One part mixtape, one part disorientation guide, and one part career retrospective, Kyle "Guante" Tran Myhre's debut looks you directly in the eye and doesn't let you flinch. Ranging from justice to love, community action to personal reflection, A Love Song, A Death Rattle, A Battle Cry is a dedication to craft. Clocking in before the rest of us are even awake, the book wastes no time. It does the work and beckons you to follow. A compilation of poems, lyrics and essays from the UN presenter, MC, and two-time National Poetry Slam champion, this book is a love song tucked into a grenade, a necessary call that demands a response.

This debut romance follows a Latina teen pop star whose image takes a dive after a messy public breakup, until she's set up with a swoon-worthy fake boyfriend. Fake boyfriend. Real heartbreak? Natalie is living her dream: topping the charts and setting records as a Brazilian pop star... until she's dumped spectacularly on live television. Not only is it humiliating--it could end her career. Her PR team's desperate plan? A gorgeous yet oh-so-fake boyfriend. Nati reluctantly agrees, but William is not what she expected. She was hoping for a fierce bad boy--not a soft-hearted British indie film star. While she fights her way back to the top with a sweet and surprisingly swoon-worthy boy on her arm, she starts to fall for William--and realizes that maybe she's the biggest fake of them all. Can she reclaim her voice and her heart? "The perfect ode to falling in love while you're still finding your voice."--Jennifer Dugan, author of Hot Dog Girl "All the fun and excitement of your favorite summer bop, and all the heart of a love ballad."--Adiba Jaigirdar, author of The Henna Wars "YA rom-com perfection."--Nina Moreno, author of Don't Date Rosa Santos

Ivy K. Harlowe is a lot of things. She’s my best friend. She’s the center of attention. She is, without fail, the hottest girl in the room. Anytime. Anyplace. She has freckles and dimples and bright green eyes, and with someone else’s energy she’d be adorable. But there is nothing cute about Ivy. She is ice and hot metal and electricity. She is the girl who every lesbian wants, but she has never been with the same person twice. She’s one-of-a-kind but also predictable, so I will always be “best friend Andie,” never “girlfriend Andie.” Then she meets Dot, and Ivy does something even I would have never guessed—she sees Dot another day. And another. And another. Now my world is slowly going up in smoke, and no matter what I do, the flames grow higher. She lit that match without knowing who or what it would burn. Ivy K. Harlowe is a lot of things. But falling in love wasn’t supposed to be one of them...unless it was with me.

From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes. Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine. Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story -- of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.

From Tracey Garvis Graves, the bestselling author of The Girl He Used to Know comes a love song of a story about starting over and second chances in Heard It in a Love Song. Love doesn’t always wait until you’re ready. Layla Hilding is thirty-five and recently divorced. Struggling to break free from the past—her glory days as the lead singer in a band and a ten-year marriage to a man who never put her first—Layla’s newly found independence feels a lot like loneliness. Then there's Josh, the single dad whose daughter attends the elementary school where Layla teaches music. Recently separated, he's still processing the end of his twenty-year marriage to his high school sweetheart. He chats with Layla every morning at school and finds himself thinking about her more and more. Equally cautious and confused about dating in a world that favors apps over meeting organically, Layla and Josh decide to be friends with the potential for something more. Sounds sensible and way too simple—but when two people are on the rebound, is it heartbreak or happiness that’s a love song away?

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.