Jaime's definitive statement on post-punk culture. Maggie, Hopey, and the rest of Las Locas prowl Los Angeles, the East Coast, and parts in between trying to recapture the carefree spirit of those early days a decade ago.

In these classic "Locas" stories, Jaime drops a narrative bomb on Hopey (and us) in "Wigwam Bam"; Maggie contends with her inner demons, a murderous hooker, and an amorous lady wrestler; and Maggie, getting married?

The suppression of family history is the initial thread that ties together The Love Bunglers, featuring Hernandez's longtime Love and Rockets heroine Maggie. Because these secrets can't be dealt with openly, their lingering effect is even more powerful. But Maggie's ability to navigate and find meaning in her life - despite losing her culture, her brother, her profession, and her friends - is what's made her a compelling character. After a lifetime of losses, Maggie finds, in the second half, her longtime off and on lover, Ray Dominguez. Much like John Updike in his four Rabbitnovels, Jaime Hernandez has been following his longtime character Maggie around for several decades, all of which has seemed to be building towards this book in particular.

When Mexican-American rock girl Maggie Chascarrillo and feisty anti-authoritarian punkette Hopey Glass first meet, a turbulent yet enduring relationship is born.

Volumes cover the Hernandez Brothers' work from the first Love & Rockets series, 1982-1996, calendar illustrations from 1989-1993, covers from the series, and hard to find drawings from various publications.

Five women stand in a police lineup; four of them are garishly dressed, impressively endowed superwomen ― perfectly normal, because this is, after all, the cover of a comic book. A closer look, however, reveals a fifth woman who seems thoroughly out of place ― mousy, in bathrobe and curlers, smoking a cigarette, she appears to have been suddenly yanked from her breakfast table. Surely, this diminutive, dowdy woman is here by mistake ― or is she? From the very first cover of the very first issue of Love and Rockets in 1982, Gilbert and Jaime Hernandez have created artwork that has subverted, contradicted and celebrated the history of the comic book medium, inverting familiar tropes and creating some of the most iconic images in comics over the past three and a half decades, inviting fans and readers into their world. Amazingly, many of the covers created by Gilbert and Jaime Hernandez for the various iterations of Love and Rockets over the past 35 years have never been collected or have only been reprinted in black-and-white. Love and Rockets: The Covers will not only rectify this problem, but present them without trade dress (logos, marketing hype, etc.), allowing the original cover illustrations to communicate on their own.

The original, seminal Love & Rockets comic book series, which ran for 50 issues from 1981 to 1996, singlehandedly defined the post-underground generation of comics that spawned Daniel Clowes, Chris Ware, and so many others. Now collected into 15 volumes, Love & Rockets is a body of work that The Nation has described as "one of the hidden treasures of our impoverished culture." Created by brothers Gilbert, Jaime, and Mario Hernandez, three Southern California Mexican-Americans armed with a passion for pop culture and punk rock, Love & Rockets gave a voice to minorities and women for the first time in the medium's then 50-year history and remains one of the greatest achievements in comic book history.