When lawyer, wife and mother Candace Wayne’s beloved husband John is diagnosed with Lewy Bodies Dementia, she finally has a name for the small changes she’s born witness to for years. In this essay collection, Candace offers snapshots of the years leading up to John’s death, and those that unfold afterward. Task-oriented and responsible, Candace is efficient in her role as caretaker, learning how to best support a husband who must come to terms with his slow-creeping loss of self-sufficiency. Meanwhile, Candace’s daughters have their own experience with their father’s changes, and the whole family must bend without breaking to accommodate his loss. By turns raw and contemplative, Candace’s essays depict family road trips, restaurant outings, and doctors appointments, and finally John’s last breaths. Much like Joan Didion’s The Year of Magical Thinking, this collection is true to the experience of mourning, taking the reader through the author’s real-time experiences before revisiting episodes through the lens of retrospect. Ultimately, the author’s sadness makes way for reluctant optimism as Candace awakens to the bittersweet realization that the person her husband’s death caused her to become is a woman she’s grateful to know.

This volume is composed of a series of invited chapters from authors who are central and prolific contributors to the areas of group and team-based research. As such, each chapter provides an excellent overview of the current state of the research and a perspective on where scholars should be focusing their future research.

A personal memoir explores the intertwined natures of happiness and sadness, discussing how bitter experiences balance out the sweetness in life and how change can be an opportunity for growth and a function of God's graciousness.

Khaila and D.C. had what most people would call the perfect storybook romance, and passionate sex that would make any couple envious. They were completely like night and day, but complemented each other in every way. After more than two years together they even started having thoughts of marriage. There was only one thing that stood in their way of happiness. Sick obsession! D.C.'s bitter ex., Fefe, absorbed with jealousy and hate, would stop at nothing to end their love affair. Fefe refused to leave D.C. alone, even if it killed her!

From the invention of skyscrapers and airplanes to the development of the nuclear bomb, ideas about the modern increasingly revolved around vertiginous images of elevation and decline and new technologies of mobility and terror from above. In The Vertical Imagination and the Crisis of Transatlantic Modernism, Paul Haacke examines this turn by focusing on discourses of aspiration, catastrophe, and power in major works of European and American literature as well as film, architecture, and intellectual and cultural history. This wide-ranging and pointed study begins with canonical fiction by Franz Kafka, Virginia Woolf, James Joyce, and John Dos Passos, as well as poetry by Guillaume Apollinaire, Hart Crane, and Aimé Césaire, before moving to critical reflections on the rise of New York City by architects and writers from Le Corbusier to Simone de Beauvoir, the films of Alfred Hitchcock and theories of cinematic space and time, and postwar novels by Kurt Vonnegut, Thomas Pynchon, and Leslie Marmon Silko, among many other examples. In tracing the rise and fall of modernist discourse over the course of the long twentieth century, this book shows how visions of vertical ascension turned from established ideas about nature, the body, and religion to growing anxieties about aesthetic distinction, technological advancement, and American capitalism and empire. It argues that spectacles of height and flight became symbols and icons of ambition as well as direct indexes of power, and thus that the vertical transformation of modernity was both material and imagined, taking place at the same time through the rapidly expanding built environment and shifting ideological constructions of "high" and "low."

Anyone who's just starting out, graduating, moving out of your parent's home for the first time or are transitioning from dependence on parents (or others) to independence will find this book valuable and insightful. It's designed to help you develop the plans needed to achieve your dreams. This book, One for Me, Two for Me: A Practical Girl's Guide to Saving Money, Living Better, and Thriving, provides a framework for planning and developing personal and career goals, dealing with change, taking care of yourself, and taking control of your finances. The insights and tools are simple and easy to use and designed to be thought-provoking and interactive, with exercises designed to reinforce your understanding of who you are and what you want your life to be. Included are practical insights and exercises to help you: get to know yourself better, identify your goals, plan your next career move, write your job description, start or improve your investment/savings strategy, deal with and manage change, and develop plans to address home and family issues.

The first guide to posing and sensitively capturing same-sex couples on their big day, The New Art of Capturing Love equips semi-pro and professional wedding photographers to enter the exciting new LGBT wedding photography market. With nearly half of the states in the US (and 13 countries) currently recognizing same-sex partnerships, the market for LGBT weddings is poised for explosive growth, offering great opportunity for today's wedding photographers. But capturing portraits in this new market requires a new approach to posing, which until now has been nearly exclusively oriented toward pairing a larger man in black with a smaller woman in white. What works for Jack and Jill won't necessarily work for Jack and Michael, let alone Jill and Louise. The New Art of Capturing Loverewrites these traditional techniques, giving photographers the tools to create flattering, emotion-filled images for any couple in today's dynamic wedding market.