'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.

Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.

In this groundbreaking book, Nigel Hoffmann shows that understanding the dynamic, living qualities of nature requires artistic capacities. He distinguishes four stages of scientific inquiry that correspond to the four classical elements of Earth, Water, Air, and Fire. Modern analytical science with its causal thinking can be characterized as an Earth mode of cognition. A dynamic approach that follows transformation over time requires a sculptural sense of form and corresponds to the element of Water. The stages of Air and Fire engage yet more vital aspects of nature through musical and poetic capacities. Combining scholarly-scientific acuity with artistic insight, Hoffmann first characterizes these four different ways of knowing. He then applies them, leading us ever more deeply into the dynamic qualities of specific plants, animals, and the landscape they live in. In doing so, he demonstrates how this four-step methodology provides a comprehensive framework for the life sciences. This beautifully illustrated book will appeal to all who are interested in gaining deeper insights into nature. "I put my hopes for the future in such practice because it plants seeds of a life-attuned thinking into the world that can help us to act in more life-engendering ways." --Craig Holdrege (in his foreword) Contents: Art and the Emergence of an Authentic Organic Science Goethe and the Phenomenological Method Toward an Authentic Method in the Life Sciences A Goethean Methodology through the Elemental Modes Earth Cognition--Physical Thinking--the Mechanical Water Cognition -- Imagination -- the Sculptural Air Cognition -- Inspiration -- the Musical Fire Cognition -- Intuition -- the Poetical Evolution as Creative Process The Landscape and its Organs The Human Being and the Evolution of Landscape The Yabby Ponds: A Goethean Study of Place

Living Aikido contains excellent tips that would help sharpen the novice technique through the advanced practitioner. In the process of reading it, one undergoes an enlightening experience.

Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch. Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.

Gain insight into both modern and Japanese styles with this stunning Japanese interior design book. Japan Living presents thirty exceptional houses that transcend function and resonate with spirit. These new Japanese homes, chosen for their inspiring and innovative designs, are special places to dream in. The owners and architects, working as collaborative teams, have created homes that are quintessentially Japanese. Crisp, sharp, transparent and light--these new designs represent a new burst of creativity over the past decade. Many reflect changes in the dynamics of Japanese society, while others represent self-expression and individuality. All of them are marked by a return to traditional Japanese materials and design elements married with such present-day requirements as flexibility, modern kitchens and bathrooms, energy efficiency and electronic gadgetry.

Who makes our cities, and what part do everyday users have in the design of cities? This book powerfully shows that city-making is a social process and examines the close relationship between the social and physical shaping of urban environments. With cities taking a growing share of the global population, urban forms and urban experience are crucial for understanding social injustice, economic inequality and environmental challenges. Current processes of urbanization too often contribute to intensifying these problems; cities, likewise, will be central to the solutions to such problems. Focusing on a range of cities in developed and developing contexts, Cities by Design highlights major aspects of contemporary urbanization: urban growth, density and sustainability; inequality, segregation and diversity; informality, environment and infrastructure. Offering keen insights into how the shaping of our cities is shaping our lives, Cities by Design provides a critical exploration of key issues and debates that will be invaluable to students and scholars in sociology and geography, environmental and urban studies, architecture, urban design and planning.