Scott Weidensaul follows hawks over the Mexican coastal plains, Bar-tailed Godwits that hitchhike on gale winds 7,000 miles nonstop across the Pacific from Alaska to New Zealand, and the Myriad Songbirds whose numbers have dwindled so dramatically in recent years.

Every spring, billions of birds sweep north. This vast parade often goes unnoticed, except in a few places where these small travelers concentrate in large numbers. One such place is along Lake Erie in northwestern Ohio. Millions of winged migrants pass through the region. Now climate change threatens to disrupt patterns of migration and the delicate balance between birds, seasons, and habitats

New York Times Bestseller Finalist for the Los Angeles Times Book Prize A Library Journal Best Science and Technology Book of the Year An exhilarating exploration of the science and wonder of global bird migration. In the past two decades, our understanding of the navigational and physiological feats that enable birds to cross immense oceans, fly above the highest mountains, or remain in unbroken flight for months at a stretch has exploded. What we’ve learned of these key migrations—how billions of birds circumnavigate the globe, flying tens of thousands of miles between hemispheres on an annual basis—is nothing short of extraordinary. Bird migration entails almost unfathomable endurance, like a sparrow-sized sandpiper that will fly nonstop from Canada to Venezuela—the equivalent of running 126 consecutive marathons without food, water, or rest—avoiding dehydration by "drinking" moisture from its own muscles and organs, while orienting itself using the earth’s magnetic field through a form of quantum entanglement that made Einstein queasy. Crossing the Pacific Ocean in nine days of nonstop flight, as some birds do, leaves little time for sleep, but migrants can put half their brains to sleep for a few seconds at a time, alternating sides—and their reaction time actually improves. These and other revelations convey both the wonder of bird migration and its global sweep, from the mudflats of the Yellow Sea in China to the remote mountains of northeastern India to the dusty hills of southern Cyprus. This breathtaking work of nature writing from Pulitzer Prize finalist Scott Weidensaul also introduces readers to those scientists, researchers, and bird lovers trying to preserve global migratory patterns in the face of climate change and other environmental challenges. Drawing on his own extensive fieldwork, in A World on the Wing Weidensaul unveils with dazzling prose the miracle of nature taking place over our heads.

"Part primer, part parable, part elegy for the depth and decency we sacrifice daily to the order of self-possession, The Wind invites us to enjoy it inventively .... A philosopher coming up against the limits of philosophy's forms of communication ("Philosophy, without being in touch, is always abstract"), Bendik-Keymer courts a thoughtfulness in which wonder practically circumvents theory. Energized by "utopian anger," he invokes the clearing, shaking energies of wind against the violent social rigidities we accept as normal. The wind, impersonal, is the figure through which to keep the dynamic inter-personal in view. ... I admire this book's inventiveness, its willingness to break with discipline in pursuing a wider vision of accountability." (Sarah Gridley, author of "Weather Eye Open" and "Loom") A process begun in Pisa, Italy in April of 2016 during a workshop on political theory in the Anthropocene, The Wind An Unruly Living is a philosophical exercise (askêsis, translated, following Ignatius of Loyola, as "spiritual exercise"). In his exercise, Bendik-Keymer throws to the void: the ideology of self-ownership from a society of possession. By using the Stoic kanôn, the rule of living by phûsis, he follows an element. Unhappily for the Stoic and happily for us, the wind is unruly. A swerve of currents through a social fabric, it's full of holes, all holely. Stretch and stitch as you want, it might settle more shapely tattered into light, but it will never become whole. The wind's only holesome.

“Nature, rightly questioned, never lies.” —A Manual of Scientific Enquiry, Third Edition, 1859 Scott Huler was working as a copy editor for a small publisher when he stumbled across the Beaufort Wind Scale in his Merriam Webster Collegiate Dictionary. It was one of those moments of discovery that writers live for. Written centuries ago, its 110 words launched Huler on a remarkable journey over land and sea into a fascinating world of explorers, mariners, scientists, and writers. After falling in love with what he decided was “the best, clearest, and most vigorous piece of descriptive writing I had ever seen,” Huler went in search of Admiral Francis Beaufort himself: hydrographer to the British Admiralty, man of science, and author—Huler assumed—of the Beaufort Wind Scale. But what Huler discovered is that the scale that carries Beaufort’s name has a long and complex evolution, and to properly understand it he had to keep reaching farther back in history, into the lives and works of figures from Daniel Defoe and Charles Darwin to Captains Bligh, of the Bounty, and Cook, of the Endeavor. As hydrographer to the British Admiralty it was Beaufort’s job to track the information that ships relied on: where to lay anchor, descriptions of ports, information about fortification, religion, and trade. But what came to fascinate Huler most about Beaufort was his obsession for observing things and communicating to others what the world looked like. Huler’s research landed him in one of the most fascinating and rich periods of history, because all around the world in the mid-eighteenth and nineteenth centuries, in a grand, expansive period, modern science was being invented every day. These scientific advancements encompassed not only vast leaps in understanding but also how scientific innovation was expressed and even organized, including such enduring developments as the scale Anders Celsius created to simplify how Gabriel Fahrenheit measured temperature; the French-designed metric system; and the Gregorian calendar adopted by France and Great Britain. To Huler, Beaufort came to embody that passion for scientific observation and categorization; indeed Beaufort became the great scientific networker of his time. It was he, for example, who was tapped to lead the search for a naturalist in the 1830s to accompany the crew of the Beagle; he recommended a young naturalist named Charles Darwin. Defining the Wind is a wonderfully readable, often humorous, and always rich story that is ultimately about how we observe the forces of nature and the world around us.

Book Two in Lauraine Snelling's Exciting Wild West Wind Series After fleeing North Dakota and the now defunct Wild West Show, Cassie Lockwood and her companions have finally found the hidden valley in South Dakota where her father had dreamed of putting down roots. But to her dismay, she discovers a ranch already built on her land. Cassie's arrival surprises Mavis Engstrom and forces her to reveal secrets she's kept hidden for years. Her son Ransom is suspicious of Cassie and questions the validity of her claim to the valley. But Lucas Engstrom decides from the start that he is in love with her and wants to marry her. Will Cassie be able to build a home on the Bar E Ranch and fulfill her father's dream of raising horses, or will she be forced to return to the itinerant life of her past?

"Messengers of the Wind goes beyond the autobiographies of everyday women. These are women who have long been an invisible part of American culture. Their stories are haunting, frightening, encouraging, and courageous. . . . Katz is a faithful guide." --The Minnesota Daily In Messengers of the Wind, Native American women, old and young, from a variety of tribal groups, speak with eloquence and passion about their experience on the land and in urban areas; about their work as artists, activists, and healers; as grandmothers, mothers, and daughters; as modern women with a link to the past. And as each woman, renowned and obscure, tells her remarkable personal story, it is clear that each has tapped into the power that comes from within and has reached back into a history that brings with it courage and hope. " 'Giving energy to Mother Earth' -- Yes. That is our duty as women, as Natives, and as human beings. Messengers of the Wind is a way of doing just that. It is not a dance, feet patting our mother, but it is an offering, the voices of the women sent to comfort her. Thank-you, Jane Katz, for your offering. It is a special and much-needed gift." --Paula Gunn Allen Author of Voice of the Turtle "COMPELLING. . . INTIMATE." --The Cleveland Plain Dealer "A RICH COLLECTION OF PERSONAL STORIES. . .REWARDING. . . These are powerful women with important stories to tell." --Kirkus Reviews