Australians remember the dead of 25 April 1915 on Anzac Day every year. But do we know the name of a single soldier who died that day? What do we really know about the men supposedly most cherished in the national memory of war? Peter Stanley goes looking for the Lost Boys of Anzac: the men of the very first wave to land at dawn on 25 April 1915 and who died on that day. There were exactly 101 of them. They were the first to volunteer, the first to go into action, and the first of the 60,000 Australians killed in that conflict. Lost Boys of Anzac traces who these men were, where they came from and why they came to volunteer for the AIF in 1914. It follows what happened to them in uniform and, using sources overlooked for nearly a century, uncovers where and how they died, on the ridges and gullies of Gallipoli – where most of them remain to this day. And we see how the Lost Boys were remembered by those who knew and loved them, and how they have since faded from memory.

In the First World War of 1914-1918, thousands of boys across Australia and New Zealand lied about their age, forged a parent's signature and left to fight on the other side of the world. Though some were as young as thirteen, they soon found they could die as well as any man. Like Peter Pan's lost boys, they have remained forever young. These are their stories. This extraordinary book captures the incredible and previously untold stories of forty Anzac boys who fought in the First World War, from Gallipoli to the Armistice. Featuring haunting images of the boys taken at training camps and behind the lines, these tales are both heartbreaking and rousing, full of daring, ingenuity, recklessness, random horror and capricious luck. A unique perspective on the First World War, The Lost Boys is military history made deeply personal, a powerful homage to youthful bravery and a poignant reminder of the sacrifice of war.

As the first Anzacs to land at Gallipoli on 25 April 1915 and among the last to serve in Afghanistan 100 years later, the men and women of the Australian Army’s 3rd Brigade have a long and proud history. Initially raised in 1903, the 3rd Brigade served as part of the Australian Imperial Force during World War I, suffering appalling losses at Gallipoli. On the Western Front the brigade endured three years of horrendous trench warfare, its four infantry battalions alone incurring a casualty rate of over 300%. During the inter-war period the brigade was a militia force and was mobilised with Japan’s entry into the war in 1941, serving in Darwin, Papua New Guinea and North Queensland. Disbanded in 1944 and re-formed as the 3rd Task Force in 1967, the soldiers of the 3rd Brigade have deployed to almost every theatre in which the Australian Defence Force has seen action, including Vietnam, the South Pacific, Somalia, Cambodia, Rwanda, Bougainville, Timor-Leste, Solomon Islands, Iraq and Afghanistan. From 1980 the brigade has been the government’s land force instrument of first choice in response to military or peacekeeping interventions throughout the world and natural disasters at home. This is a heritage of which all Australians can be justifiably proud.

In the First World War of 1914-1918, thousands of boys across Australia and New Zealand lied about their age, forged a parent's signature and left to fight on the other side of the world. Though some were as young as thirteen, they soon found they could die as well as any man. Like Peter Pan's lost boys, they have remained forever young. These are their stories. This extraordinary book captures the incredible and previously untold stories of forty Anzac boys who fought in the First World War, from Gallipoli to the Armistice. Featuring haunting images of the boys taken at training camps and behind the lines, these tales are both heartbreaking and rousing, full of daring, ingenuity, recklessness, random horror and capricious luck. A unique perspective on the First World War, The Lost Boys is military history made deeply personal, a powerful homage to youthful bravery and a poignant reminder of the sacrifice of war.

During the Second Sudanese Civil war, thousands of South Sudanese boys were displaced from their villages or orphaned in attacks from northern government troops. Many became refugees in Ethiopia. There, in 1989, teacher and community leader Mecak Ajang Alaak assumed care of the Lost Boys in a bid to protect them from becoming child soldiers. So began a four year journey from Ethiopia to Sudan and on to the safety of a Kenyan refugee camp. Together they endured starvation, animal attacks, and the horrors of land mines and aerial bombardments. This eyewitness account by Mecak Ajang Alaak's son, Yuot, is the extraordinary true story of a man who never ceased to believe that the pen is mightier than the gun.

This volume explores the subterfuges, strategies, and choices that Australian women writers have navigated in order to challenge patriarchal stereotypes and assert themselves as writers of substance. Contextualized within the pioneering efforts of white, Aboriginal, and immigrant Australian women in initiating an alternative literary tradition, the text captures a wide range of multiracial Australian women authors’ insightful reflections on crucial issues such as war and silent mourning, emergence of a Australian national heroine, racial purity and Aboriginal motherhood, communism and activism, feminist rivalry, sexual transgressions, autobiography and art of letter writing, city space and female subjectivity, lesbianism, gender implications of spatial categories, placement and displacement, dwelling and travel, location and dislocation and female body politics. Claiming Space for Australian Women’s Writing tracks Australian women authors’ varied journeys across cultural, political and racial borders in the canter of contemporary political discourse.