First Published in a single volume in 1883, the stories collected in Little Novels of Sicily are drawn from the Sicily of Giovanni Verga's childhood, reported at the time to be the poorest place in Europe. Verga's style is swift, sure, and implacable; he plunges into his stories almost in midbreath, and tells them with a stark economy of words. There's something dark and tightly coiled at the heart of each story, an ironic, bitter resolution that is belied by the deceptive simplicity of Verga's prose, and Verga strikes just when the reader's not expecting it. Translator D. H. Lawrence surely found echoes of his own upbringing in Verga's sketches of Sicilian life: the class struggle between property owners and tenants, the relationship between men and the land, and the unsentimental, sometimes startlingly lyric evocation of the landscape. Just as Lawrence veers between loving and despising the industrial North and its people, so too Verga shifts between affection for and ironic detachment from the superstitious, uneducated, downtrodden working poor of Sicily. If Verga reserves pity for anyone or anything, it is the children and the animals, but he doesn't spare them. In his experience, it is the innocents who suffer first and last and always.

Little Novels of Sicily "Novelle Rusticane" Giovanni Verga translated by D. H. Lawrence Giovanni Verga, the Sicilian novelist and playwright, is surely the greatest writer of Italian fiction, after Manzoni. Verga was born in Catania, Sicily, in 1840, and died in the same city, at the age of eighty-two, in January, 1922. As a young man he left Sicily to work at literature and mingle with society in Florence and Milan, and these two cities, especially the latter, claim a large share of his mature years. He came back, however, to his beloved Sicily, to Catania, the seaport under Etna, to be once more Sicilian of the Sicilians and spend his long declining years in his own place. The first period of his literary activity was taken up with "Society" and elegant love. In this phase he wrote the novels Eros, Eva, Tigre Reale, Il Marito di Elena, real Italian novels of love, intrigue and "elegance": a little tiresome, but with their own depth. His fame, however, rests on his Sicilian works, the two novels: I Malavoglia and Mastro-Don Gesualdo, and the various volumes of short sketches, Vita dei Campi (Cavalleria Rusticana), Novelle Rusticane, and Vagabondaggio, and then the earlier work Storia di Una Capinera, a slight volume of letters between two school-girls, somewhat sentimental and once very popular. The libretto of Cavalleria Rusticana, the well-known opera, was drawn from the first of the sketches in the volume Vita dei Campi. As a man, Verga never courted popularity, any more than his work courts popularity. He kept apart from all publicity, proud in his privacy: so unlike D'Annunzio. Apparently he was never married. Table of Contents His Reverence So Much for the King Don Licciu Papa The Mystery Play Malaria The Orphans Property Story of the Saint Joseph's Ass Blackbread The Gentry

"Giovanni Verga is one of the masters of European literature, and his novel The House by the Medlar Tree is a great work. I am very happy to see it reprinted and I hope that many people will read it."--Iriving Howe

"Keahey's exploration of this misunderstood island offers a much-needed look at a much-maligned land."—Paul Paolicelli, author of Under the Southern Sun Sicily is the Mediterranean's largest and most mysterious island. Its people, for three thousand years under the thumb of one invader after another, hold tightly onto a culture so unique that they remain emotionally and culturally distinct, viewing themselves first as Sicilians, not Italians. Many of these islanders, carrying considerable DNA from Arab and Muslim ancestors who ruled for 250 years and integrated vast numbers of settlers from the continent just ninety miles to the south, say proudly that Sicily is located north of Africa, not south of Italy. Seeking Sicily explores what lies behind the soul of the island's inhabitants. It touches on history, archaeology, food, the Mafia, and politics and looks to nineteenth- and twentieth-century Sicilian authors to plumb the islanders' so-called Sicilitudine. This "culture apart" is best exemplified by the writings of one of Sicily's greatest writers, Leonardo Sciascia. Seeking Sicily also looks to contemporary Sicilians who have never shaken off the influences of their forbearers, who believed in the ancient gods and goddesses. Author John Keahey is not content to let images from the island's overly touristed villages carry the story. Starting in Palermo, he journeyed to such places as Arab-founded Scopello on the west coast, the Greek ruins of Selinunte on the southwest, and Sciascia's ancestral village of Racalmuto in the south, where he experienced unique, local festivals. He spent Easter Week in Enna at the island's center, witnessing surreal processions that date back to Spanish rule. And he learned about Sicilian cuisine in Spanish Baroque Noto and Greek Siracusa in the southeast, and met elderly, retired fishermen in the tiny east-coast fishing village of Aci Trezza, home of the mythical Cyclops and immortalized by Luchino Visconti's mid-1940s film masterpiece, La terra trema. He walked near the summit of Etna, Europe's largest and most active volcano, studied the mountain's role in creating this island, and looked out over the expanse of the Ionian Sea, marveling at the three millennia of myths and history that forged Sicily into what it is today.

A New York Times Book Review Notable Book of the Year A New York Public Library Best Book of the Year From the author of M and A Death in Brazil comes Midnight in Sicily. South of mainland Italy lies the island of Sicily, home to an ancient culture that--with its stark landscapes, glorious coastlines, and extraordinary treasure troves of art and archeology--has seduced travelers for centuries. But at the heart of the island's rare beauty is a network of violence and corruption that reaches into every corner of Sicilian life: Cosa Nostra, the Mafia. Peter Robb lived in southern Italy for over fourteen years and recounts its sensuous pleasures, its literature, politics, art, and crimes.

Stories of Sicily, immigration, and the lives of Sicilian women in the early 20th century.

A moving account of friendship and discovery on the island of Sicily from the acclaimed travel writer and bestselling author of The Alexandria Quartet. Despite decades spent writing poetic evocations of the timeless pleasures of life in the Mediterranean, Lawrence Durrell had never set foot on the sea’s largest island: mysterious, impenetrable Sicily. For years his friend Martine begged him to visit her on this sun-kissed paradise, and though he always intended to, life inevitably interfered. It took Martine’s sudden death to finally bring him to the island’s shores. With Martine’s letters in his pocket, Durrell signs up for a tour group, hoping to learn the travel habits of those who aren’t obsessively devoted to island life. As he treks from sight to sight, dizzy with history and culture, Durrell finds echoes of his past lives in Rhodes, Cyprus, and Corfu.