By 1979, we knew all that we know now about the science of climate change - what was happening, why it was happening, and how to stop it. Over the next ten years, we had the very real opportunity to stop it. Obviously, we failed.Nathaniel Rich's groundbreaking account of that failure - and how tantalizingly close we came to signing binding treaties that would have saved us all before the fossil fuels industry and politicians committed to anti-scientific denialism - is already a journalistic blockbuster, a full issue of the New York Times Magazine that has earned favorable comparisons to Rachel Carson's Silent Spring and John Hersey's Hiroshima. Rich has become an instant, in-demand expert and speaker. A major movie deal is already in place. It is the story, perhaps, that can shift the conversation.In the book Losing Earth, Rich is able to provide more of the context for what did - and didn't - happen in the 1980s and, more important, is able to carry the story fully into the present day and wrestle with what those past failures mean for us in 2019. It is not just an agonizing revelation of historical missed opportunities, but a clear-eyed and eloquent assessment of how we got to now, and what we can and must do before it's truly too late.

Times are tough for shrimpers and fishers in the Gulf of Mexico. The animals they rely on for their livelihood are harder to find. Every summer a dead zone—a region of low oxygen—emerges in the waters along the Gulf Coast. Where oxygen is low, fish and others animals cannot survive. Currently the world has more than 400 identified dead zones, up dramatically from the 49 dead zones identified in the 1960s. The good news is that people can eliminate dead zones by changing agricultural practices and reducing pollution. Using real-world examples, this book looks at the impact of pollution on global water resources, and discusses the interconnectedness of ecosystems and organisms.

Claudia Jones is missing. Her classmates are thinking the worst . . . or at least the weirdest. It couldn't be an alien abduction, right? None of Claudia's classmates at Blithedale High know why she vanished—and they're dealing with their own issues. Emily's trying to handle a life-changing surprise. Paula's hoping to step out of Emily's shadow. Nigel just wants to meet a girl who will laugh at his jokes. And Brett hardly lets himself get close to anybody. In Losing the Girl, the first book in the Life on Earth trilogy, Eisner-nominated cartoonist MariNaomi looks at life through the eyes of four suburban teenagers: early romance, fraying friendships, and the traces of a mysterious—maybe otherworldly—disappearance. Different chapters focus on different characters, each with a unique visual approach.

By 1979, we knew nearly everything we understand today about climate change—including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story, and ours. The New York Times Magazine devoted an entire issue to Nathaniel Rich’s groundbreaking chronicle of that decade, which became an instant journalistic phenomenon—the subject of news coverage, editorials, and conversations all over the world. In its emphasis on the lives of the people who grappled with the great existential threat of our age, it made vivid the moral dimensions of our shared plight. Now expanded into book form, Losing Earth tells the human story of climate change in even richer, more intimate terms. It reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil fuel industry’s coordinated effort to thwart climate policy through misinformation propaganda and political influence. The book carries the story into the present day, wrestling with the long shadow of our past failures and asking crucial questions about how we make sense of our past, our future, and ourselves. Like John Hersey’s Hiroshima and Jonathan Schell’s The Fate of the Earth, Losing Earth is the rarest of achievements: a riveting work of dramatic history that articulates a moral framework for understanding how we got here, and how we must go forward.

A timely and inspiring nonfiction guide for middle grade readers about the history of our fight against climate change, and how young people today are rising to action. Inspired by Nathaniel Rich’s Losing Earth: A Recent History, the acclaimed book that grew out of an August 2018 issue of the New York Times Magazine solely dedicated to it, Saving Earth tells the human story of the climate change conversation from the recent past into the present day. It wrestles with the long shadow of our failures, what might be ahead for today’s generation, and crucial questions of how we understand the world we live in—and how we can work together to change the outlook for the better. Written by acclaimed author Olugbemisola Rhuday-Perkovich and enlivened with illustrations from Tim Foley, and filled with the voices of climate activists from the past and present, this book is both a call to action and a riveting dramatic history. A Junior Library Guild Selection

Only now can we see Paul Cézanne as the invisible genius at the very inception of modern art. Recent exhibitions of his early works reveal an artist very different from the serene landscapist we thought we knew. What was it that made these disturbingly dark and troubled paintings, with their violence and psychological truth, as important to him as, later, his huge series of bathers, an obsession with the nude that continued to the end? With the last full-length biography written more than a quarter century ago, the demand for a new life of Cézanne has never been greater. In Lost Earth, Philip Callow delivers it brilliantly. Using contemporary sources, exceptional biographical skills, and a poetic prose, Callow finds beneath an outwardly uneventful life a wealth of anguish and bitter struggle to overcome personal inadequacies and the insults of the critical community. For all of Cézanne's weakness and despair, Lost Earth is the story of a transcendent artist who was passionately committed to a tradition he would one day transform. Callow examines with fresh insights Cézanne's profound friendship with Émile Zola, his ingrained fear of women, his love of the outdoors that enabled him to paint the universe in an apple. Lost Earth gets to the heart of the great painter. With 8 pages of photographs and color plates.

Our divided politics, unable to solve the challenges we face concerning society’s hierarchies of injustice, poverty, endless war, and climate change, are now backtracking to even more division. But the reality goes far deeper than the simple politics of left and right. For true change, we need something more profound: a culture shift, a collective change of consciousness. Fearless Change and Social Action in Difficult Times argues that culture shifts don’t just happen, they require a strong focus on social and cultural human connection which neither political nor economic power can provide alone. It is only deep participation and social integrative power which have the capacity to create these necessary cultural and societal transformations. Developing awareness in participatory groups of thought-worlds which remain out-of-sight but give cover to the implicit rules of culture and society is the first step to creating shared awareness of constructs and negative thought-worlds that subconsciously support inequality. Consciously putting aside those that are negative allows for the emergence of new positive realities and social movements. Thus, the real revolution is of the mind. It does take courage, but this is the process by which better futures are created. Offering significant contributions to sociology and social theory, this book promotes an understanding that societal change is rooted in social power and cultural shifts. Inclusive in its presentation, students, professors, NGO professionals, volunteers, activists, and interested observers will find this book of high interest.