Hollywood cinema and Los Angeles cannot be understood apart. Hollywood Cinema and the Real Los Angeles traces the interaction of the real city, its movie business, and filmed image, focusing on the crucial period from the construction of the first studios in the 1910s to the decline of the studio system fifty years later. As Los Angeles gradually became one of the ten largest cities in the world, the film industry made key contributions to its rapid growth and frequent crises in economic, social, political and cultural life. Whether filmmakers engaged with the real city on location or recreated it on a studio set, Los Angeles shaped the films that were made there and circulated influentially worldwide. The book pays particular attention to early cinema, slapstick comedy, movies about the movies and film noir, which are each explored in new ways, with an emphasis on urban and architectural space and its representation, as well as filmmaking style and technique. Including many previously unpublished photographs and new historical evidence, Hollywood Cinema and the Real Los Angeles gives us a never-before-seen view of the City of Angels.

Los Angeles and its suburbs have been attracting stars since film was invented, and hundreds have now opted to make their home there. The authors of this guide to the area wrote for film and TV in the Hollywood studios and know the industry intimately. They both grew up in Hollywood and lived there most of their lives. Join them on this tour of the neighbourhoods of the rich and famous and of the ritzy shopping avenues. Sightseeing is also covered, with information about trips to the nearby beach towns, west LA, the foothills and Palm Springs.

"The history of Hollywood's postwar transition is framed by two spectacular dead bodies: Elizabeth Short, AKA the Black Dahlia, found dumped and posed in a vacant lot in January 1947 and Marilyn Monroe, the studio era's last real movie star, discovered dead at her home in August 1962. Short and Monroe are just two of the many left for dead after the collapse of the studio system, Hollywood's awkward adolescence during which the company town's many competing subcultures--celebrities, moguls, mobsters, gossip mongers, industry wannabes, and desperate transients--came into frequent contact and conflict. Hard-Boiled Hollywood focuses on the lives lost at the crossroads between a dreamed-of Los Angeles and the real thing after the Second World War, whose reality was anything but glamorous"--Provided by publisher.

A 2018 FINALIST FOR THE PULITZER PRIZE “[Hitler in Los Angeles] is part thriller and all chiller, about how close the California Reich came to succeeding” (Los Angeles Times). No American city was more important to the Nazis than Los Angeles, home to Hollywood, the greatest propaganda machine in the world. The Nazis plotted to kill the city's Jews and to sabotage the nation's military installations: Plans existed for murdering twenty-four prominent Hollywood figures, such as Al Jolson, Charlie Chaplin, and Louis B. Mayer; for driving through Boyle Heights and machine-gunning as many Jews as possible; and for blowing up defense installations and seizing munitions from National Guard armories along the Pacific Coast. U.S. law enforcement agencies were not paying close attention--preferring to monitor Reds rather than Nazis--and only attorney Leon Lewis and his daring ring of spies stood in the way. From 1933 until the end of World War II, Lewis, the man Nazis would come to call “the most dangerous Jew in Los Angeles,” ran a spy operation comprised of military veterans and their wives who infiltrated every Nazi and fascist group in Los Angeles. Often rising to leadership positions, they uncovered and foiled the Nazi's disturbing plans for death and destruction. Featuring a large cast of Nazis, undercover agents, and colorful supporting players, the Los Angeles Times bestselling Hitler in Los Angeles, by acclaimed historian Steven J. Ross, tells the story of Lewis's daring spy network in a time when hate groups had moved from the margins to the mainstream.

One of a handful of artists to emerge from Andy Warhol's celebrity-focused Interview magazine, Matthew Rolston is a well-established icon of Hollywood photography. Alongside such luminaries as Herb Ritts and Greg Gorman, Rolston was a member of an influential group of photographers (among them, Bruce Weber, Annie Leibovitz, and Steven Meisel) who came from the 1980s magazine scene. Rolston helped define the era's take on celebrity imagemaking, gender bending, and much more. Edited by long-time Los Angeles-based gallerist and curator David Fahey, this book - Rolston's fourth monograph - presents a stunning array of portraits that beautifully and succinctly capture the decade and its myriad talents. From Michael Jackson and Madonna, to Prince, George Michael, and Cyndi Lauper, the selection of images reflects a seamless blend of style, skill, and scintillation. This volume features over 100 mesmerizing photographs selected from Rolston's extensive body of work, centering on his unforgettable portraits of the era's most famous personalities. With essays by authors Pat Hackett, Andy Warhol's longtime biographer and diarist; Colin Westerbeck, noted photographic curator and expert on American photographer Irving Penn; and Charles Churchward, longtime creative director of Vogue magazine and author of The Golden Hour, a definitive biography of Herb Ritts, Hollywood Royale: Out of the School of Los Angeles, paints a fascinating picture of an indelible imagemaker and the movie stars, models, and artists he immortalised during this period. Rolston's photographs recall the glamour of Old Hollywood with postmodern irony, helping to point the way towards the cult of fame we live with today. AUTHOR: Matthew Roston is an artist who works in photography and video. In 1977, Rolston was 'discovered' by Andy Warhol, who commissioned portraits for proto - celebrity magazine, Interview, followed by assignments for Rolling Stone from founding editor Jann Wenner, and soon after, by Vanity Fair, under editors Tina Brown and later, Graydon Carter. Rolston'' 1980s images are notable for their glamorous lighting and detail-rich sets. His work has helped define the contemporary aesthetics of American portrait photography. Rolston's photographs have been exhibited worldwide and are in the permanent collections of LACMA and the National Portrait Gallery in Washington, D.C., among others. SELLING POINTS: * This volume contains a veritable compendium of Rolston's innovative photographic techniques. The images range from classic vintage-style 8x10 camera portraits to more stylized experiments in cross-processing, multiple exposure, and high-contrast color. * From pop stars to movie stars, TV personalities to socialites, Warhol's protege presents a virtual 'who's who' of 1980s celebrity. 150 colour and b/w photographs

In the 1920s, Los Angeles enjoyed a buoyant homegrown Spanish-language culture comprised of local and itinerant stock companies that produced zarzuelas, stage plays, and variety acts. After the introduction of sound films, Spanish-language cinema thrived in the city's downtown theatres, screening throughout the 1930s, 1940s, and 1950s in venues such as the Teatro Eléctrico, the California, the Roosevelt, the Mason, the Azteca, the Million Dollar, and the Mayan Theater, among others. With the emergence and growth of Mexican and Argentine sound cinema in the early to mid-1930s, downtown Los Angeles quickly became the undisputed capital of Latin American cinema culture in the United States. Meanwhile, the advent of talkies resulted in the Hollywood studios hiring local and international talent from Latin America and Spain for the production of films in Spanish. Parallel with these productions, a series of Spanish-language films were financed by independent producers. As a result, Los Angeles can be viewed as the most important hub in the United States for the production, distribution, and exhibition of films made in Spanish for Latin American audiences. In April 2017, the International Federation of Film Archives organized a symposium, "Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles," which brought together scholars and film archivists from all of Latin America, Spain, and the United States to discuss the many issues surrounding the creation of Hollywood's "Cine Hispano." The papers presented in this two-day symposium are collected and revised here. This is a joint publication of FIAF and UCLA Film & Television Archive.