Stroud had received permission from the warden at Alcatraz to write a penal history, but bureaucrats in Washington, D.C., balked when they reviewed his manuscript. The top brass hastily created new rules for inmate authors, forbidding the publication of any inmate's work that was obscene, criticized the prison system, or glorified crime. Stroud was transferred in 1959 to the US Federal Medical Prison for chronically ill inmates in Springfield, Missouri, where he died in November, 1963. Martin, the Missouri attorney, was named administrator of Stroud's estate and gained custody of the manuscripts in lieu of compensation for his legal services. Martin tried to hawk the prison history manuscript to publishers, but they expressed little or no interest. "Some said it was too long. Others were afraid of being sued for libel because Stroud wrote about living people -- corrupt prison officials, sadistic guards and brutalized prisoners," Martin said. "Others said no one was interested in the prison system, or that history doesn't sell. Some of the great stories in literature are prison stories. I guess they hadn't read 'The Count of Monte Cristo' or 'The Gulag Archipelago, '" Martin said. Martin insists that Stroud's observations on the U.S. prison system are still relevant today. "I think it's a work of great social value. We're still trying to answer the questions that Stroud raised," he said. "The number of Americans incarcerated is greater than ever before. It costs a lot of money to incarcerate people. What do we get in return for it? Do we get a better person than what went in, or a worse person?"

Unknowingly, too many of us operate from an inward mindset—a narrow-minded focus on self-centered goals and objectives. When faced with personal ineffectiveness or lagging organizational performance, most of us instinctively look for quick-fix behavioral band-aids, not recognizing the underlying mindset at the heart of our most persistent challenges. Through true stories and simple yet profound guidance and tools, The Outward Mindset enables individuals and organizations to make the one change that most dramatically improves performance, sparks collaboration, and accelerates innovation—a shift to an outward mindset.

Why is an object, an artwork, or a person deemed ?exotic?? How does one?s gaze get directed onto things or people seemingly belonging to other regions or cultures? These questions are examined here in relation to a specific context: the Enlightenment era from the Swiss perspective. This publication brings together research by academics and museum specialists for the first time in order to rethink this time period and geography. It contains essays and shorter texts centered on pictures, objects, books, and natural specimens from Swiss museum collections. ?Exotic? in this context refers to things that come from elsewhere and that can be used and ?improved? for the benefit of European powers. The term invites us to reconsider both the long eighteenth century and the international history of Switzerland.00Exhibition: Palais de Rumine, Lausanne, Switzerland (24.09.2020 - 28.02.2021).

This book is about discovering together how to understand and live the Greatest Commandment. We’re not after the “art of thinking about God a little differently.” We’re here to uncover the needs God created within us—needs for meaning, intimacy, honesty, humility, justice, compassion, and more—and how he designed us to find those needs fulfilled in him. This is the art of living Jesus’ spirituality. God gives us the key in the Greatest Commandment, but we’ve got to do this stuff in the right order. Imagine I invite you to my sweet cabin by the lake. To start hanging out in that cabin, you need to get the key from me, pack your car, follow the GPS, and so on. There’s a natural order to it. It’s the same with the Greatest Commandment. We begin upward, with loving God. The God. God of the Old Testament, God of the New Testament. God the Trinity—Father, Son, Holy Spirit. We continue inward, with understanding our true identities in Jesus. And when we get those things right, God’s Spirit sends us outward, on mission into the world. These three movements—upward, inward, and outward—mirror the Greatest Commandment and help us learn the art of living harmoniously together in a chaotic world.

"Unleashed is worth an afternoon of your time, whether or not you are already a leader. It is sparkily written and personal, drawing on the experiences of co-authors (and spouses) Frei and Morriss."— Financial Times Leadership isn't easy. It takes grit, courage, and vision, among other things, that can be hard to come by on your toughest days. When leaders and aspiring leaders seek out advice, they're often told to try harder. Dig deeper. Look in the mirror and own your natural-born strengths and fix any real or perceived career-limiting deficiencies. Frances Frei and Anne Morriss offer a different worldview. They argue that this popular leadership advice glosses over the most important thing you do as a leader: build others up. Leadership isn't about you. It's about how effective you are at empowering other people—and making sure this impact endures even in your absence. As Frei and Morriss show through inspiring stories from ancient Rome to present-day Silicon Valley, the origins of great leadership are found, paradoxically, not in worrying about your own status and advancement, but in the unrelenting focus on other people's potential. Unleashed provides radical advice for the practice of leadership today. Showing how the boldest, most effective leaders use a special combination of trust, love, and belonging to create an environment in which other people can excel, Frei and Morriss offer practical, battle-tested tools—based on their work with companies such as Uber, Riot Games, WeWork, and others—along with interviews and stories from their own personal experience, to make these ideas come alive. This book is your indispensable guide for unleashing greatness in other people . . . and, ultimately, in yourself. To learn more, please visit theleadersguide.com.

A powerful collection of poems about family and grief—by the Pulitzer Prize and T. S. Eliot Prize for Poetry winner, called "a poet for these times, a powerful woman who won’t back down" (San Francisco Chronicle). Sharon Olds completes her cycle of family poems in a book at once intense and harmonic, playful with language, and rich with a new self-awareness and sense of irony. The opening poem, with its sequence of fearsome images of war, serves as a prelude to poems of home in which humor, anger, and compassion sing together with lyric energy—sometimes comic, sometimes filled with a kind of unblinking forgiveness. These songs of joy and danger—public and private—illuminate one another. As the book unfolds, the portrait of the mother goes through a moving revisioning, leading us to a final series of elegies of hard-won mourning. One Secret Thing is charged throughout with Sharon Olds’s characteristic passion, imagination, and poetic power. The doctor on the phone was young, maybe on his first rotation in the emergency room. On the ancient boarding-school radio, in the attic hall, the announcer had given my boyfriend’s name as one of two brought to the hospital after the sunrise service, the egg-hunt, the crash—one of them critical, one of them dead. I was looking at the stairwell banisters, at their lathing, the necks and knobs like joints and bones, the varnish here thicker here thinner—I had said Which one of them died, and now the world was an ant’s world: the huge crumb of each second thrown, somehow, up onto my back, and the young, tired voice said my fresh love’s name. from “Easter 1960”