LONGLISTED FOR THE 2020 MAN BOOKER INTERNATIONAL PRIZE A NEW YORK TIMES NOTABLE BOOK OF THE YEAR "Her most unsettling work yet — and her most realistic." --New York Times Named a Best Book of the Year by The New York Times, O, The Oprah Magazine, NPR, Vulture, Bustle, Refinery29, and Thrillist A visionary novel about our interconnected present, about the collision of horror and humanity, from a master of the spine-tingling tale. They've infiltrated homes in Hong Kong, shops in Vancouver, the streets of in Sierra Leone, town squares in Oaxaca, schools in Tel Aviv, bedrooms in Indiana. They're everywhere. They're here. They're us. They're not pets, or ghosts, or robots. They're real people, but how can a person living in Berlin walk freely through the living room of someone in Sydney? How can someone in Bangkok have breakfast with your children in Buenos Aires, without your knowing? Especially when these people are completely anonymous, unknown, unfindable. The characters in Samanta Schweblin's brilliant new novel, Little Eyes, reveal the beauty of connection between far-flung souls—but yet they also expose the ugly side of our increasingly linked world. Trusting strangers can lead to unexpected love, playful encounters, and marvelous adventure, but what happens when it can also pave the way for unimaginable terror? This is a story that is already happening; it's familiar and unsettling because it's our present and we're living it, we just don't know it yet. In this prophecy of a story, Schweblin creates a dark and complex world that's somehow so sensible, so recognizable, that once it's entered, no one can ever leave.

LONGLISTED FOR THE 2020 MAN BOOKER INTERNATIONAL PRIZE A NEW YORK TIMES NOTABLE BOOK OF THE YEAR "Her most unsettling work yet — and her most realistic." --New York Times Named a Best Book of the Year by The New York Times, O, The Oprah Magazine, NPR, Vulture, Bustle, Refinery29, and Thrillist A visionary novel about our interconnected present, about the collision of horror and humanity, from a master of the spine-tingling tale. They've infiltrated homes in Hong Kong, shops in Vancouver, the streets of in Sierra Leone, town squares in Oaxaca, schools in Tel Aviv, bedrooms in Indiana. They're everywhere. They're here. They're us. They're not pets, or ghosts, or robots. They're real people, but how can a person living in Berlin walk freely through the living room of someone in Sydney? How can someone in Bangkok have breakfast with your children in Buenos Aires, without your knowing? Especially when these people are completely anonymous, unknown, unfindable. The characters in Samanta Schweblin's brilliant new novel, Little Eyes, reveal the beauty of connection between far-flung souls—but yet they also expose the ugly side of our increasingly linked world. Trusting strangers can lead to unexpected love, playful encounters, and marvelous adventure, but what happens when it can also pave the way for unimaginable terror? This is a story that is already happening; it's familiar and unsettling because it's our present and we're living it, we just don't know it yet. In this prophecy of a story, Schweblin creates a dark and complex world that's somehow so sensible, so recognizable, that once it's entered, no one can ever leave.

An I-spy book of animals with a peep-hole on every page.

Little i can't wait to meet his friends at school, but there's just one problem: he can't find his dot anywhere? Each letter offers a replacement—an acorn from Little a, a balloon from Little b, a clock from Little c—but nothing seems quite right. Adorable illustrations teach alphabet letters and sounds with a surprising and satisfying ending to Little i's search.

A thoughtful, poignant novel that explores the creation of Artificial Intelligence—illuminating the very human need for communication, connection, and understanding. In a narrative that spans geography and time, from the Atlantic Ocean in the seventeenth century, to a correctional institute in Texas in the near future, and told from the perspectives of five very different characters, Speak considers what it means to be human, and what it means to be less than fully alive. A young Puritan woman travels to the New World with her unwanted new husband. Alan Turing, the renowned mathematician and code breaker, writes letters to his best friend’s mother. A Jewish refugee and professor of computer science struggles to reconnect with his increasingly detached wife. An isolated and traumatized young girl exchanges messages with an intelligent software program. A former Silicon Valley Wunderkind is imprisoned for creating illegal lifelike dolls. Each of these characters is attempting to communicate across gaps—to estranged spouses, lost friends, future readers, or a computer program that may or may not understand them. In dazzling and electrifying prose, Louisa Hall explores how the chasm between computer and human—shrinking rapidly with today’s technological advances—echoes the gaps that exist between ordinary people. Though each speaks from a distinct place and moment in time, all five characters share the need to express themselves while simultaneously wondering if they will ever be heard, or understood.

Oliver, a bitter revolutionary, feels useless in a war that has been raging for decades between the Insurrection and the Vigil. As a librarian, he spends most of his time tending to forgotten bookshelves and ensuring that a copy of the "Weekly Report" is available for people who wish to read it. When he gets called to war, the walls of his mind begin to fracture. Even when off the battlefield he's at war with himself over what is true and what is propaganda. Clouded in the fog of war, a new frontier emerges in this battle for dominance: the human mind. As Oliver descends deeper into the conflict he loses all naïve illusions regarding truth and fair play. Doubt and fear creep in as the world in his head and the world he senses clash. How did he let himself get wrapped up in this? Is he the hapless victim or is he one of the villains? The dystopic vision of Orwell meets the meditative discourse of Dostoyevsky in The Men Who Take Eyes. On an icy future battlefield, Oliver, the lowly librarian will face the horrors of war and find himself.

Here's the perfect first Bible for the very young children. It's a thrill for parents to buy their children their first Bible. How do you choose? The Bible in Pictures for Little Eyes has been a favorite for over four decades, with short illustrated Bible stories written in simple language. Now, The New Bible in Pictures for Little Eyes features entirely updated artwork. This easily portable edition is the perfect interactive way to share the truths of the Bible with the youngest ones in your life. Even little children can understand great truths when told to them in simple words. And when pictures are added, doubly indelible impressions are made that can last forever. This book can be read to children aged approximately 3 1/2 to 6 years with wonderful results!