In Living with War, Robert Teigrob examines how war is experienced and remembered on both sides of the 49th parallel.

During World War II more than one thousand Filipinas were kidnapped by the Imperial Japanese Army. Lolas’ House tells the stories of sixteen surviving Filipino “comfort women.” M. Evelina Galang enters into the lives of the women at Lolas’ House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture. Lolas’ House is a book of testimony, but it is also a book of witness, of survival, and of the female body. Intensely personal and globally political, it is the legacy of Lolas’ House to the world.

Neil Young is a singular figure in the history of rock and pop culture generally in the last four decades. Reflective, insightful and disarmingly honest, in Waging Heavy Peacehe writes about his life and career. From his youth in Canada to his first band's travels across the US seeking fame and girls, through Buffalo Springfield and Crosby, Stills & Nash, to his massively successful solo career and his re-emergence as the patron saint of grunge on to his role today as one of the last uncompromised and uncompromising survivors of rock 'n' roll - this is Neil's story told in his own words. In the book Young presents a kaleidoscopic view of personal life and musical creativity; it's a journey that spans the snows of Ontario to the LSD-laden boulevards of 1966 Los Angeles to the contemplative paradise of Hawaii today. 'I think I will have to use my time wisely and keep my thoughts straight if I am to succeed and deliver the cargo I so carefully have carried thus far to the outer reaches. Not that it's my only job or task. I have others, too. Sacred things that I need to protect from pain and hardship, like careless remarks on an open mind.' Neil Young from Waging Heavy Peace

This book explains the effects of war and armed conflict on individual children and their family system, and how culturally responsive social work practice should take into account the diversity and heterogeneity of their needs and lived experiences. Unpacking social work practice with children and families affected by war and migration, the volume provides a valuable toolkit for practitioners, educators, researchers, and service-providers that work with war-affected populations around the globe. The contributions suggest that fostering a family approach, allotting careful attention to context and culture, and linking the arts and participation with social work practice, can all be vital to enhancing the research, education, and practice around working with children and families affected by armed conflict. Providing a critical reflection of social work education and practice, this book will be of interest to practitioners in the field of social work, as well as researchers studying the social effects of migration. This book was originally published as a special issue of the Journal of Family Social Work.

Hosam Katan's awarded photo series shows us people who refuse to have their lives and dignity stripped away by war.

“For those puzzled by Northern Ireland, Belfast Diary offers a well-written, sympathetic and clear-eyed view” of life during the Troubles (New York Times Book Review) In the late 1960s, the ongoing conflict between the Protestant unionists and Catholic nationalists of Northern Ireland—divided by their stance on the country’s constitutional position as part of the United Kingdom—escalated to new, terrifying heights. Chicago journalist John Conroy was there on the frontlines, living among the people most affected by it. In Belfast Diary, Conroy offers a street-level view of life in a Catholic Ghetto in West Belfast, painting vivid portraits of its citizens and the violence they faced during the Troubles: bomb threats, murder, police brutality, and more. Conroy’s recounting of this tumultuous moment in Northern Irish history has been hailed as the best explanation of the more than twenty-five-year conflict. Now with a new afterword, Belfast Diary conveys an understanding that is an essential prerequisite to peace: the resolution of intractable problems around the world requires understanding ordinary people as well as leaders.

In the photographs by Judith Joy Ross the person is caught in his time and historic dimension. Living With War contains three groups of portraits of American citizens in relation to USA war missions during the past 30 years. The most recent pictures present people who demonstrated in 2006/07 against USA involvement in the war in Iraq. They are accompanied by shots made more than 15 years earlier of soldiers who were photographed shortly before their initial deployment in the first Gulf war. The third group of photos is from 1983/84 at the Vietnam Veterans Memorial in Washington. It shows individual portraits of visitors paying tribute to the victims of war in Southeast Asia. These close shots dont take sides with any particular political orientation. They simply tell how irreplaceable the individual is and how keeping his memory serves as the basis of human interaction. Judith Joy Ross, born in Hazleton, Pennsylvania, in 1946, studied photography at the Chicago Art Institute. She has received several awards and prizes, including the Charles Pratt Memorial Award, an Artist Fellowship from the National Endowment for the Arts and a John Simon Guggenheim Memorial Foundation Fellowship. Ms. Ross lives in Bethlehem, Pennsylvania.