Working to reconcile the Christian dictum to "love one's neighbor as oneself" with evidence of U.S. sociopolitical aggression, including slavery, corporal punishment of children, and Indian removal, Elizabeth Barnes focuses her attention on aggressors--rather than the weak or abused--to suggest ways of understanding paradoxical relationships between empathy, violence, and religion that took hold so strongly in nineteenth-century American culture. Looking at works by Herman Melville, Frederick Douglass, Nathaniel Hawthorne, and Louisa May Alcott, among others, Barnes shows how violence and sensibility work together to produce a more "sensitive" citizenry. Aggression becomes a site of redemptive possibility because salvation is gained when the powerful protagonist identifies with the person he harms. Barnes argues that this identification and emotional transformation come at a high price, however, as the reparative ends are bought with another's blood. Critics of nineteenth-century literature have tended to think about sentimentality and violence as opposing strategies in the work of nation-building and in the formation of U.S. national identity. Yet to understand how violence gets folded into sentimentality's egalitarian goals is to recognize, importantly, the deep entrenchment of aggression in the empathetic structures of liberal, Christian culture in the United States.

Working to reconcile the Christian dictum to "love one's neighbor as oneself" with evidence of U.S. sociopolitical aggression, including slavery, corporal punishment of children, and Indian removal, Elizabeth Barnes focuses her attention on aggressors--ra

A Prince and a Pauper Jemmy, once a poor boy living on the streets, now lives in a castle. As the whipping boy, he bears the punishment when Prince Brat misbehaves, for it is forbidden to spank, thrash, or whack the heir to the throne. The two boys have nothing in common and even less reason to like one another. But when they find themselves taken hostage after running away, they are left with no choice but to trust each other.

Between these covers you have the best of Ben Trovato's popular satirical columns, letters and assorted rants from the Sunday Times since 2008. After thousands of hours of close reading and heated debate, we've compiled the funniest and cleverest material for maximum levels of enjoyment and entertainment. This is Ben's tenth book, but it would not be an overstatement to say that herein lies some of the most insightful and unbalanced social commentary currently available in print. Or out of print. And although not fully recognised as such yet, Trovato is a national treasure for his relentless pursuit of truth, equality, cold beer, and hot women.

From 1942 until 2008 Herbert Palfrey has written poetry in praise of Jesus; it is his hope that purchasers of his book will enjoy, take comfort and feel as happy reading them, as he has in writing them.

One of Called Magazines Favorite Fall Releases! When was the last time you took a break to experience Gods love? To experience something is to live it, to encounter it, to understand it, to explore with our hearts, minds, and souls as well as with the five physical senses and our God-given spiritual ones. Every action we do with and for God, every good day and bad day, we walk hand-in-hand with God, experiencing Him. Experiencing Gods love takes time. Love unfurls its blossoms in our lives when we concentrate all of our senses on the small gifts we pass by every day. Time slows, and we finally get to hear Gods beautiful background hum to our lives. The One Year Experiencing Gods Love Devotional helps you intentionally carve out those moments in your day to savor God and his love for you.

Sentimentalism is usually studied through US-British relations after the American Revolution or in connection to national reforms like the abolitionist movement. Transamerican Sentimentalism and Nineteenth-Century US Literary History instead argues that African American, Native American, Latinx, and Anglo American women writers also used sentimentalism to construct narratives that reframed or countered the violence dominating the nineteenth-century Americas, including the Haitian Revolution, Indian Removal, the US-Mexican War, and Cuba's independence wars. By tracking the transformation of sentimentalism as the US reacted to, enacted, and intervened in conflict Transamerican Sentimentalism and Nineteenth-Century US Literary History demonstrates how marginalized writers negotiated hemispheric encounters amidst the gendered, racialized, and cultural violence of the nineteenth-century Americas. It remaps sentiment's familiar transatlantic and national scholarly frameworks through authors such as Leonora Sansay and Mary Peabody Mann, and considers how authors including John Rollin Ridge, John S. and Harriet Jacobs, María Amparo Ruiz de Burton, Victor Séjour, and Martin R. Delany adapted the mode. Transamerican sentimentalism cannot unseat the violence of the nineteenth-century Americas, but it does produce other potential outcomes-including new paradigms for understanding the coquette, a locally successful informal diplomacy, and motivations for violent slave revolt. Such transformations mark not sentiment's failures or distortions, but its adaptive attempts to survive and thrive.