A beautifully illustrated musical sound book. There's a concert in the forest tonight. Press the buttons on the sound panel to hear the magical music as Squirrel, Mole, Weasel, Badger and Fox play their individual instruments, then perform in the concert. It's a perfect introduction to different musical instruments, and how they sound on their own and altogether.

If you ever want to start a fight in the staffroom then bring up the question of the use of music in the classroom. And if you want to settle that perennial dispute then this is the book to do it with. Nina's groundbreaking research has proven how music can be of direct benefit for learning and motivation in classrooms across the school and this book , simply and effectively, tells you what music to use, when and why. So, put away your whale song CD and your James Last box set and explore how real music can transform your classroom.

Come along with the "Mane 6" - Pinkie Pie, Applejack, Fluttershy, Rarity, Rainbow Dash, and Twilight Sparkle - and sing songs about friendship! Learn about the "Elements of Harmony" - laughter, honesty, kindness, generosity, loyalty, and magic - and find out which one each Pony represents. Interactive buttons play 6 familiar songs, including two My LIttle Pony songs: "You Gotta Share" and "At the Gala." Lyrics are printed in the book so little ones can sing along. Music and singing help build language and literacy skills, and make story time extra special!

Ephemeral, fragile, often left unbound, sixteenth-century songbooks led fleeting lives in the pockets of singers and on the music desks of instrumentalists. Constantly in action, they were forever being used up, replaced, or abandoned as ways of reading changed. As such they document the acts of early musicians and the practices of everyday life at the unseen margins of elite society. Materialities is a cultural history of song on the page. It addresses a series of central questions concerning the audiences for written music by concentrating on the first genre to be commercialized by music printers: the French chanson. Scholars have long stressed that chansons represent the most broadly disseminated polyphony of the sixteenth century, but Materialities is the first book to account for the cultural reach of the chanson across a considerable cross-section of European society. Musicologist Kate van Orden brings extensive primary research and new analytical models to bear in this remarkable history of songbooks, music literacy, and social transformation during the first century of music printing. By tracking chansons into private libraries and schoolrooms and putting chansonniers into dialogue with catechisms, civility manuals, and chapbooks, Materialities charts the social distribution of songbooks, the gradual moralization of song, and the ways children learned their letters and notes. Its fresh conclusions revise several common assumptions about the value early moderns attributed to printed music, the levels of literacy required to perform polyphony, and the way musicians did or did not "read" their songbooks. With musical perspectives that can invigorate studies of print culture and the history of reading, Materialities is an essential guide for musicologists working with original sources and historians of the book interested in the vocal performances that operated alongside print.