Lambda Literary Award finalist In Sassafras Lowrey's gorgeous queer punk reimagining of the classic Peter Pan story, prepare to be swept overboard into a world of orphaned, abandoned, and runaway bois who have sworn allegiance and service to Pan, the fearless leader of the Lost Bois brigade and the newly corrupted Mommy Wendi who, along with the tomboy John Michael, Pan convinces to join him at Neverland. Told from the point of view of Tootles, Pan's best boi, the lost bois call the Neverland squat home, creating their own idea of family, and united in their allegiance to Pan, the boi who cannot be broken, and their refusal to join ranks with Hook and the leather pirates. Like a fever-pitched dream, Lost Boi situates a children's fantasy within a subversive alternative reality, chronicling the lost bois' search for belonging, purpose, and their struggle against the biggest battle of all: growing up. Sassafras Lowrey is a straight-edge queer punk who won the Lambda Literary Emerging Writer Award and was named to the inaugural Trans 100 list by We Be Trans. Sassafras's books, Kicked Out, Roving Pack, and Leather Ever After, have been honored by organizations ranging from the National Leather Association to the American Library Association.

Finalist for the 2020 Prose Awards (Language and Linguistics Category) The emergence of transgender communities into the public eye over the past few decades has brought some new understanding, but also renewed outbreaks of violent backlash. In Transgender, Translation, Translingual Address Douglas Robinson seeks to understand the “translational” or “translingual” dialogues between cisgendered and transgendered people. Drawing on a wide range of LGBT scholars, philosophers, sociologists, sexologists, and literary voices, Robinson sets up cis-trans dialogues on such issues as “being born in the wrong body,” binary vs. anti-binary sex/gender identities, and the nature of transition and transformation. Prominent voices in the book include Kate Bornstein, C. Jacob Hale, and Sassafras Lowrey. The theory of translation mobilized in the book is not the traditional equivalence-based one, but Callon and Latour's sociology of translation as “speaking for someone else,” which grounds the study of translation in social pressures to conform to group norms. In addition, however, Robinson translates a series of passages from Finnish trans novels into English, and explores the “translingual address” that emerges when those English translations are put into dialogue with cis and trans scholars.

Advanced Reservoir Engineering offers the practicing engineer and engineering student a full description, with worked examples, of all of the kinds of reservoir engineering topics that the engineer will use in day-to-day activities. In an industry where there is often a lack of information, this timely volume gives a comprehensive account of the physics of reservoir engineering, a thorough knowledge of which is essential in the petroleum industry for the efficient recovery of hydrocarbons. Chapter one deals exclusively with the theory and practice of transient flow analysis and offers a brief but thorough hands-on guide to gas and oil well testing. Chapter two documents water influx models and their practical applications in conducting comprehensive field studies, widely used throughout the industry. Later chapters include unconventional gas reservoirs and the classical adaptations of the material balance equation. * An essential tool for the petroleum and reservoir engineer, offering information not available anywhere else * Introduces the reader to cutting-edge new developments in Type-Curve Analysis, unconventional gas reservoirs, and gas hydrates * Written by two of the industry's best-known and respected reservoir engineers

The warm, funny and entertaining memoir of much-loved TV personality and loveable posh boy, Jamie Laing. Funny, charming, and romantic to a fault, everyone loves Jamie Laing. The affectionate and exuberant blonde puppy dog has come a long way - and broken many hearts - since he first graced our screens in 2011 as the joker of the King's Road on Made in Chelsea. Ten years on, he became king of the ballroom making the final of Strictly Come Dancing. Now he's ready to spill the tea - and (McVitie's) biscuits - about life, love and everything in between. From his idyllic upbringing in the countryside to the grey walls of boarding school, Jamie has always had a knack for getting himself into trouble. He reveals how he won popularity at school teaching the rest of the boys the proper way to ... [PARENTAL ADVISORY]. He hilariously recounts blagging his way into a casino aged 17, and winning so much money his mother thought he was a drug dealer. Jamie has been equally lucky with ladies, but not always quite the romantic hero he had in mind - unless sitting lovelorn outside a girlfriend's halls begging to be taken back while fending off abuse from drunk students calling out 'Made in Chelsea twat' counts as heroism? Jamie also writes movingly about his struggles off camera, which left him crippled with anxiety and led to his eventual burnout. Throughout it all he opens up about the importance of friendship and how his two ride-or-dies, Georgie and Spencer, have always been there for him. They've enabled Jamie to thrive as a confectionery king and genuinely change lives with his Private Parts podcast, while not letting him forget that he took part in The Great Celebrity Bake Off for Stand Up To Cancer despite not knowing how to pronounce the word 'meringue'. Candid, entertaining, and almost always ridiculous, this is the real Jamie Laing.

Every queer person lives with the trauma of AIDS, and this plays out intergenerationally. Usually we hear about two generations—the first, coming of age in the era of gay liberation, and then watching entire circles of friends die of a mysterious illness as the government did nothing to intervene. And now we hear about younger people growing up with effective treatment and prevention available, unable to comprehend the magnitude of the loss. But there is another generation between these two, one that came of age in the midst of the epidemic with the belief that desire intrinsically led to death, and internalized this trauma as part of becoming queer. Between Certain Death and a Possible Future: Queer Writing on Growing up with the AIDS Crisis offers crucial stories from this missing generation in AIDS literature and cultural politics. This wide-ranging collection includes 36 personal essays on the ongoing and persistent impact of the HIV/AIDS crisis in queer lives. Here you will find an expansive range of perspectives on a specific generational story—essays that explore and explode conventional wisdom, while also providing a necessary bridge between experiences. These essays respond, with eloquence and incisiveness, to the question: How do we reckon with the trauma that continues to this day, and imagine a way out?

Books 1-6 in the best-selling series written by Tony Healey

Though the terms “queer” and “Mennonite” rarely come into theoretical or cultural contact, over the last several decades writers and scholars in the United States and Canada have built a body of queer Mennonite literature that shifts these identities into conversation. In this volume, Daniel Shank Cruz brings this growing genre into a critical focus, bridging the gaps between queer theory, literary criticism, and Mennonite literature. Cruz focuses his analysis on recent Mennonite-authored literary texts that espouse queer theoretical principles, including Christina Penner’s Widows of Hamilton House, Wes Funk’s Wes Side Story, and Sofia Samatar’s Tender. These works argue for the existence of a “queer Mennonite” identity on the basis of shared values: a commitment to social justice, a rejection of binaries, the importance of creative approaches to conflict resolution, and the practice of mutual aid, especially in resisting oppression. Through his analysis, Cruz encourages those engaging with both Mennonite and queer literary criticism to explore the opportunity for conversation and overlap between the two fields. By arguing for engagement between these two identities and highlighting the aspects of Mennonitism that are inherently “queer,” Cruz gives much-needed attention to an emerging subfield of Mennonite literature. This volume makes a new and important intervention into the fields of queer theory, literary studies, Mennonite studies, and religious studies.