Save the Last Dance For Me Does she really have to say goodbye to him again? When Jess Stark returns home to Lonesome, Texas to attend the wedding of her cousin, Liam Stark, one dance with the handsome cowboy she left behind, and the bright city lights of Dallas and her career as a journalist aren’t nearly as compelling as the ardent emotion shining in Hector's eyes and the longings in her own heart. Love with an Imperfect Lawman Love at first sight? Part I When recently-jilted Emily DeLeon drives to South Texas on a magazine assignment, the last thing she’s looking for is love with a dangerous lawman. Then she finds a wounded law officer lying face down on a lonely dark road. No way can she leave him to die. Part 2 When Sheriff Homer Gonzales, sheriff of Lonesome County regains consciousness, he remembers a pair of beautiful brown eyes in the face of an angel. Is she real? Or a figment of his imagination? If she’s real, he has to find her so he can ask her to stay…maybe forever… Or maybe he should play it smart and protect her…which means pushing her away…

“Want it all? Read Ann Major.” –New York Times bestselling author Nora Roberts “No one provides hotter emotional fireworks than the fiery Ann Major.” RT Book Reviews “Ann Major’s name on the cover instantly identifies the book as a good read.” –New York Times bestselling author Sandra Brown When a rough-cut Texas cowboy haunted by his past saves a Park Avenue bride on the run, opposites attract in a big, Texas way in USA Today Bestselling Ann Major's Love with an Imperfect Cowboy. Should she? Or shouldn’t she? Hannah Lewis never imagined she’d run from her own magnificent, Upper East Side wedding. Born and bred in a penthouse on Park Avenue, she excels at everything - except maybe juggling a career, planning a wedding and paying attention to her fiancé. But couldn't he have chosen another day to cheat with her twin sister? Now Hannah's headed as far away as she can get from New York and her public humiliation. No one will expect to find her at a dude ranch in Lonesome, Texas … but just maybe she can find herself there. Liam Stark is trying to hold it together on the anniversary of the worst night of his life. When a stuck-up beauty walks into the Lonesome Dove Bar, full of rough truckers and ranch-hands, she's trouble in red cowgirl boots--trouble that Liam doesn't need. Especially when he offers her safe haven from a storm on his ranch, and she stirs up memories he'd give anything to forget. Liam has lost too many people he loved--his wife and son on a dangerous stretch of Texas highway, and men under his command in the Afghan conflict. This beauty will be gone in a New York minute as well … unless he asks her to stay. Attraction flames between them, hot as the Texas sun. But when their pasts cause problems, can they trust each other enough to believe they can share a future?

Synopsis coming soon.......

The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.

Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.