For more than a century, Woolworth's five and dime stores represented Americana, mirroring the country's growth, its good times and bad, its foibles and its fads. The chain was founded by Frank W. Woolworth, who in 1879 established two stores--one in Utica, New York, which failed and was closed down, and another in Lancaster, Pennsylvania, which succeeded and marked the beginning of the legacy of the Woolworth's Five and Tens. This work is a full account of the chain, its rags-to-riches founder, Frank W. Woolworth, and his flamboyant and tragic descendants. It traces the important role that Woolworth stores played in the sit-down strikes of the 1930s, the lunch counter sit-ins that began in Greensboro, North Carolina, as part of the Civil Rights movement (which tainted Woolworth's as the Big Business enemy of the downtrodden), and the gradual disintegration of the five and tens during the 1980s and early 1990s. The dramatic story is enhanced with important photos featuring such events as the closing of a Woolworth's in Germany by Nazi soldiers and the Greensboro sit-in as well as archival photos from Woolworth's 40th, 50th, and 60th anniversary booklets.

An entertaining and informative book about the fashion and fads of language Today's 18-year-olds may not know who Mrs. Robinson is, where the term "stuck in a groove" comes from, why 1984 was a year unlike any other, how big a bread box is, how to get to Peyton Place, or what the term Watergate refers to. I Love It When You Talk Retro discusses these verbal fossils that remain embedded in our national conversation long after the topic they refer to has galloped off into the sunset. That could be a person (Mrs. Robinson), product (Edsel), past bestseller (Catch-22), radio or TV show (Gangbusters), comic strip (Alphonse and Gaston), or advertisement (Where's the beef?) long forgotten. Such retroterms are words or phrases in current use whose origins lie in our past. Ralph Keyes takes us on an illuminating and engaging tour through the phenomenon that is Retrotalk—a journey, oftentimes along the timelines of American history and the faultlines of culture, that will add to the word-lover's store of trivia and obscure references. "The phrase "drinking the Kool-Aid" is a mystery to young people today, as is "45rpm." Even older folks don't know the origins of "raked over the coals" and "cut to the chase." Keyes (The QuoteVerifier) uses his skill as a sleuth of sources to track what he calls "retrotalk": "a slippery slope of puzzling allusions to past phenomena." He surveys the origins of "verbal fossils" from commercials (Kodak moment), jurisprudence (Twinkie defense), movies (pod people), cartoons (Caspar Milquetoast) and literature (brave new world). Some pop permutations percolated over decades: Radio's Take It or Leave It spawned a catch phrase so popular the program was retitled The $64 Question and later returned as TV's The $64,000 Question. Keyes's own book Is There Life After High School? became both a Broadway musical and a catch phrase. Some entries are self-evident or have speculative origins, but Keyes's nonacademic style and probing research make this both an entertaining read and a valuable reference work." --Publishers Weekly

In a lively celebration of the contemporary folk music scene, Nanci Griffith tells the story of her music evolution and introduces the songwriters and performers who contributed to her Grammy Award-winning album, "Other Voices, Other Rooms" and her new album, "Other Voices, Too: A Trip Back to Bountiful". 100 photos.

In age of elegance and excess, Lilly Westbrook longs for a love both true and eternal. Newport, Rhode Island, 1899, is a place of shimmering waves, sleek yachts, and ladies of leisure. Of opulent mansions that serve as summer cottages for the rich and famous. Home of railroad magnates and banking tycoons--dashing young men and the women who aspire to marry them. But it's not the place for lady novelists. Especially not those who pen disreputable dime novels. This poses a problem for Lilly Westbrook, because that's exactly what she does. No one in Lilly's social set knows she pens fiction under the nom de plume Fannie Cole. Not her family or the wealthy young man about to propose to her. And especially not Jackson Grail, the long-lost beau who just bought her publishing company...and who stirs her heart more than she cares to admit. But Lilly must put aside her feelings and follow the path that will maintain her family's social stature and provide the financial security that everyone is depending on. Now Lilly faces a double dilemma. Can she continue to protect her secret identity? And will she have the courage to choose the man who will risk it all just to win her heart?

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Mickey Newbury (1940–2002) grew up in Houston and moved to Nashville in the early 1960s, following his muse. He wrote top hits for many well-known artists, including Don Gibson, Andy Williams, Kenny Rogers, Tom Jones, and others. He is probably best known, however, for being name-checked in the song “Luckenbach, Texas (Back to the Basics of Love)” by Waylon Jennings. Newbury has been cited by Jennings, Kris Kristofferson, Townes Van Zandt, and many other eminent singer-songwriters as a primary influence. In his own independent fashion, Newbury helped to loosen the grip maintained for decades by the Nashville studio system, thus paving the way for later innovators like Willie Nelson, David Allan Coe, and others. He is still the only songwriter to produce hits on four different charts in the same year in 1968: “Just Dropped In (to See What Condition My Condition was In)” on the pop/rock charts, “Sweet Memories” on easy listening, “Time Is a Thief” on the R & B charts, and “Here Comes the Rain, Baby” in country. Following the successful pattern established in his previous works on Townes Van Zandt and Ray Wylie Hubbard, veteran music journalist Brian T. Atkinson has interviewed artists such as Kris Kristofferson, Bobby Bare, Ramblin’ Jack Elliott, Steve Earle, Rodney Crowell, and many others to learn how Newbury’s influence continues to shape the musical and artistic approach of both seasoned and newer performers. Forewords by Larry Gatlin and Don McLean set the stage for a fascinating look back at one of the most revered songwriters and musicians of recent decades.