Funny, charming and captivating, with a plot within a plot, and a girl who is looking for love in all the wrong places. 'I loved it! It's got a kind of Bridget Jones feel and such a page turner. Great fun but with such beautiful heart. I've already cast the film/series in my head!' Rebecca Gibney 'A warm and very funny read.' Who, 4 stars Vanessa Rooney is a thirty-something dental hygienist who finds herself a single mum with a hole in her heart where her husband had been. Somehow she finds the courage to fulfil her childhood dream of writing a romance novel but soon discovers that her novel has been plagiarised by her idol, celebrity author Charlotte Lancaster. Vanessa reluctantly sues Charlotte with the help of suburban solicitor Dave Rendall, who's nursing some unfulfilled dreams of his own. When gun QC Marcus Stafford agrees to join their legal team, Vanessa feels like her perfect man has stepped right out of the pages of her book and into her life. As all hell breaks loose publicly and privately, Vanessa confronts a painful past and realises what Dave already knew - that she's an intelligent, funny, amazing woman and Marcus Stafford is, well, a tosspot. Vanessa finally understands that what she wanted wasn't what she needed, but has this realisation come too late?

This collection charts some of the ways in which site continues to be a concern for contemporary practice, and introduces the concept of “plot” as an alternative. The critical concept of site-specificity once seemed to harbour the potential for disruption. But site-specific work has become increasingly assimilated into the capitalist logic of regeneration and value creation. The materialist critique of the art object has been shortcircuited by the franchised idiosyncrasies of international nomad flâneurs. And on a planet whose entire surface is mapped and apped, the concept of “site” itself becomes ever more problematic. How can we do justice to the particularity of local sites while unearthing their material conditions? What do a contemporary “geo-philosophy” and the historical legacy of site-specific art have to offer each other? Can we develop methods for the controlled unpacking of the local into the global, avoiding trivial reconciliations between local sites and their global conditions? When Site Lost the Plot charts some of the ways in which site continues to be a concern for contemporary practice; and introduces the concept of “plot” as an alternative approach. Alongside artists discussing their practice and their approach to site and plot, contributors from various disciplines introduce concepts from cartography, mathematics, film, fiction, design, and philosophy.

A mysterious archive. A powerful enemy. And a cunning plan. Danger is part of the day job for a Librarian spy. So Irene’s hoping for a relaxing weekend. However, her jaunt to Guernsey proves no such thing. Instead of retrieving a rare book, she’s almost assassinated, Kai is poisoned and Vale barely escapes with his life. Then the attacks continue in London – targeting those connected with the Fae-dragon peace treaty. Irene knows she must stop the plot before the treaty fails. Or someone dies. But when Irene and friends are trapped underground, in a secret archive, things don’t look so good. Then an old enemy demands vengeance, and a shocking secret is revealed. Can Irene really seize victory from chaos? The Dark Archive is the seventh book in the Invisible Library series by Genevieve Cogman. Genevieve is also the author of the Sunday Times bestselling Scarlet - which reimagines the tale of the Scarlet Pimpernel, but with vampires, mages and magic. . . Praise for the series: 'I absolutely loved this' - N. K. Jemisin, author of The Fifth Season 'Irene is a great heroine: fiery, resourceful and no one's fool' - Guardian 'Brilliant and so much fun. Skullduggery, Librarians, and dragons – Cogman keeps upping the ante on this delightful series!' - Charles Stross, author of the Merchant Princes series

How do we make sense of life? What’s our identity? Mixing memoir with theological and philosophical reflections, author David Wisener explores his struggle to understand God’s love and acceptance in his heart and how to find his place in the world when life didn’t go according to plan. Exploring the postmodern critique that we live our lives according to stories, Lost the Plot helps us realize how many of the stories we cling to aren’t part of God’s Story. Weaving deeply personal experiences of shattered dreams, bouts of depression, and disillusionment with the church, the book also explores concepts like perception, reality, and love, offering unique insight into the struggles and questions we face in understanding what life is about and what it means to be human.

From New York Times bestseller Kody Keplinger comes an astonishing and thought-provoking exploration of the aftermath of tragedy, the power of narrative, and how we remember what we've lost. It's been three years since the Virgil County High School Massacre. Three years since my best friend, Sarah, was killed in a bathroom stall during the mass shooting. Everyone knows Sarah's story--that she died proclaiming her faith. But it's not true. I know because I was with her when she died. I didn't say anything then, and people got hurt because of it. Now Sarah's parents are publishing a book about her, so this might be my last chance to set the record straight . . . but I'm not the only survivor with a story to tell about what did--and didn't--happen that day. Except Sarah's martyrdom is important to a lot of people, people who don't take kindly to what I'm trying to do. And the more I learn, the less certain I am about what's right. I don't know what will be worse: the guilt of staying silent or the consequences of speaking up . . .

Over a decade after the release of their first album, The Dears have weathered the indie fringes, the collapse of the music industry as we knew it and the near implosion of the band itself, with their creative vision and gang dynamic intact. The Dears: Lost in the Plot looks at how The Dears survived the fallout, and helped launch the acclaimed mid-aughts music scene in their hometown of Montréal. The Dears: Lost in the Plot is the first book in Invisible Publishing's new Bibliophonic series. The Bibliophonic Series is a catalogue of the ongoing history of contemporary music. Each book is a time capsule, capturing artists and their work as we see them, providing a unique look at some of today's most exciting musicians.

** NEW YORK TIMES BESTSELLER! ** The Tonight Show Summer Reads Winner ** A New York Times Notable Book of 2021 ** "Insanely readable." —Stephen King Hailed as "breathtakingly suspenseful," Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it. Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written—let alone published—anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then . . . he hears the plot. Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker’s first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that—a story that absolutely needs to be told. In a few short years, all of Evan Parker’s predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says. As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his “sure thing” of a novel? What is the real story behind the plot, and who stole it from whom?