The contributors link innovative analytical concepts and ethnographic in-depth case studies from the Arab world. Based on the debates on politics from below and dynamic concepts of state, all the chapters focus on informal institutions, non-elite actors, and the dynamic and contradictory relationship between state and society.

An accessible and wide-ranging survey of modern Arab culture covering political, intellectual and social aspects.

This comprehensive guide captures important trends in international relations (IR) pedagogy, paying particular attention to innovations in active learning and student engagement for the contemporary International Relations IR classroom.

In The Politics of Islamic Law, Iza Hussin compares India, Malaya, and Egypt during the British colonial period in order to trace the making and transformation of the contemporary category of ‘Islamic law.’ She demonstrates that not only is Islamic law not the shari’ah, its present institutional forms, substantive content, symbolic vocabulary, and relationship to state and society—in short, its politics—are built upon foundations laid during the colonial encounter. Drawing on extensive archival work in English, Arabic, and Malay—from court records to colonial and local papers to private letters and visual material—Hussin offers a view of politics in the colonial period as an iterative series of negotiations between local and colonial powers in multiple locations. She shows how this resulted in a paradox, centralizing Islamic law at the same time that it limited its reach to family and ritual matters, and produced a transformation in the Muslim state, providing the frame within which Islam is articulated today, setting the agenda for ongoing legislation and policy, and defining the limits of change. Combining a genealogy of law with a political analysis of its institutional dynamics, this book offers an up-close look at the ways in which global transformations are realized at the local level.

From projecting ideology and influence, to maintaining a notion of 'Gulfness' through the selective exclusion or inclusion of certain beliefs, cultures and people, the notion of Gulfization is increasingly pertinent as Gulf countries occupy a greater political and economic role in wider Middle East politics. This volume discusses the notion of Gulfization, and examines how thoughts, ideologies, way of life and practises are transmitted, changed, and transduced inside and outside the Gulf. From historical perspectives such as the impact of the 1952 Egyptian Revolution in Yemen, to studies on the contemporary projection of Salafism or hyper-nationalism in the Gulf monarchies, this book explores, contends, and critiques the transnational and regional currents that are making, and unmaking, the new Gulf Moment. This volume is based on the 28th Gulf Conference held at the University of Exeter in 2016.

On any given day in Jordan, more than nine million residents eat approximately ten million loaves of khubz 'arabi—the slightly leavened flatbread known to many as pita. Some rely on this bread to avoid starvation; for others it is a customary pleasure. Yet despite its ubiquity in accounts of Middle East politics and society, rarely do we consider how bread is prepared, consumed, discussed, and circulated—and what this all represents. With this book, José Ciro Martínez examines khubz 'arabi to unpack the effects of the welfare program that ensures its widespread availability. Drawing on more than a year working as a baker in Amman, Martínez probes the practices that underpin subsidized bread. Following bakers and bureaucrats, he offers an immersive examination of social welfare provision. Martínez argues that the state is best understood as the product of routine practices and actions, through which it becomes a stable truth in the lives of citizens. States of Subsistence not only describes logics of rule in contemporary Jordan—and the place of bread within them—but also unpacks how the state endures through forms, sensations, and practices amid the seemingly unglamorous and unspectacular day-to-day.

Explores the interaction between sculpture and cinema.