Kalidasa is the major poet and dramatist of classical Sanskrit literature - a many-sided talent of extraordinary scope and exquisite language. His great poem, Meghadutam (The Cloud Messenger), tells of a divine being, punished for failing in his sacred duties with a years' separation from his beloved. A work of subtle emotional nuances, it is a haunting depiction of longing and separation. The play Sakuntala describes the troubled love between a Lady of Nature and King Duhsanta. This beautiful blend of romance and comedy, transports its audience into an enchanted world in which mortals mingle with gods. And Kalidasa's poem Rtusamharam (The Gathering of the Seasons) is an exuberant observation of the sheer variety of the natural world, as it teems with the energies of the great god Siva.

Kalidasa Is The Greatest Poet And Playwright In Classical Sanskrit Literature And One Of The Greatest In World Literature. Kalidasa Is Said To Have Lived And Composed His Work At The Close Of The First Millennium Bc Though His Dates Have Not Been Conclusively Established. In All, Seven Of His Works Have Survived: Three Plays, Three Long Poems And An Incomplete Epic. Of These, This Volume Offers, In A Brilliant New Translation, His Two Most Famous Works The Play Sakuntala, A Beautiful Blend Of Romance And Fairy Tale With Elements Of Comedy; And Meghadutam (The Cloud Messenger), The Many-Layered Poem Of Longing And Separation. Also Included Is Rtusamharam (The Gathering Of The Seasons), A Much-Neglected Poem That Celebrates The Fulfillment Of Love And Deserves To Be Known Better. Taken Together, These Works Provide A Window To The Remarkable World And Work Of A Poet Of Whom It Was Said: Once, When Poets Were Counted, Kalidasa Occupied The Little Finger; The Ring Finger Remains Unnamed True To Its Name; For His Second Has Not Been Found.

A stunning exploration of the Greater Middle East, where lasting stability has often seemed just out of reach but may hold the key to the shifting world order of the twenty-first century “Engaging . . . Even those who resist Kaplan’s tragic sensibility have much to learn from his look at the emerging Middle East and its recent history.”—National Review The Greater Middle East, which Robert D. Kaplan defines as the vast region between the Mediterranean and China, encompassing much of the Arab world, parts of northern Africa, and Asia, existed for millennia as the crossroads of empire: Macedonian, Roman, Persian, Mongol, Ottoman, British, Soviet, American. But with the dissolution of empires in the twentieth century, postcolonial states have endeavored to maintain stability in the face of power struggles between factions, leadership vacuums, and the arbitrary borders drawn by exiting imperial rulers with little regard for geography or political groups on the ground. In the Loom of Time, Kaplan explores this broad, fraught space through reporting and travel writing to reveal deeper truths about the impacts of history on the present and how the requirements of stability over anarchy are often in conflict with the ideals of democratic governance. In The Loom of Time, Kaplan makes the case for realism as an approach to the Greater Middle East. Just as Western attempts at democracy promotion across the Middle East have failed, a new form of economic imperialism is emerging today as China's ambitions fall squarely within the region as the key link between Europe and East Asia. As in the past, the Greater Middle East will be a register of future great power struggles across the globe. And like in the past, thousands of years of imperial rule will continue to cast a long shadow on politics as it is practiced today. To piece together the history of this remarkable place and what it suggests for the future, Kaplan weaves together classic texts, immersive travel writing, and a great variety of voices from every country that all compel the reader to look closely at the realities on the ground and to prioritize these facts over ideals on paper. The Loom of Time is a challenging, clear-eyed book that promises to reframe our vision of the global twenty-first century.

Argentinian scholar and writer Enrique Anderson-Imbert is familiar to many North American students for his La Literatura de América Latina I and II, which are widely used in college Spanish courses. But Anderson-Imbert is also a noted creative writer, whose use of "magical realism" helped pave the way for such writers as Borges, Cortázar, Sábato, and Ocampo. In this anthology, Carleton Vail and Pamela Edwards-Mondragón have chosen stories from the period 1965 to 1985 to introduce English-speaking readers to the creative work of Enrique Anderson-Imbert. Representative stories from the collections The Cheshire Cat, The Swindler Retires, Madness Plays at Chess, Klein's Bottle, Two Women and One Julián, and The Size of the Witches illustrate Anderson-Imbert's unique style and world view. Many are "short short" stories, which Anderson-Imbert calls casos (instances). The range of subjects and points of view varies widely, challenging such "realities" as time and space, right and wrong, science and religion. In a prologue, Anderson-Imbert tells an imaginary reader, "Each one of my stories is a closed entity, brief because it has caught a single spasm of life in a single leap of fantasy. Only a reading of all my stories will reveal my world-view." The reader asks, "And are you sure that it is worth the trouble?" Anderson-Imbert replies, "No." The unexpected, ironic ending is one of the great pleasures of reading Enrique Anderson-Imbert.

Previous ed. published in 1997 under the title: The loom of God: mathematical tapestries at the edge of time, by Plenum Press.

Here is an informative introduction to language: its origins in the past, its growth through history, and its present use for communication between peoples. It is at the same time a history of language, a guide to foreign tongues, and a method for learning them. It shows, through basic vocabularies, family resemblances of languages -- Teutonic, Romance, Greek -- helpful tricks of translation, key combinations of roots and phonetic patterns. It presents by common-sense methods the most helpful approach to the mastery of many languages; it condenses vocabulary to a minimum of essential words; it simplifies grammar in an entirely new way; and it teaches a language as it is actually used in everyday life.

Lydia, an old weaver slave, dreams of a better life, but she is torn when she has the opportunity to escape and pass as a white woman, but must leave the man she loves behind in the process.