This first book-length critical study of Jeremy Irons concentrates on his key performances and acting style. Through the analysis of some of the major screen roles in Irons’s career, such as Brideshead Revisited, The French Lieutenant’s Woman, Reversal of Fortune, Swann in Love, Dead Ringers and Lolita, Mark Nicholls identifies a new masculine identity that unites them: an emblematic figure of the 1980s and 1990s presented as an alternative to the action hero or the common man. Using clear explanations of complex theoretical ideas, this book investigates Jeremy Irons’s performances through the lens of sexual inversion and social rebellion, to uncover an entirely original but recognizable screen type.

This first book-length critical study of Jeremy Irons concentrates on his key performances and acting style. Through the analysis of some of the major screen roles in Irons's career, such as Brideshead Revisited, The French Lieutenant's Woman, Reversal of Fortune, Swann in Love, Dead Ringers and Lolita, Mark Nicholls identifies a new masculine identity that unites them: an emblematic figure of the 1980s and 1990s presented as an alternative to the action hero or the common man. Using clear explanations of complex theoretical ideas, this book investigates Jeremy Irons's performances through the lens of sexual inversion and social rebellion, to uncover an entirely original but recognizable screen type.

“A debut story collection of the rarest kind ... you wish that every single entry could be an entire novel." —Entertainment Weekly Fresh, intimate stories of women’s lives from an extraordinary new literary voice, laying bare the unexpected beauty and irony in contemporary life A college freshman, traveling home, strikesup an odd, ephemeral friendship with the couple next to her on the plane. A mother prepares for her son’s wedding, her own life unraveling as his comes together. A long-lost stepbrother’s visit to New York prompts a family’s reckoning with its old taboos. A wife considers the secrets her marriage once contained. An office worker, exhausted by the ambitions of the men around her, emerges into a gridlocked city one afternoon to make a decision. In these eleven powerful stories, thrilling desire and melancholic yearning animate women’s lives, from the brink of adulthood to the labyrinthine path between twenty and thirty, to middle age, when certain possibilities quietly elapse. Tender, lucid, and piercingly funny, Objects of Desire is a collection pulsing with subtle drama, rich with unforgettable scenes, and alive with moments of recognition each more startling than the last—a spellbinding debut that announces a major talent.

This dissertation provides an essential link between postmodernism and Early Modern studies. Detailed readings of the sonnets of Petrarch, Labe, and Ronsard re-evaluate imitatio as a process of repetition compulsion. Each author stands doubly removed in this discussion, once from the beloved, whom each addresses in the sonnet, and once from the original source of imitation. Lack thus supplies imitatio this impetus as it serves as both performance and subject in the sonnets of each author.

South Korean Film: Critical and Primary Sources is an essential three-volume reference collection representing three distinct phases in the development of South Korean national cinema, foregrounding how epochal characteristics inform the way in which the national cinema represents the penetrating thematic concern of auteur-ship, genre, spectatorship, gender, and nation, as well as the way in which these themes find expression in distinct visual styles and forms.

The concept of fetishism has long been a window through which philosophers, psychoanalysts and cultural anthropologists have looked in order to critically examine the nature of beliefs, sexual interests and material values, and it remains today a vital interpretive paradigm. The enduring interest in fetishism gives testimony to the fact that its status and significance have yet to be fully resolved. In the attempt to further clarify this ambiguous and often mystifying phenomenon, the contributors to Everyday Extraordinary: Encountering Fetishism with Marx, Freud and Lacan have taken a fresh look at the fundamental dynamic of fetishism through the lenses of its most influential interpreters?not only Marx, Freud and Lacan, but also Derrida, Mannoni and Pietz.In this collection of essays, the philosophical approach joins forces with the psychoanalytic, and the psychoanalytic with the aesthetic and mythological, often with striking results. Emerging from the essays contained in this volume is a notion of fetishism as a response to a crisis of meaning: personal, social or religious. The fetish mediates the crisis that arises when a system of meaning and identity is confronted with something that threatens it with dissolution, whether this threat arises from an excessive and traumatic figure of alterity, or from the loss of the ground on which ones certainty had been staked. And the stakes of this confrontation are indeed high, as the fetish is here seen as an object having a profound influence on the life of desire, now leading to a symbolic blossoming of the mundane, now into perverse repetition and the refusal of change.

Through an innovative use of style, her literary examples articulate an art of seduction and an aesthetic that transforms, suspends, or erases identity - individual, gender, social, and cultural."--BOOK JACKET.