A New York love story that’s “part suspense comedy and part philosophical treatise on the neurosis of love” from the author of Nude Men (Bret Easton Ellis). At thirty-two years old, Lynn Gallagher is one of the five most influential contemporary-art gallery owners in Manhattan. Too bad her face is dead. Not so, says Lynn’s assistant, but that is how it feels when she compares it to her stalker’s face. Alan Morton may be a plump, goofy-looking accountant, but his face glows with life when he peers at Lynn through her gallery window. The difference is that Alan wants something—her—very badly, while Lynn wants nothing at all. So she decides to stalk. The object of her obsession—French attorney Roland Dupont—is chosen at random in a Chelsea bakery. He is attractive, but it is not until he expresses his disinterest in her that Lynn begins to truly desire him. Alan, jealous of Lynn’s newfound hobby, befriends Roland to find out what she sees in him. When Roland learns that he acquired his stalker by happenstance, he decides that he might be interested in Lynn after all. Soon all three are brazenly pursuing each other across the city—from adult education classes in the art of beading to meetings of Stalker’s Anonymous—as they try to figure out what it is that they truly want. The advice of Ray, the homeless psychologist who observes their madcap comings and goings, is not much help at all: “Take a break, an antidepressant. Get hold of yourselves.” A hip and darkly humorous novel about the mysteries of romance, Love Creeps is pure Amanda Filipacchi—funny, wicked, and wise.

In Pumpkins County, weird things happen every day, but nobody ever makes a fuss. Nobody, that is, except the Creeps: Carol, a big-city girl new to Pumpkins County, who finds kindred spirits in Mitchell (monster expert), Jarvis (military brat with logistics know-how), and Rosario (girly girl on the outside, muscle underneath). The Creeps are on the case to figure out the spooky mysteries and still get to class on time. Last week it was a pudding monster. This week, it's killer frogs--reanimated from the team's biology class dissection experiment. Who's behind the Frankenfrog attacks? The Creeps will track down the answers! In this new creepy graphic novel series, Chris Schweizer's art is full of the visual excitement that only the best graphic novel creators can pull off.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Of Love and Papers explores how immigration policies are fundamentally reshaping Latino families. Drawing on two waves of interviews with undocumented young adults, Enriquez investigates how immigration status creeps into the most personal aspects of everyday life, intersecting with gender to constrain family formation. The imprint of illegality remains, even upon obtaining DACA or permanent residency. Interweaving the perspectives of US citizen romantic partners and children, Enriquez illustrates the multigenerational punishment that limits the upward mobility of Latino families. Of Love and Papers sparks an intimate understanding of contemporary US immigration policies and their enduring consequences for immigrant families.

#1 NEW YORK TIMES BESTSELLER • Everybody tells you to live for a cause larger than yourself, but how exactly do you do it? The author of The Road to Character explores what it takes to lead a meaningful life in a self-centered world. “Deeply moving, frequently eloquent and extraordinarily incisive.”—The Washington Post Every so often, you meet people who radiate joy—who seem to know why they were put on this earth, who glow with a kind of inner light. Life, for these people, has often followed what we might think of as a two-mountain shape. They get out of school, they start a career, and they begin climbing the mountain they thought they were meant to climb. Their goals on this first mountain are the ones our culture endorses: to be a success, to make your mark, to experience personal happiness. But when they get to the top of that mountain, something happens. They look around and find the view . . . unsatisfying. They realize: This wasn’t my mountain after all. There’s another, bigger mountain out there that is actually my mountain. And so they embark on a new journey. On the second mountain, life moves from self-centered to other-centered. They want the things that are truly worth wanting, not the things other people tell them to want. They embrace a life of interdependence, not independence. They surrender to a life of commitment. In The Second Mountain, David Brooks explores the four commitments that define a life of meaning and purpose: to a spouse and family, to a vocation, to a philosophy or faith, and to a community. Our personal fulfillment depends on how well we choose and execute these commitments. Brooks looks at a range of people who have lived joyous, committed lives, and who have embraced the necessity and beauty of dependence. He gathers their wisdom on how to choose a partner, how to pick a vocation, how to live out a philosophy, and how we can begin to integrate our commitments into one overriding purpose. In short, this book is meant to help us all lead more meaningful lives. But it’s also a provocative social commentary. We live in a society, Brooks argues, that celebrates freedom, that tells us to be true to ourselves, at the expense of surrendering to a cause, rooting ourselves in a neighborhood, binding ourselves to others by social solidarity and love. We have taken individualism to the extreme—and in the process we have torn the social fabric in a thousand different ways. The path to repair is through making deeper commitments. In The Second Mountain, Brooks shows what can happen when we put commitment-making at the center of our lives.