A rich trip into a vanished place and time, Lost Hollywood tells the story of the world's most image-conscious city through the fantastical places and people who once held center stage. From Marion Davies' extraordinary Santa Monica playpen Ocean House, known as "Xanadu by the Sea," to America's first luxe housing development, Whitley Heights, and its now-iconic Mediterranean architecture, long gone building projects are brought back to vivid life. This delicious and engrossing book also unearths fresh details on classic institutions from the Hollywood Canteen to the Garden of Allah, from the Brown Derby and the Cocoanut Grove to the legendary Pickfair. Lost Hollywood resurrects a colorful and evocative era in the history of the movies and will delight and inform even the most knowledgeable film buff.

Ginger is on a mission to find her family’s missing fortune in glamorous Hollywood in this M!X novel from the author of Lost in London, Lost in Paris, Lost in Rome, and Lost in Ireland (formerly titled Lucky Me). Thirteen-year-old Ginger Carlson feels like she is the only normal one in her family. Her father is an inventor who sells his gadgets online, Mom is obsessed with classic movies, and her brother Grant thinks he is from outer space. Luckily, Ginger has a totally normal BFF, Payton, and they have big plans for the future—they plan to become doctors and open a practice together in a big city. But first, they’re partnering on the state Science Olympics where they’re sure to take home the gold for their eighth grade class with their model of the brain. The Olympics training is interrupted when the Carlson family gets an urgent call that their eccentric Aunt Betty, a former actress who lives in Hollywood, is in serious trouble. The bank is going to take her house unless she can give them the money she owes. The Carlsons head to LA to sort things out for Aunt Betty, along with Payton, who tags along for the West Coast adventure. In a moment alone with the girls, Aunt Betty tells them what’s really going on. Because she didn’t trust banks, Aunt Betty stashed her money in a secret hiding place. Only problem—it’s so secret, she can’t remember where that hiding place is! That’s what she’s been doing all around town—looking for her fortune. Can Ginger and Payton help find the money—and give Aunt Betty the Hollywood ending that she deserves?

A profile of the late film star River Phoenix chronicles his high-pressure childhood, personal endeavors for environmental causes, rejection of his heartthrob image, and tragic death due to a drug overdose. Reprint.

The portrait of a very young Bob Dylan on the cover of 'The Times They Are a Changin' is probably one of the most recognizable and famous album covers of all time. Photographer Barry Feinstein took that photo, as well as many more of Dylan throughout his career. His images have been published throughout the world many times over, and have become synonymous with our perceptions of that place and time in rock and folk music history. Inspired by a series of photographs that Feinstein took in Hollywood during the 1950s and 60s, Bob Dylan wrote an extraordinary series of poems that have remained unpublished for decades. They are thought-provoking, witty and erudite observations of the world; through the lens of Feinstein's photographs, they speak volumes about the anonymous faces and places of Los Angeles, and offer wry commentary on images of stars and legends in the neighbourhood at the time. Photos of Frank Sinatra, Marlene Dietrich, Judy Garland float through the book, as do poignant images of starlets, casting couches, employment agencies and palm tree'd boulevards. Feinstein was there with a camera to capture some world-famous events, such as Marilyn Monroe's memorial service, and he photographed the forgettable moments, preserving them perfectly and timelessly. Bob Dylan's unsettling and distinctly unique perspective informs and enlivens every page, an irresistible interpretive voice narrating the visual images from photo to photo.

More than 60,000 books have been published on the Civil War. Most Americans, though, get their ideas about the war--why it was fought, what was won, what was lost--not from books but from movies, television, and other popular media. In an engaging and accessible survey, Gary W. Gallagher guides readers through the stories told in recent film and art, showing how these stories have both reflected and influenced the political, social, and racial currents of their times.

tars that appeared exclusively in trade magazines to promote the great films of the '30s, '40s, and '50s. The Lost Artwork of Hollywood is a sumptuous package: the color, the quality of the printing all give immense eye appeal to this first-time look at some of the art that made the movies glamorous. 100 full-color illustrations.

In 1919, Florence Deshon—tall, radical, and charismatic—was well on her way to becoming one of Hollywood's brightest stars. Embroiled in a clandestine affair with Charlie Chaplin, she continued to remain romantically involved with the well-known writer and socialist Max Eastman. By 1922, she was found dead in a New York apartment, rumored to have committed suicide. Love and Loss in Hollywood: Florence Deshon, Max Eastman, and Charlie Chaplin uses previously unpublished letters between Deshon and Eastman to reconstruct their relationship against the backdrop of the "golden age" of Hollywood. Deshon's tragic life and her abuse at the hands of powerful men—including Chaplin, Eastman, and Samuel Goldwyn—resonate with the concerns of today's MeToo movement. Above all, though, this is a book about an extraordinary woman unjustly forgotten: a brilliant writer and campaigner for women's rights, driven both by her ambition to succeed and a boundless desire for life. Rich in tantalizing detail, Love and Loss in Hollywood chronicles crucial years of American film history, overshadowed by the pervasive fear of Bolshevism after World War I, the Red Riots, and the emergence of the big studios in Hollywood. This beautiful edition features dozens of unpublished photographs, among them six mesmerizing full-length portraits of Deshon by Adolph de Meyer, Vogue's first fashion photographer.