Have you ever wanted to dive deep into the world of modernism and truly understand its roots, development, and impact on literature and art? Look no further than "The Modernist Revolts" by Otto Maria Carpeaux, a comprehensive analysis of modernism in Europe, the United States, and Latin America, now available in English for the first time. This book will provide you with a modernism education like no other, leaving you with an unparalleled understanding of this transformative movement. Otto Maria Carpeaux, a renowned literary critic, writer, and essayist, meticulously examines the most significant works and authors from Europe, the United States, and Latin America, highlighting their contributions to the modernist movement and the unique characteristics of each region. Throughout "The Modernist Revolts," Carpeaux discusses a wide array of authors, movements, and works, including the likes of Freud, Proust, Kafka, Joyce, Eliot, Pound, Woolf, Huxley, Borges, García Lorca, Pessoa, Bandeira, and the Andrade brothers, to name just a few. The book covers both prose and poetry, exploring the stylistic innovations that defined modernism and transformed Western literature. Not only does Carpeaux delve into the literary aspects of modernism, but he also investigates the influence of other artistic fields such as painting, music, and theater on the evolution of the movement. This interdisciplinary approach enriches the reader's understanding of the complex interactions between literature and other forms of artistic expression during the modernist period. "The Modernist Revolts" is an essential reference for students, researchers, and enthusiasts of modernist literature, offering a combination of scholarship and clear exposition. The English translation expands the reach of Carpeaux's work, allowing an even broader audience to appreciate his insightful analysis of modernism and its lasting impact on literature and art. "The Modernist Revolts" will provide you with an unparalleled understanding of this revolutionary movement, opening your eyes to the artistic and cultural transformations that took place in the 20th century.

Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.

"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi