Supplemented by photographs, offers a personal look at the woman known for her humanitarian inspiration to the world.

What is posthumanism and why does it matter? This reader offers an introduction to the ways in which humanism's belief in the natural supremacy of the Family of Man has been called into question at different moments and from different theoretical positions. What is the relationship between posthumanism and technology? Can posthumanism have a politics - post-colonial or feminist? Are postmodernism and poststructuralism posthumanist? What happens when critical theory meets Hollywood cinema? What links posthumanism to science fiction? Posthumanism addresses these and other questions in an attempt to come to terms with one of the most pressing issues facing contemporary society.

Atrocities committed by the Nazis during the Holocaust were photographed more intensely that any before. In the time since the images were taken they have been subjected to a perplexing variety of treatments: variously ignored, suppressed, distorted and above all exploited for propaganda purposes. With the use of many photographs, including some never before seen, this book traces the history of this process and asks whether the images can be true representations of the events they were depicting. Yet their provenance, Janina Struk argues, has been less important that the uses to which a wide range of political interests has put them, from the desperate attempts of the war-time underground to provide hard evidence of the death camps to the memorial museums of Europe, the US and Israel today.

Recent work has focused on the politics of consumption and its manifestation in a number of situations. This volume extends these debates, providing a tighter focus and contributing to a noticeable gap in the field that numerous scholars are beginning to turn towards: that is, organizations of consumers themselves who have chosen to speak for all consumers and similar such bodies of experts which act on behalf of consumers. The volume is fortunate in drawing upon a number of scholars who are about to publish major works on the subject, but who are happy to provide summary versions of their work for the volume. The book pays particular attention to specific moments in consumer mobilization and expertise, capturing the range of types of expert consumers across the twentieth century, from ethical consumer groups at the beginning, to intellectuals, housewives, economists and public officials. It addresses questions on the nature of consumer organizing, which bodies can speak for consumers, whether one consumer voice can ever be identified and the relationship between consumption and citizenship. Overview pieces demonstrate the larger narratives involved in the study of the expert consumer, whilst more comparative essays set out the nature of transatlantic exchanges. Other contributions point to the similarities across seemingly different consumption regimes, while case studies of specific organisations and key historical moments draw out the particularities of consumer expertise.

From St Augustine in the sixth century to Rowan Williams in the twenty-first, the archbishops of Canterbury have provided leadership for the English Church. Those called to the office have included saints and scholars, men of faith and men of action. More than a hundred archbishops of Canterbury have offered spiritual leadership and political influence, whether in co-operation with the secular power or as its critics. Royal dynasties have come and gone, but the succession of the Canterbury primates has provided a remarkably continuous thread running through the history of England. The Mitre and the Crown draws upon a wealth of recent scholarly literature to relate the story of the archbishops against a backdrop of more than fourteen centuries of English ecclesiastical history. It examines the social and cultural experiences that shaped the holders of the archiepiscopal office, together with the personal talents they brought to the service of both Church and State.

Lisbon: City of the Sea is a beautifully written portrait of a much loved city, from its origins in Greek legend to the present day. Malcolm Jack vividly captures the rich and unique history of this haunting and attractive port whose prominent position on the Tagus estuary has inextricably bound its character with the sea. Lisbon is a city of steep inclines and complicated, unsymmetrical streets that criss-cross the hills only in the Baixa area near the river and in the more modern, northern part of the city does any form of a grid system appear. It has enjoyed a political history that has directed Portugal's focus more overseas than inland towards continental Europe, in part because of Spain's geographical position. Thus the city has been stretched in one direction toward Brazil and in another toward the Cape of Good Hope and from there to Asia and the East. Beginning with its earliest inhabitants, Jack traces the city's life through its imperial success in the sixteenth century and the devastating earthquake that humbled the city and shocked Europe in 1755 to its current position as a vibrant and successful European capital. Lisbon's romantic atmosphere has captured the imaginations of foreigners through the ages. Poets, writers and musicians have all drawn inspiration from different parts of Lisbon. This sensitive exploration of the city's many aspects draws out its cosmopolitan nature, as well as its colourful culture and self-image and brings us closer to understanding its true spirit. Engaging and accessible, this book will appeal to Lisbon's many visitors as well as anyone interested in European history.

Originally published in 2003. Western attitudes to crime were in the past rooted in concepts of sin, and therefore of hopes for redemption and forgiveness. So what happens - to offenders and society as a whole - in a world where people no longer talk of sin but of evil. If hopes of redemption go too, will revenge take the place of forgiveness? Kay Carmichael explores these dilemmas in this topical and provocative book. She traces the stories of Myra Hindley, Mary Bell, Sarah Payne, James Bulger and his killers, comparing public responses to such crimes in various Western countries. Art and literature are examined for the light they throw on the evolution of our ideas about sin and forgiveness - from Rembrandt to Nathaniel Hawthorne, Samuel Becket, Dali and writings inspired by the Holocaust. Turning to our own day, Carmichael discusses the emergence of structural sins or 'iniquities' in which we may all find ourselves involved: poverty, slavery, violence and war are her themes. Her analysis leaves her sceptical about many contemporary appeals for forgiveness, but hopeful about ideas of restorative justice.