***THE NOVEL OF THE HIT INDIE FILM*** 'If, like me, you like your Austen subversive, cruel, funny and outrageous, then you will love Stillman's Love & Friendship' The Times 'Lady Susan is finally getting some long overdue respect' New York Times 'Lady Susan remains deliciously wicked' Vogue With a pitch-perfect Austenian sensibility and wry social commentary, filmmaker and writer Whit Stillman cleverly re-imagines and completes one of our greatest writers' unfinished works. Love & Friendship is a sharp comedy of manners, and a fiendishly funny treat for Austen and Stillman fans alike. JANE AUSTEN'S FUNNIEST NOVEL IS ALSO HER LEAST KNOWN - UNTIL NOW. Impossibly beautiful, disarmingly witty, and completely self-absorbed: meet Lady Susan Vernon, both the heart and the thorn of Love & Friendship. Recently widowed with a daughter who's coming of age as quickly as their funds are dwindling, Lady Susan makes it her mission to find them wealthy husbands - and fast. But when her attempts to secure their futures result only in the wrath of a prominent conquest's wife and the title of 'most accomplished coquette in England', Lady Susan must rethink her strategy. Unannounced, she arrives at her brother-in-law's country estate. Here she intends to take refuge - in no less than luxury, of course - from the colorful rumors trailing her, while finding another avenue to 'I do'. Before the scandalizing gossip can run its course, though, romantic triangles ensue. A SPECIAL EDITION FEATURING JANE AUSTEN'S ORIGINAL NOVELLA AS ANNOTATED BY THE NARRATOR. PRAISE FOR LOVE & FRIENDSHIP THE FILM 'A RACY DELIGHT' Guardian ***** 'FIND ME A FUNNIER SCREEN STAB AT AUSTEN, AND I'M TEMPTED TO OFFER YOUR MONEY BACK PERSONALLY' Telegraph ***** 'TREMENDOUSLY WITTY' Independent ***** 'MAY JUST BE THE BEST JANE AUSTEN FILM EVER MADE' London Evening Standard *****

The new hit movie Love and Friendship starring Kate Beckinsale is based on two early works by Jane Austen, Lady Susan and Love and Freindship - both of which are included here. Fans of the movie will find the bulk of the plot has been taken from Lady Susan and the title from Love and Freindship.

"Written with the erudition and wit that made The Closing of the American Mind a #1 best-seller, Love and Friendship is a searching examination of the basic human connections at the center of the greatest works of literature and philosophy throughout the ages." "In a spirited polemic directed at our contemporary culture, Allan Bloom argues that we live in a world where love and friendship are withering away. Science and moralism have reduced eros to sex. Individualism and egalitarianism have turned romantic relationships into contractual matters to be litigated. Survey research has made every variety of sexual behavior seem normal, and thus boring. In sex education classes, children learn how to use condoms, but not how to deal with the hopes and risks of intimacy. We no longer know how to talk and think about the peril and promise of attraction and fidelity." "What has been lost is what separates human beings from beasts - the power of the imagination, which can transform sex into eros. Our impoverished feelings are rooted in our impoverished language of love. To recover the danger, the strength, and the beauty of eros, we must study the great literature of love, in the hope of rekindling the imagination of beauty and virtue that fuels eros. We must love to learn, in order to learn to love again." "Like The Closing of the American Mind, this is an exhilarating journey of ideas in search of the truths that great writers and philosophers have offered about our most precious and perilous longings. Love and Friendship dissects Rousseau's invention of Romantic love, meant to provide a new basis for human connection, amid the atomism of bourgeois society, and exposes the reasons for its ultimate failure. Bloom tells of the Romantics' idea of the sublime and Freud's theory of sublimation. He takes us into the universe of Shakespeare's plays, where love is a natural phenomenon that gives rise to both the brightest hopes and the bitterest conflicts and disappointments. Finally, Bloom offers a fresh reading of the greatest work on eros, Plato's Symposium." "A profound analysis of the literature of eros from the Bible to Freud, Love and Friendship is a powerful book that will inspire as well as outrage, amuse as well as illuminate. The culmination of a lifetime spent thinking and writing about the most fundamental questions facing human beings, it will change forever how we think about our most personal relationships and our most intimate dreams and desires."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Meet Christopher Henderson. Kit to his friends and admirers. Hendo to the jocks who worship him. Butt-head (or Topher) to me and my best friend. AKA, the dillweed of a human being. Meet Alexander Henderson. Ander to the people who put up with his skinny ass. Hendo Jr to the jocks sucking up to Topher. Best Friend Extraordinaire to me. AKA, the love of my life. Meet Addison MacGuire. Addy to whoever asks because (honestly) what kind of name is Addison? Addy Mac to anyone who sees her doing stupid sh*t. And well…me to me. AKA, the girl you don’t date because... Well, who knows. So, what happens when you take one tomboy, one best friend, and that best friend’s stupidly hot, popular older brother with a bad attitude? That’s right, you get a story worthy of a teen rom-com. Because, sometimes real life is a bitch. Sometimes the only guy to come between you and the love of your life is the one guy you weren’t supposed to fall in love with. But, how do you tell the difference between love, lust and friendship? Please be aware that this story is set in Australia and therefore uses Australian English spelling and syntax.

A wonderful addition to Alma Classics' Jane Austen collection, here presented to include all the popular British writer's juvenilia

Recent Western thought has consistently emphasized the individualistic strand in our understanding of persons at the expense of the social strand. Thus, it is generally thought that persons are self-determining and autonomous, where these are understood to be capacities we exercise most fully on our own, apart from others, whose influence on us tends to undermine that autonomy. Love, Friendship, and the Self argues that we must reject a strongly individualistic conception of persons if we are to make sense of significant interpersonal relationships and the importance they can have in our lives. It presents a new account of love as intimate identification and of friendship as a kind of plural agency, in each case grounding and analyzing these notions in terms of interpersonal emotions. At the center of this account is an analysis of how our emotional connectedness with others is essential to our very capacities for autonomy and self-determination: we are rational and autonomous only because of and through our inherently social nature. By focusing on the role that relationships of love and friendship have both in the initial formation of our selves and in the on-going development and maturation of adult persons, Helm significantly alters our understanding of persons and the kind of psychology we persons have as moral and social beings.

Today, friendship, love and sexuality are mostly viewed as private, personal and informal relations. In the mediaeval and early modern period, just like in ancient times, this was different. The classical philosophy of friendship (Aristotle) included both friendship and love in the concept of philia. It was also linked to an argument about the virtues needed to become an excellent member of the city state. Thus, close relations were not only thought to be a matter of pleasant gatherings in privacy, but just as much a matter of ethics and politics.What, then, happened to the classical ideas of close relations when they were transmitted to philosophers, clerical and monastic thinkers, state officials or other people in the medieval and early modern period? To what extent did friendship transcend the distinctions between private and public that then existed? How were close relations shaped in practice? Did dialogues with close friends help to contribute to the process of subject-formation in the Renaissance and Enlightenment? To what degree did institutions of power or individual thinkers find it necessary to caution against friendship or love and sexuality?