This is the inspiring and “page-turning” (Booklist) true story of a man who discovered that he had been kidnapped as a baby—and how his quest to find out who he really is upturned the genealogy industry, his own family, and set in motion the second longest cold case in US history. In 1964, a woman pretending to be a nurse kidnapped an infant boy named Paul Fronczak from a Chicago hospital. Two years later, police found a boy abandoned outside a variety store in New Jersey. The FBI tracked down Dora Fronczak, the kidnapped infant’s mother, and she identified the abandoned boy as her son. The family spent the next fifty years believing they were whole again—but Paul was always unsure about his true identity. Then, four years ago—spurred on by the birth of his first child, Emma Faith—Paul took a DNA test. The test revealed that he was definitely not Paul Fronczak. From that moment on, Paul has been on a tireless mission to find the man whose life he’s been living—and to discover who abandoned him, and why. Poignant and inspiring, The Foundling is a story about a child lost and a faith found, about the permanence of families and the bloodlines that define you, and about the emotional toll of both losing your identity and rediscovering who you truly are.

The captivating Sunday Times bestseller from the author of The Familiars Two women, bound by a child, and a secret that will change everything . . . London, 1754. Six years after leaving her illegitimate daughter Clara at London's Foundling Hospital, Bess Bright returns to reclaim the child she has never known. Dreading the worst, that Clara has died in care, Bess is astonished to be told she has already claimed her. Her life is turned upside down as she tries to find out who has taken her little girl - and why. Less than a mile from Bess's lodgings in the city, in a quiet, gloomy townhouse on the edge of London, a young widow has not left the house in a decade. When her close friend - an ambitious young doctor at the Foundling Hospital - persuades her to hire a nursemaid for her daughter, she is hesitant to welcome someone new into her home and her life. But her past is threatening to catch up with her and tear her carefully constructed world apart. From the bestselling author of The Familiars comes this captivating story of mothers and daughters, class and power, and love against the greatest of odds . . . 'The new Hilary Mantel' COSMOPOLITAN 'Stacey Halls is a writer of great originality, great imagination and great sense of place. Atmospheric, intelligent, accessible, every novel is worth reading, then reading again and again' KATE MOSSE Another gripping, immersive, intelligent work of historical fiction from the bestselling author of The Familiars' KIRAN MILLWOOD HARGRAVE, author of THE MERCIES A moving, atmospheric chiller' INDEPENDENT 'A breathtaking achievement' SUNDAY EXPRESS 'Enjoyable and atmospheric' THE TIMES 'Historical drama at its very best' MY WEEKLY **MRS ENGLAND: the brand new novel from Stacey Halls is out now** *Sunday Times bestseller February and September 2020* *Winner of Women's Prize for Fiction x Good Housekeeping Futures award - Good Housekeeping 14 Oct 2022*

“A fascinating exploration of the mysteries ignited by DNA genealogy testing—from the intensely personal and concrete to the existential and unsolvable.” —Tana French, New York Times–bestselling author You swab your cheek or spit in a vial, then send it away to a lab somewhere. Weeks later you get a report that might tell you where your ancestors came from or if you carry certain genetic risks. Or, the report could reveal a long-buried family secret that upends your entire sense of identity. Soon a lark becomes an obsession, a relentless drive to find answers to questions at the core of your being, like “Who am I?” and “Where did I come from?” Welcome to the age of home genetic testing. In The Lost Family, journalist Libby Copeland investigates what happens when we embark on a vast social experiment with little understanding of the ramifications. She explores the culture of genealogy buffs, the science of DNA, and the business of companies like Ancestry and 23andMe, all while tracing the story of one woman, her unusual results, and a relentless methodical drive for answers that becomes a thoroughly modern genetic detective story. Gripping and masterfully told, The Lost Family is a spectacular book on a big, timely subject. “An urgently necessary, powerful book that addresses one of the most complex social and bioethical issues of our time.” —Dani Shapiro, New York Times–bestselling author “Before you spit in that vial, read this book.” —The New York Times Book Review “Impeccably researched . . . up-to-the-minute science meets the philosophy of identity in a poignant, engaging debut.” —Kirkus Reviews (starred review)

The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.

If your school’s homecoming king had a little too much in common with Henry VIII, would you survive with your head still attached? You’d think being the new girl in a tiny town would equal one very boring senior year. But if you’re me—Annie Marck, alias Cleves—and you accidentally transform into teenage royalty by entering Lancaster High on the arm of the king himself? Life becomes the exact opposite of boring. Henry has it all: he’s the jock, the genius and the brooding bad boy all in one. Which sort of explains why he’s on his sixth girlfriend in two years. What it doesn’t explain is why two of them—two of us—are dead. My best friend thinks it’s Henry’s fault, which is obviously ridiculous. My nemesis says we shouldn’t talk about it, which is straight-up sketchy. But as the resident nosy new girl, I’m determined to find out what really happened to Lancaster’s dead queens…ideally before history repeats itself.

'Witty, compelling and never mawkish' Observer 'Written with a sure touch . . . Adie has a natural understanding of what it is like to be unsure of your origins' Sunday Telegraph 'A cracker of a subject . . . (Adie) writes with an engaging, forthright immediacy' New Statesman * * * * * * Bestselling author and BBC reporter Kate Adie writes vividly, inspiringly and from many fascinating perspectives about what it means to be an abandoned child. What's your name? Where were you born? What is your date of birth? Simple questions that we are asked throughout our life - but what if you didn't know the answers? Journalist and presenter of BBC Radio 4's From Our Own Correspondent Kate Adie uncovers the extraordinary, moving and inspiring stories of just such children - without mother or father, any knowledge of who they might be, or even a name to call their own. With a curiosity inspired by her own circumstances as an adopted child, Kate shows how the most remarkable adults have survived the experience of abandonment. From every perspective Kate Adie brings us a personal, moving and fascinating insight into the very toughest of childhood experiences - and shows what makes us who we really are.

“Assured and alluring, this beautiful tale of women, witchcraft and the fight against power is a delight.” —Jessie Burton, New York Times–bestselling author In 1612 Lancaster, England, the hunt for witches has reached a fever pitch . . . But in a time of suspicion and accusation, to be a woman may be the greatest risk of all. Fleetwood Shuttleworth, the mistress of Pendle Hill’s Gawthorpe Hall, is with child. Anxious to produce an heir, she is distraught to find a letter from her physician that warns her husband she will not survive this pregnancy. Devastated, Fleetwood wanders the estate grounds, where she catches a young woman poaching. Alice Gray claims she is a local midwife and promises to help Fleetwood deliver a healthy baby. But a witch-obsessed frenzy sweeps the countryside. Even woodland creatures or “familiars” are thought to be dark companions of the unholy. And Alice soon stands accused of witchcraft. Time is running out. The witch trials are about to begin. With both their lives at stake, Fleetwood must prove Alice’s innocence. Only they know the truth. Set against the real Pendle witch trials, this compelling novel draws its characters from historical figures as it explores the lives of seventeenth-century women. Ultimately it raises the question: Was witch hunting really just women hunting? “A rich and atmospheric reimagining of a historical period rife with religious tensions, superstitions, misogyny and fear.” —The New York Times Book Review “An intricate and sensitive portrayal of a brave, tenacious young girl carving her place in the world. A must-read novel.” —Heather Morris, #1 New York Times–bestselling author