Sobre el libro El libro es una propuesta literaria, encaminada a visibilizar la perspectiva de género. Dentro de los cuentos hay reflexiones con y sin esta herramienta, transcurren en diversas épocas, con historias reales o ficticias, sobresale el anhelo por lo perdido o aún no encontrado, sea el amor, la responsabilidad, la respuesta a las controversias en temas relevantes. Encuentros y desencuentros de los amantes o situaciones de crisis, de agonía, de violencia, la mayoría desde la perspectiva de las vidas de las mujeres en cuyas aristas se adivina un sello que separa y atrae a los protagonistas en una cotidianidad, que a veces pasa desapercibida. Por ello su rescate, análisis lúdico y a veces sensual para ofrecer al lector la posibilidad de reflexión sobre las situaciones que impiden o favorecen los cambios culturales, dado que estos moldean el comportamiento de los personajes, que en mucho se parecen a los de la vida real. The book is a literary proposal to make visible a gender perspective. Within the stories there are reflections with and without this tool, elapse at different times, with real or fictitious stories, stands out the yearning for the lost or still not found, is love, responsibility, response to controversies in relevant topics. Encounters and misunderstandings of lovers, or crisis situations, of agony, of violence, the majority from the perspective of the lives of women, whose edges guess a seal that separates and attracts players in an everyday life that sometimes goes unnoticed. Therefore their rescue, playful and sometimes sensual analysis to provide the reader the possibility of reflection on situations that prevent or favour cultural changes, given that they shape the behavior of the characters, that greatly resemble real life.

Destruction or Love is the first complete English translation of one of the major works by Spanish Nobel Laureate Vicente Aleixandre. It conveys to English readers some of the syntactic inventiveness and suggestive imagery of the original, which became a landmark of twentieth-century European literature. Illustrated.

The first and only study to date of the Spanish-language literature of both Southeast Asia and West Africa

Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.