A novel about a young Englishman who experiences Karen village life in the mountains of Northern Thailand. He discovers how to see the lowlands from the viewpoint of the Karen people living in the mountains rather than the viewpoint of people who look up from the lowlands imagining they see barbarians living in primitive villages.

Author of Legend of the Dead, Coyote Returns, The Shadow Catcher, The Dark Canyon, The Mutes, and The Owl and the Raven San Juan Pueblo—the dead of winter. Police Chief Joseph Aquino has a suspicious drowning—the Director of the Pueblo Art Council. A gallery owner in Santa Fe is implicated . . . as is a local artist. As he digs deeper, Aquino faces mounting opposition from the new Pueblo Sheriff and the Tribal Council. Peeling back the layers of a 300-year-old legend, the police chief’s authority is challenged, his family threatened. In San Phillipe County, children are tormented by a shadow presence. A student is abducted. At a snowbound lodge, a shootout leaves a man dead. Complications mount as Sheriff Cliff Lansing attempts to unravel one clue after another. Tina Morales’ grandmother can only provide guidance from a distance . . . but she knows full well the Evil that Lansing and Morales now face. On the snowy banks of the Rio Grande, a haunting siren sings her melancholy lullaby. Lives are sacrificed. Lives are saved. All the while, The Weeping Woman beckons the living to join her beneath the waters.

Crying is a typical human expression of emotion. Surprisingly, until now little scientific attention has been devoted to this phenomenon. Many textbooks on emotion fail to pay attention to it, and in scientific journals there are hardly any contributions focusing on this behavior. In contrast, there is much interest from the lay public, allowing pseudo-scientists to formulate theories that have little or no scientific basis. Is there any evidence in support of statements that crying is healthy or that not crying may result in toxification? How do people react to the crying of others? Is crying important for the diagnosis of depression, and if so, how? This book aims to fill this gap in scientific literature. Crying is discussed from several perspectives and specific attention is given to methodological issues and assessment. Each chapter provides a review and a summary of the relevant scientific literature.

The Swiss artist Miriam Cahn (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications. WRITING IN RAGE is the first compilation of her writing by itself, and includes essays, journal entries, and correspondence with friends, foes, family members, and gallerists. The book provides very personal insights into Cahn's life, her family, and the art market, introducing the reader to a disputatious, independent spirit. The Swiss artist MIRIAM CAHN (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications.

The story of the lives of three sons of an old drunkard are used to depict Russian character and investigate the concepts of good, evil, and faith.

Originally published as La mujer que llora (Barcelona: Planeta, 2013).