Can there be life after a brainstem stroke? After Dr. Shawn Jennings, a busy family physician, suffered a brainstem stroke on May 13, 1999, he woke from a coma locked inside his body, aware and alert but unable to communicate or move. Once he regained limited movement in his left arm, he began typing his story, using one hand and a lot of patience. With unexpected humour and tender honesty, Shawn shares his experiences in his struggle for recovery and acceptance of his life after the stroke. He affirms that even without achieving a full recovery life is still worth it.

In November 1993, the largest public housing project in the Puerto Rican city of Ponce—the second largest public housing authority in the U.S. federal system—became a gated community. Once the exclusive privilege of the city's affluent residents, gates now not only locked "undesirables" out but also shut them in. Ubiquitous and inescapable, gates continue to dominate present-day Ponce, delineating space within government and commercial buildings, schools, prisons, housing developments, parks, and churches. In Locked In, Locked Out, Zaire Zenit Dinzey-Flores shows how such gates operate as physical and symbolic ways to distribute power, reroute movement, sustain social inequalities, and cement boundary lines of class and race across the city. In its exploration of four communities in Ponce—two private subdivisions and two public housing projects—Locked In, Locked Out offers one of the first ethnographic accounts of gated communities devised by and for the poor. Dinzey-Flores traces the proliferation of gates on the island from Spanish colonial fortresses to the New Deal reform movement of the 1940s and 1950s, demonstrating how urban planning practices have historically contributed to the current trend of community divisions, shrinking public city spaces, and privatizing gardens. Through interviews and participant observation, she argues that gates have transformed the twenty-first-century city by fostering isolation and promoting segregation, ultimately shaping the life chances of people from all economic backgrounds. Relevant and engaging, Locked In, Locked Out reveals how built environments can create a cartography of disadvantage—affecting those on both sides of the wall.

My name is Holly O'Brian and I am a cautionary tale. I saw a sexy man across the bar, I let him walk me home, and now I'm pregnant. Obviously, I left out a few minor details, but I think you get the idea.I've lived a quiet adult life: high school librarian by day, book editor by night (glamorous, I know), and I was fine with it. I loved my jobs, I loved my cute little house...so why did I tempt the fates and go all cave woman over Dean Slade and drag him home with me by the hair (okay, that's a slight exaggeration)?Well, he is the most handsome man I've ever laid eyes on, it's true. He is broody and gruff and so, so sexy, also true. And the storm that hovers in his eyes, I can't help but want to be the calm to, at least for one night. So I guess there is no answer, I guess I followed my heart (a.k.a., my loins) and decided to spend a night with a sexy Marine.Only now I'm pregnant. And I have to tell him. And I have to let his family into my life. And I have to figure out how I'm going to make room in my schedule for a big, stupid, sexy Marine. Oh. My. Lanta, my life.

A startlingly original, delightfully eerie tale for 9+ readers, with stunning illustrations by a renowned and multi-award-winning artist Lily just wants things to go back to the way they were: before she got sick, before her parents decided to have another baby. So when she’s sent away to stay with her grandmother while her mum has the baby, Lily is determined to go home. But she doesn’t expect to find people in her house – people who look like her parents, but definitely aren’t… Together with some unlikely animal companions, Lily must face her fears and summon the courage to break into her own house, and defeat ‘The Replacements’ before the night is out." Allegorical and atmospheric, this is a modern classic to treasure, perfect for fans of Coraline and A Monster Calls. 'A book of such wit and flair and delight: the kind of book you finish and immediately begin again, so that you can live again alongside the characters.’ - Katherine Rundell, bestselling author of Rooftoppers

Through the stories of prisoners and their families, including her own family’s experiences, Maya Schenwar shows how the institution that locks up 2.3 million Americans and decimates poor communities of color is shredding the ties that, if nurtured, could foster real collective safety. As she vividly depicts here, incarceration takes away the very things that might enable people to build better lives. But looking toward a future beyond imprisonment, Schenwar profiles community-based initiatives that successfully deal with problems—both individual harm and larger social wrongs—through connection rather than isolation, moving toward a safer, freer future for all of us.