How is human love deformed in sexual addiction? How can human love be transformed? David Bellusci considers three signs of addiction and then, by looking at neurotic tendencies within a psychoanalytical framework, as well as the neurobiological nature of sexual pleasure, explores the causes of sexual addiction. Behavioral expression of addiction is examined in pornography, masturbation, cybersex, and multiple sexual partners. Working within a Christian anthropology drawn from Thomas Aquinas, Bellusci considers the morality of pleasure; how pleasure suggests an antinomy of satisfaction-dissatisfaction. He explores how the fallen human condition effects the will, and the consent to sin. He concludes with a focus on how the addict may be supported, at the psychological, relational, and spiritual levels.

A beaut story about one very ugly kid. Robert Hoge was born with a tumour in the middle of his face, and legs that weren't much use. There wasn't another baby like him in the whole of Australia, let alone Brisbane. But the rest of his life wasn't so unusual: he had a mum and a dad, brothers and sisters, friends at school and in his street. He had childhood scrapes and days at the beach; fights with his family and trouble with his teachers. He had doctors, too: lots of doctors who, when he was still very young, removed that tumour from his face and operated on his legs, then stitched him back together. He still looked different, though. He still looked ... ugly. UGLY is the true story of how an extraordinary boy grew up to have an ordinary life, and how that became his greatest achievement of all.

The condition of man is revealed as absurd in Camus's short novel.

This book contends that in Love's Labour's Lost Shakespeare sought to discover the ways in which the imagination uses and abuses language. The author's critical reading shows that the characters are endowed with a wide variety of rhetorical disguises. Each assumes that his verbal and social point of view is correct, and the limitations and virtues of each viewpoint are explored as the drama unfolds. In an elegant examination of theme and style, Professor Carroll heightens the reader's awareness of Shakespeare's marvellously inventive use of language. The author analyzes the different kinds of style, the characters' attitudes toward language, the play's theatrical modes, the frequent metamorphoses, and the debates. The term "debate"—justified by Shakespeare's use of the medieval conflictus—relates to both theme and structure. The author finds that the conflicting theories about the proper relation of language and imagination are resolved stylistically and thematically only in the final Debate between Spring and Winter, where the playwright reasserts the nature and value of good art. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The moving wartime story of friendship and heroism, set against the dramatic backdrop of the World War II Battle of Dunkirk In the marshes of Essex, one of the last wild places left in England, a disfigured artist lives alone in an abandoned lighthouse. Shunned by society, he spends his days painting scenes of the coast and the birds that migrate to the meadowlands every winter. His days are solitary until one November afternoon, a young girl from a nearby village comes to his door carrying a wounded snow goose in her arms. The unlikely pair develop a friendship that deepens over the ensuing years, waiting together for the arrival of the birds every autumn. In 1940, with England at war, the birds depart early from the shores. The man, too, is called away by his duty as an Englishman to help evacuate the soldiers stranded on the beaches of Dunkirk. A moving tale of love, war, bravery, and sacrifice.