Louise is determined to get straight As even though she's stuck with the toughest teacher in the whole school.

On a gray, rainy day, everything seems particularly frightening and bad to Louise until she enters a library and finds books that help her to know and imagine the beauty and wonder that have been there all along.

When Louise wakes up with itchy eyes, a wheezy throat, and a sneezy nose, she just knows it is not going to be a very good day.

This New York Timesbestseller has sold over 50 million copies worldwide, including over 200,000 copies in Australia. Louise's key message in this powerful work is- oIf we are willing to do the mental work, almost anything can be healed.o Louise explains how limiting beliefs and ideas are often the cause of illness, and how you can change your thinkingaand improve the quality of your life! Packed with powerful information - you'll love this gem of a book! This special edition, released to mark Hay House's 30th anniversary,contains 16 pages of photographs.

'Unputdownable' Sunday Times 'I was hooked from page one' Guardian When Rilke, a dissolute auctioneer, comes upon a hidden collection of violent and highly disturbing photographs, he feels compelled to discover more about the deceased owner who coveted them. Soon he finds himself sucked into an underworld of crime, depravity and secret desire, fighting for his life.

Persuaded by her grandfather to supervise the coming out of Matilda, his great-niece, Louise reluctantly goes to London to take part in the season for the first time since her soldier husband was killed three years before. Matilda is difficult, but Louise enjoys meeting old and new friends and the balls. But finding a husband for Matilda proved more difficult than anticipated.

Louise Erdrich is one of the most critically and commercially successful Native American writers. This book is the first fully comprehensive treatment of Erdrich’s writing, analysing the textual complexities and diverse contexts of her work to date. Drawing on the critical archive relating to Erdrich’s work and Native American literature, Stirrup explores the full depth and range of her authorship. Breaking Erdrich’s oeuvre into several groupings - poetry, early and late fiction, memoir and children’s writing - Stirrup develops individual readings of both the critical arguments and the texts themselves. He argues that Erdrich’s work has developed an increasing political acuity to the relationship between ethics and aesthetics in Native American literatures. Erdrich’s insistence on being read as an American writer is shown to be in constant and mutually-inflecting dialogue with her Ojibwe heritage. This sophisticated analysis is of use to students and readers at all levels of engagement with Erdrich’s writing.