Matthijs ENGELBERTS: Avant-Propos/Introduction -- John PILLING: Beckett and "The Itch to Make": The Early Poems in English -- Thomas HUNKELER: "Cascando" de Samuel Beckett -- Mary Ann CAWS: Samuel Beckett Translating -- Mary LYDON: Beyond the Criterion of Genre: Samuel Beckett's Ars Poetica -- Jean-Michel RABETÉ: Beckett et la poesie de la zone: (Dante.Apollinaire. Céline.Lévi) -- Christophe WALL-ROMANA: Beckett au parloir: Poétique du transvoisement -- Michael STEWART: The Unnamable Mirror: The Reflective Identity in Beckett's Prose -- Yann MÉVEL: Molloy : Jeux et enjeux d'un savoir mélancolique -- H. PORTER ABBOTT: Beckett's Lawlessness: Evolutionary Psychology and Genre -- Catherine LAWS: Performance Issues in Composer's Approaches to Beckett -- Emmanuel JACQUART: Beckett et la forme sonate -- Wilma SICCAMA: Beckett's Many Voices: Authorial Control and the Play of Repetition -- N.F. LÖWE: Sam's Love for Sam: Samuel Beckett, Dr. Johnson and Human Wishes -- Bruce ARNOLD: From Proof to Print: Anthony Cronin's Samuel Beckett: The Last Modernist Reconsidered.

On several counts, one particular collection of French lyrics made in France in the late fourteenth century, University of Pennsylvania MS 15, is the most likely repository of Chaucer's French poems. It is the largest manuscript anthology extant of fourteenth-century French lyrics in the formes fixes (balade, rondeaux, virelay, lay, and five-stanza chanson) with by far the largest number of works of unknown authorship.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

2021 Button Poetry Short Form Poetry Contest Winner Topaz Winters' third poetry collection spans three countries & three generations. In a far-reaching & deftly woven series of ars poeticas, Winters questions the boundary between the things we inherit & those we owe. Topaz arrives at the grave of the American dream, & unspools the enormous grace & guilt of being loved. So, Stranger stands as a fixed mark between the shifting histories & futures of being a daughter, being an artist, & being an immigrant. If its reader begins as a stranger, they end as part of a lineage: one both of grief & glory, of distance & arrival.