Poetry.

The first authoritative biography of the most enduring poet of the twentieth century 'This is a magnificent biography' HAROLD PINTER 'Feinstein's biography is fuelled by an infectious enthusiasm for the poems: this is its greatest strength ... it is crammed with adventure stories, narrow scrapes, passionate encounters' GUARDIAN 'A magnificently researched work ... Feinstein brilliantly elucidates the main driving forces behind Neruda's life and work' INDEPENDENT __________________________ Poet and politician, Pablo Neruda continues to cast a long shadow across the world fifty years after his death in the wake of the 1973 Chilean coup. From the lyricism of Twenty Love Poems and a Song of Despair and the melancholy of Residence on Earth to the direct simplicity of the Elemental Odes and the epic grandeur of the Canto General, Neruda's range was vast. Few Nobel laureates have enjoyed such enduring popularity. Neruda was a complicated man, both politically and emotionally. In this first authoritative biography, Adam Feinstein draws on revealing interviews with his closest friends, acquaintances and surviving relatives, as well as newly discovered documents. He follows Neruda's life from a sickly childhood in Chile to political engagement and literary fame, until his death in 1973, within days of the death of Salvador Allende in the coup that brought Pinochet to power. This acclaimed biography, now updated with an afterword about the recent exhumation of Neruda's remains, tells the full story of an iconic twentieth-century figure for the first time.

The Nobel Prize winner's classic collection of love poems Pablo Neruda, winner of the Nobel Prize for Literature, finished writing The Captain's Verses in 1952 while in exile on the island of Capri—the paradisal setting for the blockbuster film Il Postino (The Postman). Surrounded by sea, sun, and Capri's natural splendors, Neruda addressed these poems to his lover Matilde Urrutia before they were married, but didn't publish them publicly until 1963. This complete, bilingual collection has become a classic for love-struck readers around the world—passionately sensuous, and exploding with all the erotic energy of a new love.

Pablo Neruda was without doubt one of the greatest poets of the twentieth century but his work is extremely uneven. There is a view that there are two Nerudas, an early Romantic visionary and a later Marxist populist, who denied his earlier poetic self. By focussing on the poet's apprenticeship, and by looking closely at how Neruda created his poetic persona within his poems, this Companion tries to establish what should survive of his massive output. By seeing his early work as self exploration through metaphor and sound, as well as through varieties of love and direct experience, the Companion outlines a unity behind all the work, based on voice and a public self. Neruda's debt to reading and books is studied in depth and the change in poetics re-examined by concentrating on the early work up to Residencia en la tierra I and II and why he wanted to become a poet. Debate about quality and representativity is grounded in his Romantic thinking, sensibility and sincerity. Unlike a Borges or a Paz who accompanied their creative work with analytical essays, Neruda distilled all his experiences into his poems, which remainhis true biography. Jason Wilson is Professor Emeritus in the Department of Spanish and Latin American Studies, University College London.

The Poetry of Pablo Neruda offers the most comprehensive English-language collection ever by "the greatest poet of the twentieth century--in any language" (Gabriel García Márquez). "In his work a continent awakens to consciousness," wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, author of more than thirty-five books of poetry and one of Latin America's most revered writers and political figures-a loyal member of the Communist party, a lifelong diplomat and onetime senator, a man lionized during his lifetime as "the people's poet." Born Neftali Basoalto, Neruda adopted his pen name in fear of his family's disapproval, and yet by the age of twenty-five he was already famous for the book Twenty Love Poems and a Song of Despair, which remains his most beloved. During the next fifty years, a seemingly boundless metaphorical language linked his romantic fantasies and the fierce moral and political compass-exemplified in books such as Canto General-that made him an adamant champion of the dignity of ordinary men and women. Edited and with an introduction by Ilan Stavans, this is the most comprehensive single-volume collection of this prolific poet's work in English. Here the finest translations of nearly six hundred poems by Neruda are collected and join specially commissioned new translations that attest to Neruda's still-resounding presence in American letters.

Celluloid Nationalism and Other Melodramas looks at representation and rebellion in times of national uncertainty. Moving from mid-century Mexican cinema to recent films staged in Los Angeles and Mexico City, Susan Dever analyzes melodrama's double function as a genre and as a sensibility, revealing coincidences between movie morals and political pieties in the civic-minded films of Emilio Fernández, Matilde Landeta, Allison Anders, and Marcela Fernández Violante. These filmmakers' rationally and emotionally engaged cinema—offering representations of indigenous peoples and poor urban women who alternately endorsed "civilizing" projects and voiced resistance to such totalization—both interrupts and sustains fictions of national coherence in an increasingly transnational world.