Fifteen lavishly detailed Southern houses in Atlanta, Georgia, South Carolina, the Virginia Piedmont, along the Florida coasts, and in the mountains of North Carolina, from a leader in traditional architecture. Esteemed Atlanta architect Norman Davenport Askins made his name with his mastery of historical precedent. His gracious and livable designs recall such diverse sources as Italian Renaissance country villas, hillside castles in the Dordogne, and the very strong presence of the Colonial Revival and Federal houses in Atlanta and the greater South. Inspired by Tradition presents a portrait of Southern elegance through Askins’s trademark infusion of traditional design with understated innovation and style. New color photographs of interiors and landscape, commissioned specially for the book, complement traditional hand-drawn plans and elevations. In a special section dedicated to “Elements of Tradition,” Askins identifies the key components of traditional design and the parameters for using them successfully. Ultimately he believes in approaching tradition with innovation and individuality—adding touches of glamour, humor, and romance that bring his houses to life.

The Native American Graves Protection and Repatriation Act (NAGPRA) of 1990 provides a legal framework within which Native Americans can seek the repatriation of human remains and certain categories of cultural objects--including "sacred objects"--from federally funded institutions. Although the repatriation movement among Native Americans has heretofore received scholarly attention specifically focused on this act, Sacred Claims is the first book to analyze the ways in which religious discourse is used to articulate repatriation claims. Greg Johnson takes this act as one instance in a larger context wherein native peoples around the globe must engage legal arenas in order to preserve their heritage. Methodologically, Sacred Claims is based on a close reading of government documents concerning the law and participant observation in a variety of NAGPRA-related events and provides the background and legislative history of the law, the life history of the act's axial term cultural affiliation (the most delicate and least understood aspect of NAGPRA), and several case studies of highly visible and contentious Hawaiian repatriation disputes. Johnson then moves beyond the strictly legal context to analyze NAGPRA discourse in the public realm. He concludes by way of a theoretical treatment of the foregoing issues, arguing that religious language was the chief means by which native representatives ultimately persuaded non-native audiences of the applicability of widely-held human rights principles to their cultural remains. Theorizing modes of cultural vitality in the repatriation context, Johnson argues that living tradition is not found in the objects themselves but is instead located in struggles over them. With the law on the brink of receiving crucial tests, and repatriation issues making daily headlines in Native American and Hawaiian news, Sacred Claims is a timely and necessary examination of these issues.

Examines how quilts and quilting have evolved from the eighteenth century to the present, and displays photographs of traditional and contemporary quilts, as well as those from the Amish, African American, Hawaiian, and Native American traditions

"As the generations rise and fall, the wars of the past are surpassed by the wars of the present age, prosperity and poverty diverge in new ways, and new technology remakes the world in ways Ralph Waldo Emerson, Ken Patton, Olympia Brown, or Francis Watkins Harper could hardly have comprehended. New words of love and truth, new memorable phrases, new encouragements are in order. Assumptions, sometimes unconsciously made in previous eras, have been challenged and rethought. Contemporary voices in this new century still revere both love and truth and find ways in worship of moving out of the familiar and into new territory. Styles of imagery and poetry that might have startled our ancestors encourage us to live out lives of depth."--Mark Belletini, from the PrefaceMore than 250 readings are collected here to reinvigorate and update Unitarian Universalist worship. Just as Singing the Journey supplemented the hymns in Singing the Living Tradition with more diversity in perspectives and styles, Lifting Our Voices supplements the SLT readings with modern voices from an array of cultures and theological perspectives. Chosen with care by Revs. Mark Belletini, Kendyl Gibbons, Angela Herrera, Abhi Janamanchi, and Hope Johnson, these new readings, from Unitarian Universalists and acclaimed authors and poets are sure to become instant classics.

The Living Tradition of Architecture explores the depth of architecture as it takes flesh in the living tradition of building, dwelling and thinking. This is a timely appraisal of the field by some of its foremost contributors. Beyond modern misconceptions about tradition only relating to things past and conducive to a historicist vision, the essays in this volume reveal tradition as a living continuity and common ground of reference for architecture. This collection of essays brings together world-leading scholars, practicing architects and educators, Alberto Pérez-Gómez, Christian Frost, Dagmar Weston, Daniel Libeskind, David Leatherbarrow, Eric Parry, Gabriele Bryant, Joseph Rykwert, Karsten Harries, Kenneth Frampton, Mari Hvattum, Patrick Lynch, Robin Middleton, Stephen Witherford, and Werner Oechslin, in a single celebratory publication edited by José de Paiva and dedicated to Dalibor Vesely. This book provides a unique initiative reflecting the group’s understanding of the contemporary situation, revealing an ongoing debate of central relevance to architecture.

This work chronicles the life and pottery of Maria Martinez in a tribute ofoth the artist and one America's greatest natural resources.