In 1971, as American forces hastened their withdrawal from Vietnam, a helicopter was hit by enemy fire over Laos and exploded in a fireball, killing four top combat photographers, Larry Burrows of Life magazine, Henri Huet of Associated Press, Kent Potter of United Press International, and Keisaburo Shimamoto of Newsweek. The Saigon press corps and the American public were stunned, but the remoteness of the location made a recovery attempt impossible. When the war ended four years later in a communist victory, the war zone was sealed off to outsiders, and the helicopter incident faded from most memories. Yet two journalists from the Vietnam press corps -- Richard Pyle, former Saigon Bureau Chief, and Horst Faas, Pulitzer Prize-winning photographer in Vietnam-pledged to return some day to Laos, resolve mysteries about the crash, and pay homage to their lost friends. True to their vow, twenty-seven years after the incident the authors joined a U.S. team excavating the hillside where the helicopter crashed. Few human remains were found, but camera parts and bits of film provided eerie proof of what happened there.The narrative of Lost Over Laos is framed in a period that was among the war's bloodiest, for both the military and the media, yet has received relatively little attention from historians. It is rich with behind-the-scenes anecdotes about the Saigon press corps and illustrated with stunning work by the four combat photographers who died and their colleagues.

In 1971, as American forces hastened their withdrawal from Vietnam, a helicopter was hit by enemy fire over Laos and exploded in a fireball, killing four top combat photographers, Larry Burrows of Life magazine, Henri Huet of Associated Press, Kent Potter of United Press International, and Keisaburo Shimamoto of Newsweek. The Saigon press corps and the American public were stunned, but the remoteness of the location made a recovery attempt impossible. When the war ended four years later in a communist victory, the war zone was sealed off to outsiders, and the helicopter incident faded from most memories. Yet two journalists from the Vietnam press corps -- Richard Pyle, former Saigon Bureau Chief, and Horst Faas, Pulitzer Prize-winning photographer in Vietnam-pledged to return some day to Laos, resolve mysteries about the crash, and pay homage to their lost friends. True to their vow, twenty-seven years after the incident the authors joined a U.S. team excavating the hillside where the helicopter crashed. Few human remains were found, but camera parts and bits of film provided eerie proof of what happened there.The narrative of Lost Over Laos is framed in a period that was among the war's bloodiest, for both the military and the media, yet has received relatively little attention from historians. It is rich with behind-the-scenes anecdotes about the Saigon press corps and illustrated with stunning work by the four combat photographers who died and their colleagues.

Between the French Indochina war of the fifties and the fall of Phnom Penn and Saigon in 1975, 134 photographers from different nations were killed. Horst Faas, two-times Pullitzer Prize winner and Chief Photographer for The Associated Press in Saigon at the height of the war, and Tim Page, another veteran who had been badly wounded, have gathered many thousands of photos from the Western agencies and from archives in Hanoi and Ho Chi Minh City. These have now been assembled to form both a monument to the dead and a record of the most terrifying war photography ever taken. Never again will the media have the kind of access to the war zone that was offered to the photographers in Vietnam. In many cases the photographers tried to get as close as possible, then paid the price.

Karen Coates and Jerry Redfern spent more than seven years traveling in Laos, talking to farmers, scrap-metal hunters, people who make and use tools from UXO, people who hunt for death beneath the earth and render it harmless. With their words and photographs, they reveal the beauty of Laos, the strength of Laotians, and the commitment of bomb-disposal teams. People take precedence in this account, which is deeply personal without ever becoming a polemic.

During the Vietnam War, the US Air Force secretly trained pilots from Laos, skirting Lao neutrality in order to bolster the Royal Lao Air Force and their own war efforts. Beginning in 1964, this covert project, "Water Pump," operated out of Udorn Airbase in Thailand with the support of the CIA. This Secret War required recruits from Vietnam-border region willing to take great risks--a demand that was met by the marginalized Hmong ethnic minority. Soon, dozens of Hmong men were training at Water Pump and providing air support to the US-sponsored clandestine army in Laos. Short and problematic training that resulted in varied skill levels, ground fire, dangerous topography, bad weather conditions, and poor aircraft quality, however, led to a nearly 50 percent casualty rate, and those pilots who survived mostly sought refuge in the United States after the war. Drawing from numerous oral history interviews, Fly Until You Die brings their stories to light for the first time--in the words of those who lived it.

They flew low and slow, at treetop level, at night, in monsoons, and in point-blank range of enemy guns and missiles. They were missions no one else wanted, but the ones all other pilots prayed for when shot down. Flying the World War II-vintage Douglas A-1 Skyraider, a single-engine, propeller-driven relic in a war of “fast-movers,” these intrepid US Air Force pilots, call sign Sandy, risked their lives with every mission to rescue thousands of downed Navy and Air Force pilots. With a flashback memory and a style all his own, George J. Marrett depicts some of the most dangerous aerial combat of any war. The thrilling rescue of “Streetcar 304” and William Jones's selfless act of heroism that earned him the Medal of Honor are but two of the compelling tales he recounts. Here too are the courages Jolly Green Giant helicopter crews, parajumpers, and forward air controllers who worked with the Sandys over heavily defended jungles and mountains well behind enemy lines. Passionate, mordantly witty, and filled with heart-pounding adrenaline, Cheating Death reads like the finest combat fiction, but it is the real deal: its heroes, cowards, jokers, and casualties all have names and faces readers will find difficult to forget.