Poetry is dead. Poetry is all around us. Both are trite truisms that this book exploits and challenges. In his 1798 Advertisement to Lyrical Ballads, William Wordsworth anticipates that readers accustomed to the poetic norms of the day might not recognize his experiments as poems and might signal their awkward confusion upon opening the book by looking round for poetry, as if seeking it elsewhere. Look Round for Poetry transforms Wordsworth’s idiomatic expression into a methodological charge. By placing tropes and figures common to Romantic and Post-Romantic poems in conjunction with contemporary economic, technological, and political discourse, Look Round for Poetry identifies poetry’s untimely echoes in discourses not always read as poetry or not always read poetically. Once one begins looking round for poetry, McGrath insists, one might discover it in some surprising contexts. In chapters that spring from poems by Wordsworth, Lucille Clifton, John Keats, and Percy Bysshe Shelley, McGrath reads poetic examples of understatement alongside market demands for more; the downturned brow as a figure for economic catastrophe; Romantic cloud metaphors alongside the rhetoric of cloud computing; the election of the dead as a poetical, and not just a political, act; and poetic investigations into the power of prepositions as theories of political assembly. For poetry to retain a vital power, McGrath argues, we need to become ignorant of what we think we mean by it. In the process we may discover critical vocabularies that engage the complexity of social life all around us.

Poetry is dead. Poetry is all around us. Both are trite truisms that this book exploits and challenges. In his 1798 Advertisement to Lyrical Ballads, William Wordsworth anticipates that readers accustomed to the poetic norms of the day might not recognize his experiments as poems and might signal their awkward confusion upon opening the book by looking round for poetry, as if seeking it elsewhere. Look Round for Poetry transforms Wordsworth’s idiomatic expression into a methodological charge. By placing tropes and figures common to Romantic and Post-Romantic poems in conjunction with contemporary economic, technological, and political discourse, Look Round for Poetry identifies poetry’s untimely echoes in discourses not always read as poetry or not always read poetically. Once one begins looking round for poetry, McGrath insists, one might discover it in some surprising contexts. In chapters that spring from poems by Wordsworth, Lucille Clifton, John Keats, and Percy Bysshe Shelley, McGrath reads poetic examples of understatement alongside market demands for more; the downturned brow as a figure for economic catastrophe; Romantic cloud metaphors alongside the rhetoric of cloud computing; the election of the dead as a poetical, and not just a political, act; and poetic investigations into the power of prepositions as theories of political assembly. For poetry to retain a vital power, McGrath argues, we need to become ignorant of what we think we mean by it. In the process we may discover critical vocabularies that engage the complexity of social life all around us.

From award-winning author Jennifer Ward and celebrated artist Lisa Congdon in her debut picture book comes a lyrical, rhyming exploration of the many round things that can be found in nature. Nature all around is round... Take a spin through the seasons in this thoughtful and meditative picture book that explores roundness in the natural world. There are round birds’ nests and eggs in the spring, round raindrops falling from the sky in the summer, round apples filling the trees in the fall, and round snowflakes covering the ground in winter—and so much more! Little ones will love this stunning read-aloud that is certain to intrigue and inspire them to start looking all around outside for things that are round.

STORIES WITHIN THE BOOK. (1.) WHY ME STORY OF TWO PEOPLE THAT ARE TRULY IN LOVE AND GET RIPPED APART BY CANCER. A TRUE STORY OF LOVE AND DEVOTION. (2.) THE JOKER A STORY ABOUT A YOUNGMAN WHO`S AMBITION IS TO BECOME A TOP COMEDEAN, WELL OVER TWO HUNDREAD JOKES. HAVE A GREAT LAUGH THAT UNFOLDS. (3.) FOR THE LOVE OF BRANDY ANOTHER TRUE STORY OF ONE ST BERNARD; BRANDY SNAPS. FOLLOW HER ADVENTURE THROUGH HER LIVE AND THE LOVE FOR ONE MAN. (4) THE DAY TIME STOPPED, FOLLOW AN FBI AGENT OF THE FUTURE, WHO GOES FORWARD AND INTO ANOTHER UNIVERSE TO SAVE OUR UNIVERSE.