Due to the long presence of Muslims in Islamic territories (Al-Andalus and Granada) and of Muslims minorities in the Christians parts, the Iberian Peninsula provides a fertile soil for the study of the Qur’an and Qur’an translations made by both Muslims and Christians. From the mid-twelfth century to at least the end of the seventeenth, the efforts undertaken by Christian scholars and churchmen, by converts, by Muslims (both Mudejars and Moriscos) to transmit, interpret and translate the Holy Book are of the utmost importance for the understanding of Islam in Europe. This book reflects on a context where Arabic books and Arabic speakers who were familiar with the Qur’an and its exegesis coexisted with Christian scholars. The latter not only intended to convert Muslims, and polemize with them but also to adquire solid knowledge about them and about Islam. Qur’ans were seized during battle, bought, copied, translated, transmitted, recited, and studied. The different features and uses of the Qur’an on Iberian soil, its circulation as well as the lives and works of those who wrote about it and the responses of their audiences, are the object of this book.

Thought and Poetic Structure in San Juan de la Cruz's Symbol of Night is a comprehensive appraisal of the traditional critical perspectives of mysticism: philosophical, theological, literary, and psychological. Examining the a priori limitations of these approaches, the book presents an original definition of the symbol as an integral whole of experience and expression, and concludes that night is the form - the organizing principle - of spiritual life.

In 1578, during months of imprisonment for his reformist beliefs, San Juan de la Cruz composed a series of narrative poems inspired by the Biblical Song of Songs—and, the story goes, a popular love song overheard from his cramped cell—that take God as the beloved. Erotically charged, initially scandalous, his mystical poetry engages with the journey of the soul through the darkest trenches of suffering and despair toward an enlightened spiritual connection with God. For hundreds of years, these poems have resonated deeply with those who search for meaning in the dark, and have influenced generations of poets, artists, and philosophers. This bilingual edition of the Complete Poems—including “Dark Night” and both the Sanlúcar and Jaén manuscripts of “Spiritual Canticle”—presents an intimate and exceptionally collaborative new translation from María Baranda and Paul Hoover. Baranda, one of the most distinguished Mexican poets of her generation, lends her deft hand with expansive, meditative poetry. Hoover—the accomplished American poet, editor, and translator—offers his dexterity with form and the possibilities of language. The product is uniquely faithful to image and idea, and loyal to the ecstatic lyricism of this canonical text. A volume that hums with the soul’s longing to find solace, The Complete Poems of San Juan de la Cruz is a collection to be treasured.

Un hombre en la noche de San Juan fue a la orilla de un río a buscar unos animales que se le habían desaparecido, ahí se encontró con el Diablo que quiso llevarselo.

San Juan de la Cruz es el gran desconocido del pueblo cristiano. En los últimos cuarenta años han proliferado métodos de oración y meditación trascendental. Y es precisamente en esa búsqueda por encontrar una guía firme y permanente donde muchos se han topado con san Juan de la Cruz. Al paso que canta la belleza de la creación en sus sublimes poemas, el santo nos recuerda que toda la belleza creada es nada comparada con la divina. Quien renuncie a lo pasajero, superficial e ilusorio, se encontrará con el Todo de Dios. El libro que nos ofrece Isaías A. Rodríguez no pretende sustituir a san Juan en lo que pueda decirnos, sino que nos ayuda a entender lo que san Juan nos dice, a ver los caminos que va señalando, y a seguir las pautas para nuestra peregrinación que es la vida. Saint John of the Cross is the great unknown of the Christian community. The last forty years have seen a growth in prayer methods and transcendental meditation. The search for a guide that teaches such prayer and meditation practices have led many seekers to the teachings of Saint John of the Cross. Like a song that sings the beauty of the creation in its sublime poems, the Saint teaches us that all of the beauty of creation is nothing in comparison with the beauty of the divine. In this book, Isaías A. Rodriguez does not pretend to be able to substitute Saint John in what he can teach us, but he helps us to understand what Saint John says to us, to discover the roads that he shows us, and to stay on course for our life pilgrimage.