Lost Tycoon presents an unvarnished, in-depth portrayal of the man who vows to "Make America Great Again." Although it was first published in 1993, Lost Tycoon shows us that The Donald's personal character, political philosophy, business ethics, and attitude towards women haven't changed much in the past two decades.Trump is a man of many lives, and many wives. He is arguably the greatest self-promoter in the annals of American business. After inheriting a fortune, he made and lost billions in real estate and casino gambling, rising phoenix-like from his own ashes. He is a reality television show star, a father, a grandfather, and an alleged rapist. In Hollywood terms, he has literally been the producer and director of his own biopic--a real life "Citizen Kane," whose father hammered the same lines into his head when was a little boy: "You are a killer . . . you are a king . . . you are a killer . . .you are a king."Harry Hurt has created a cinema verité-style narrative that allows the words and actions of the principals to speak for themselves. It is indisputable that Donald's exploits in business, entertainment, and politics prove that he is--to borrow a metaphor from Fred Trump Sr.--"a killer." Reading this important biography about the real Donald Trump will help you to make an informed and engaged choice as to whether he is worthy of being "king."

Fighting to survive, Misty Elton takes one look at the man standing in front of her and knows she needs to make a decision – does she want to live? Discovering that her boyfriend is storing enough drugs to supply a small country, she looks for an escape route. He's standing in the doorway – standing in the way of her freedom.Misty has nothing left – no family, no friends, no one she can rely on. She is all alone and frightened. Managing to get past her ex, she flees, running away and landing in Seattle, she changes her appearance, her name, her life.After a year, she begins to feel safe. Her ex won't find her. She's beginning to pick up the pieces of her once shattered existence and carve out a new world for herself.That is, until a tall, well-dressed man shows up at her job and tells her they need to talk – and he knows her real name. Fleeing to get away from him, she rushes to the back room and grabs her Taser. When she hits him with it, she thinks she's home free.She's not.All Misty has done is really tick off Bryson Winchester, and all he's trying to do is help her by getting her scum of an ex off the streets.Misty has a choice to make. Is this a man she can believe in? Is any man worthy of her precious trust? She'll find the answers, though they may not be what she expects or wants – her entire world is about to be turned upside down, because not only will she find there are some men out there worth trusting – she will find out the secret of her birth – the reality of who she really is.Some things should stay in the past – and others… Other things will come back with a vengeance.

"Fascinating...A richly detailed portrait." -Michiko Kakutani, The New York Times Known in his day as the King of Sugar, Julio Lobo was the wealthiest man in prerevolutionary Cuba. He had a life fit for Hollywood: he barely survived both a gangland shooting and a firing squad, and courted movie stars such as Joan Fontaine and Bette Davis. Only when he declined Che Guevara's personal offer to become Minister of Sugar in the Communist regime did Lobo's decades-long reign in Cuba come to a dramatic end. Drawing on stories from the author's own family history and other tales of the island's lost haute bourgeoisie, The Sugar King of Havana is a rare portrait of Cuba's glittering past—and a hopeful window into its future.

"Known not only for his brilliant novels but also for short stories chronicling the Jazz Age, such as 'Bernice bobs her hair' and 'The diamond as big as the Ritz, ' F. Scott Fitzgerald continued to write stories his entire life, some of which were never published--until now. Many of the stories in I'd die for you were submitted to major magazines and accepted for publication during Fitzgerald's lifetime but were never printed. A few were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald in the 1930s. They come from various sources, from library archive to private collections, including those of Fitzgerald's family"--Jacket flap.

The last tycoon centers on the life of fictional film executive Monroe Stahr, circa Hollywood in the 1930s. Stahr is modeled loosely on the life of film executive Irving Thalberg.

F. Scott Fitzgerald’s poignant final work is now available in a beautifully designed collector’s edition. Fitzgerald’s final novel portrays the glittering excess of 1930s Hollywood. This edition, authorized by the Fizgerald estate, is a careful restoration of the author’s phrases, words, and images that were excised from the 1940 publication, giving new luster to Fitzgerald’s last work. A tragic story of the young Hollywood mogul Monroe Stahr, a character who was inspired by the life of movie producer Irving Thalberg, The Last Tycoon is a sharply observed and bittersweet exposé of the film industry in its heyday.