Lovecraftiana is a quarterly publication dedicated to stories, poems and illustrations inspired by the works of HP Lovecraft. Issues are published April 30, July 31, October 31, and January 31

"Just want to let you know, so far we've got two of the drafted volunteers reporting sick to the base doctor with severe cases of Aw Hell Naw."-- Paul Wartenberg, "War of the Murder Hornets"The ninth volume (you read that right) of the Strangely Funny series is one of the weirdest yet. An asexual gives tips on dating succubi. A certain reanimator treats a Miskatonic U football player before the big game. Is there such a thing as a vegan vampire, and what do they eat? And finally, we revisit the invasion of the 'Martians' in Surrey.Let Rosalind Barden, RC Mulhare, Erin Lee, Henry L. Herz and many other talented authors guide you through tales of quirky paranormal love, twisted science fiction tropes, and horror gone wrong. So very wrong.

Ghost stories have played a prominent role in childhood. Circulated around playgrounds and whispered in slumber parties, their history in American literature is little known and seldom discussed by scholars. This book explores the fascinating origins and development of these tales, focusing on the social and historical factors that shaped them and gave birth to the genre. Ghost stories have existed for centuries but have been published specifically for children for only about 200 years. Early on, supernatural ghost stories were rare--authors and publishers, fearing they might adversely affect young minds, presented stories in which the ghost was always revealed as a fraud. These tales dominated children's publishing in the 19th century but the 20th century saw a change in perspective and the supernatural ghost story flourished.

Horror Fiction in the Global South: Cultures, Narratives, and Representations believes that the experiences of horror are not just individual but also/simultaneously cultural. Within this understanding, literary productions become rather potent sites for the relation of such experiences both on the individual and the cultural front. It's not coincidental, then, that either William Blatty's The Exorcist or Gabriel Garcia Marquez's One Hundred Years of Solitude become archetypes of the re-presentations of the way horror affects individuals placed inside different cultures. Such an affectation, though, is but a beginning of the ways in which the supernatural interacts with the human and gives rise to horror. Considering that almost all aspects of what we now designate as the Global North, and its concomitant, the Global South – political, historical, social, economic, cultural, and so on – function as different paradigms, the experiences of horror and their telling in stories become functionally different as well. Added to this are the variations that one nation or culture of the east has from another. The present anthology of essays, in such a scheme of things, seeks to examine and demonstrate these cultural differences embedded in the impact that figures of horror and specters of the night have on the narrative imagination of storytellers from the Global South. If horror has an everyday presence in the phenomenal reality that Southern cultures subscribe to, it demands alternative phenomenology. The anthology allows scholars and connoisseurs of Horror to explore theoretical possibilities that may help address precisely such a need.

The man is addicted to morphine, and can think of nothing but death. Only morphine has made his life barely tolerable. He is in this fragile mental state because of the things that happened in the past; because of the things he was forced to encounter. During the First World War he ended up alone on an island – an island that was pure horror. ‘Dagon’ is a horror short story written by H. P. Lovecraft. It was first published in 1917. H.P. Lovecraft (1890–1937) was an American horror writer. His best known works include ‘The Call of Cthulhu’ and ‘the Mountains of Madness’. Most of his work was originally published in pulp magazines, and Lovecraft rose into fame only after his death at the age of 46. He has had a great influence in both horror and science fiction genres.

A collection of the lesser-known short works of the most significant American horror writer between Poe and Stephen King. Includes correspondence, juvenilia, literary criticism, philosophical speculation, and eccentric travelogues, plus comments on his own creative aesthetic. Introductory notes to each section reveal the breadth of Lovecraft's intellectual curiosity and the gradual process of overcoming such self-imposed handicaps as dogmatism, racism, and intolerance. Lacks an index. Published by Arkham House, Sauk City, WI 53583. Annotation copyright by Book News, Inc., Portland, OR