will also appeal to a wider readership with broader interests in narrative and poetic form.

A portrait of the Franciscan priest and FDNY chaplain who lost his life in the World Trade Center attacks recounts his personal story and his experiences in the firehouse, his friary, and his church.