This study of the Venetian artist Lorenzo Lotto draws on the large body of work by the artist, as well as on the 16th-century documentation on the artist's life, including letters, an account book for the years 1538-56, and will.

This book accompanied the Lotto Lorenzo Portraits exhibition at the National Gallery (5 November 2018 - 10 February 2019). Celebrated as one of the greatest portraitists of the Italian Renaissance, Lorenzo Lotto uniquely portrayed a cross section of middle-class sitters, among them clerics, merchants and humanists. Lotto depicted men, women and children in compositions rich in symbolism and imbued with great psychological depth. The prominent addition of objects which hinted at the social status, interests, and aspirations of his subjects added meaning to each work. With the inclusion of documents that have survived from Lotto's own account books, this catalogue provides extraordinary insight into the artist's individualistic style and the people he portrayed.

While the masterpieces of the Italian Renaissance are usually associated with Italy’s historical seats of power, some of the era’s most characteristic works are to be found in places other than Florence, Rome, and Venice. They are the product of the diversity of regions and cultures that makes up the country. In Endless Periphery, Stephen J. Campbell examines a range of iconic works in order to unlock a rich series of local references in Renaissance art that include regional rulers, patron saints, and miracles, demonstrating, for example, that the works of Titian spoke to beholders differently in Naples, Brescia, or Milan than in his native Venice. More than a series of regional microhistories, Endless Periphery tracks the geographic mobility of Italian Renaissance art and artists, revealing a series of exchanges between artists and their patrons, as well as the power dynamics that fueled these exchanges. A counter history of one of the greatest epochs of art production, this richly illustrated book will bring new insight to our understanding of classic works of Italian art.

In 1524, Count Giovan Battista Suardi commissioned Lorenzo Lotto to decorate the private chapel in his country home at Trescore Balneario, Bergamo. Published on the occasion of the touring exhibition showing in Washington, Bergamo and Paris, the complete cycle of frescoes at Tresco re, representing the highest point in Lotto's career, is presented and examined here.

Catalog of an exhibition held at the Metropolitan Museum of Art, New York, May 15-Sept. 3, 2012.

This important and innovative book examines artists' mobility as a critical aspect of Italian Renaissance art. It is well known that many eminent artists such as Cimabue, Giotto, Donatello, Lotto, Michelangelo, Raphael, and Titian traveled. This book is the first to consider the sixteenth-century literary descriptions of their journeys in relation to the larger Renaissance discourse concerning mobility, geography, the act of creation, and selfhood. David Young Kim carefully explores relevant themes in Giorgio Vasari's monumental Lives of the Artists, in particular how style was understood to register an artist's encounter with place. Through new readings of critical ideas, long-standing regional prejudices, and entire biographies, The Traveling Artist in the Italian Renaissance provides a groundbreaking case for the significance of mobility in the interpretation of art and the wider discipline of art history.