Explores How Far Subhas`S Philosophy Of Life Was Influenced By Aurobindo`S `Terrorism`, Tagore`S `Universalism` And Gandhi`S `Experimental Non-Violence`. Shows How Subhas Discovered Gaps In Their Ideals And How With His Analytical Intellect He Formulated His Action Plan To Force Britishers To Quit India.

"[These volumes] are endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.

Kinslayer is Book Two in Jay Kristoff's critically acclaimed Lotus War series that began with Stormdancer, featuring an unforgettable heroine and a stunningly original Japanese dystopian steampunk world A SHATTERED EMPIRE The mad Shogun Yoritomo has been assassinated by the Stormdancer Yukiko, and the threat of civil war looms over the Shima Imperium. The toxic blood lotus flower continues to ravage the land, the deadlands splitting wider by the day. The machine-worshippers of the Lotus Guild conspire to renew the nation's broken dynasty and crush the growing rebellion simultaneously - by endorsing a new Shogun who desires nothing more than to see Yukiko dead. A DARK LEGACY Yukiko and the mighty thunder tiger Buruu have been cast in the role of heroes by the Kagé rebellion. But Yukiko herself is blinded by rage over her father's death, and her ability to hear the thoughts of beasts is swelling beyond her power to control. Along with Buruu, Yukiko's anchor is Kin, the rebel Guildsman who helped her escape from Yoritomo's clutches. But Kin has his own secrets, and is haunted by visions of a future he'd rather die than see realized. A GATHERING STORM Kagé assassins lurk within the Shogun's palace, plotting to end the new dynasty before it begins. A waif from Kigen's gutters begins a friendship that could undo the entire empire. A new enemy gathers its strength, readying to push the fracturing Shima imperium into a war it cannot hope to survive. And across raging oceans, amongst islands of black glass, Yukiko and Buruu will face foes no katana or talon can defeat. The ghosts of a blood-stained past.

This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity—and grasp how the subject is perceived now through the lens of history.

This work is a deconstruction of the political discourse of politicians in Trinidad and Tobago from the 1950's to the present. This deconstruction has revealed a discourse of racist hegemony is the basis for political mobilisation in Trinidad and Tobago as it frames a mental image of a hegemonic race wielding state power over a dominated race consigned to the wilderness of opposition politics. The resources of the state exist then for the benefit of the hegemonic race and those who conceive of self as belonging to races in competition for state resources must then do their political duty to ensure the hegemony of their race. Politics has nothing to do with governance, personal and social development.

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