Aeschylus' Persians is unique in being the only extant Greek tragedy on an historical subject: Greece's victory in 480 BC over the great Persian King, Xerxes, eight years before the play was written and first performed in 472 BC. Looking at Persians examines how Aeschylus responded to such a turning point in Athenian history and how his audience may have reacted to his play. As well as considering the play's relationship with earlier lost tragedies and discussing its central themes, including war, nature and the value of human life, the volume considers how Persians may have been staged in fifth-century Athens and how it has been performed today. The twelve essays presented here are written by prominent international academics and offer insightful analyses of the play from the perspectives of performance, history and society. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume also includes an accurate, accessible and performance-friendly English translation of Persians by David Stuttard.

Aeschylus' Persians is unique in being the only extant Greek tragedy on an historical subject: Greece's victory in 480 BC over the great Persian King, Xerxes, eight years before the play was written and first performed in 472 BC. Looking at Persians examines how Aeschylus responded to such a turning point in Athenian history and how his audience may have reacted to his play. As well as considering the play's relationship with earlier lost tragedies and discussing its central themes, including war, nature and the value of human life, the volume considers how Persians may have been staged in fifth-century Athens and how it has been performed today. The twelve essays presented here are written by prominent international academics and offer insightful analyses of the play from the perspectives of performance, history and society. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume also includes an accurate, accessible and performance-friendly English translation of Persians by David Stuttard.

How did the Greek view of Persia and Persians change so radically in the archaic and classical Greek sources that they turned from noble warriors into peacock-loving cross-dressers with murderous mothers? This book looks at the development of a range of responses to the Achaemenids and their Empire. Through a study of ancient texts and material evidence from the archaic and classical periods, Janett Morgan investigates the historical, political and social factors that inspired and manipulated different identities for Persia and the Persians within Greece.

Persians is both Aeschylus' first extant tragedy and the earliest surviving drama in the Western tradition. Because Aeschylus was there at the struggle between Greeks and Persians in the straits of Salamis in 480 B.C., the Persians is not merely a play but a valuable historical document. The description of the battle contained here is in fact the only account of any event in the Great Persian Wars that has been composed by an eyewitness. Lembke and Herington faithfully recreate in modern language Aeschylus' account of the frightful contrast between the human work of butchery and the serene, sunlit natural background of Salamis. Though critics have argued for centuries about the veracity of the historical details, Aeschylus' poetic vision makes the Persians a compelling dramatic experience--Jacket.

Now in paperback, this is a history of an incomparable culture whose influence can still be seen, millennia later, in modern-day Iran and the wider Middle East. During the first and second millennia BCE a swathe of nomadic peoples migrated outward from Central Asia into the Eurasian periphery. One group of these people would find themselves encamped in an unpromising, arid region just south of the Caspian Sea. From these modest and uncertain beginnings, they would go on to form one of the most powerful empires in history: the Persian Empire. In this book, Geoffrey and Brenda Parker tell the captivating story of this ancient civilization and its enduring legacy to the world. The authors examine the unique features of Persian life and trace their influence throughout the centuries. They examine the environmental difficulties the early Persians encountered and how, in overcoming them, they were able to develop a unique culture that would culminate in the massive, first empire, the Achaemenid Empire. Extending their influence into the maritime west, they fought the Greeks for mastery of the eastern Mediterranean—one of the most significant geopolitical contests of the ancient world. And the authors paint vivid portraits of Persian cities and their spectacular achievements: intricate and far-reaching roadways, an astonishing irrigation system that created desert paradises, and, above all, an extraordinary reflection of the diverse peoples that inhabited them.

This is a literary study of Aeschylus' Persians alongside Herodotus' Histories, which offers a comprehensive understanding what actually happened at the battle of Salamis and afterwards. Thomas Harrison examines the political and ideological motivating factors underpinning Persai in the context of the times. Aeschylus' Persians is not only the first surviving Greek drama. It is also the only tragedy to take for its subject historical rather than mythical events: the repulse of the army of Xerxes at Salamis in 480 B.C. It has frequently been mined for information on the tactics of Salamis or the Greeks' knowledge of Persian names or institutions, but it also has a broader value, one that has not often been realised. What does it tell us about Greek representations of Persia, or of the Athenians' self-image? What can we glean from it of the politics of early fifth-century Athens, or of the Athenians' conception of their empire? How, if at all, can such questions be approached without doing violence to the Persians as a drama? What are the implications of the play for the nature of tragedy?