This book examines the popular publications of the Victorian period, illuminating the intricacies of courtship and marriage from the differing perspectives of the working, middle, and upper classes. In contemporary culture, the near obsessive pursuit of love and monogamous bliss is considered "normal," as evidenced by a wide range of online dating sites, television shows such as Sex in the City and The Bachelorette, and an endless stream of Hollywood romantic comedies. Ironically, when it comes to love and marriage, we still wrestle with many of the same emotional and social challenges as our 19th-century predecessors did over 100 years ago. Courtship and Marriage in Victorian England draws on little-known conduct books, letter-writing manuals, domestic guidebooks, periodical articles, letters, and novels to reveal what the period equivalents of "dating" and "tying the knot" were like in the Victorian era. By addressing topics such as the etiquette of introductions and home visits, the roles of parents and chaperones, the events of the London season, model love letters, and the specific challenges facing domestic servants seeking spouses, author Jennifer Phegley provides a fascinating examination of British courtship and marriage rituals among the working, middle, and upper classes from the 1830s to the 1910s.

Using firsthand documents uncovered in the archives of a London foundling hospital, Barret-Ducrocq offers a marvelously acute census of Victorian sexual and moral attitudes.

Women in Victorian England wore jewelry made from each other's hair and wrote poems celebrating decades of friendship. They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law. Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.

History meets memoir in two irresistible true-life romances--one set in 19th century Rome, one in present-day Paris and London--linked by a bond between women writers a hundred years apart. In 2013, graduate student Nell Stevens toils away on a dissertation about artistic and literary circles in nineteenth-century Rome. Bored with academia and thrown off after falling for a soulful American screenwriter living in Paris, she finds herself drawn to the biography of English novelist Elizabeth Gaskell who, in 1857, left her dull minister husband behind in England and set off with her daughters on a transformative trip to Rome. There she met a dazzling group of artists and writers, including the American critic Charles Eliot Norton. Seventeen years her junior, Norton was Gaskell's one true love. They could not be together--the affair would have been an unthinkable breach. But by his side in Rome, Mrs. Gaskell knew she had reached the "tip-top point" of her life. Could this indomitable Victorian author help modern-day Nell salvage her foundering pursuit of love, family and a writing career? History meets memoir in this vibrant, witty, and hugely original literary chronicle of two women, each charting a way of life beyond the rules of her time.

An anthology of five full-length romance novels set in the 1800s when Queen Victoria sat on the throne of England, and the rest of the western world emulated her demeanor in decorum, protocol, dress and the social graces--except for certain bold and resourceful women like those in these stories, who strayed from the fold to embrace such notions as shedding corsets and crinolines, and remaining free of a husband's control. At least that was their intention... Until love entered the picture. So slip back in time to a world of adventurous ladies who become entangled with irresistible rogues, and rugged frontiersmen, and notorious rakes, and go along with them on their bumpy rides to everlasting love. The five books included in the anthology are Colby's Child, Come Be my Love, Miss Phipps and the Cattle Baron, Perilous Pleasures and Her Master's Touch. For information on the five books included please visit www.patriciawatters.com.

This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.

An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.