An examination of the role of telenovelas -- a Latin American sister to the Western soap opera -- this book looks at their impact on the everyday lives of Latin American audiences. It seeks to explain telenovelas' cultural and commercial success; the meanings, identities, and social actions articulated through watching telenovelas; and how audiences -- often first- or second-generation migrants in the huge cities of Latin America -- use telenovelas in coping with urban life and modernity.

An examination of the role of telenovelas -- a Latin American sister to the Western soap opera -- this book looks at their impact on the everyday lives of Latin American audiences. It seeks to explain telenovelas' cultural and commercial success; the meanings, identities, and social actions articulated through watching telenovelas; and how audiences -- often first- or second-generation migrants in the huge cities of Latin America -- use telenovelas in coping with urban life and modernity.

Why The Tortoise Lives Under A Heap Of Rubbish In The Forest And Other Stories is a compilation of some fairytales of the Edo people, retold for children aged 8 to 10 years. The Edo people live in Nigeria, and their capital city is Benin City.

After some forty years on the throne of England to be rehoused on a council estate in the Midlands comes as something of a shock to the Queen. In fact it is a nightmare.

Sage Czinski is trying really hard to be perfect. If she manages it, people won't peer beyond the surface, or ask hard questions about her past. She's learned to substitute causes for relationships, and it's working just fine . . . until Shane Cavendish strolls into her math class. He's a little antisocial, a lot beautiful, and everything she never knew she always wanted. Shane Cavendish just wants to be left alone to play guitar and work on his music. He's got heartbreak and loneliness in his rearview mirror, and this new school represents his last chance. He doesn't expect to be happy; he only wants to graduate and move on. He never counted on a girl like Sage. But love doesn't mend all broken things, and sometimes life has to fall apart before it can be put back together again. . . .

This book examines the phenomenon of prime time soap operas on Indian television. An anthropological insight into social issues and practices of contemporary India through the television, this volume analyzes the production of soaps within India’s cultural fabric. It deconstructs themes and issues surrounding the "everyday" and the "middle class" through the fiction of the "popular". In its second edition, this still remains the only book to examine prime time soap operas on Indian television. Without in any way changing the central arguments of the first edition, it adds an essential introductory chapter tracking the tectonic shifts in the Indian "mediascape" over the past decade – including how the explosion of regional language channels and an era of multiple screens have changed soap viewing forever. Meticulously researched and persuasively argued, the book traces how prime time soaps in India still grab the maximum eyeballs and remain the biggest earners for TV channels. The book will be of interest to students of anthropology and sociology, media and cultural studies, visual culture studies, gender and family studies, and also Asian studies in general. It is also an important resource for media producers, both in content production and television channels, as well as for the general reader.

Emphasising the connection of globalisation to local culture, this collection considers the diversity of modes of reception, reception contexts, uses of media content, and the performative and creative relationships that audiences develop.