Zoya Phan was born in the remote jungles of Burma, to the Karen ethnic group. For decades the Karen have been under attack from Burma's military junta; Zoya's mother was a guerrilla soldier, her father a freedom activist. She lived in a bamboo hut on stilts by the Moei River; she hunted for edible fungi with her much-loved adopted brother, Say Say. Many Karen are Christian or Buddhist, but Zoya's parents were animist, venerating the spirits of forest, river and moon. Her early years were blissfully removed from the war. At the age of fourteen, however, Zoya's childhood was shattered as the Burmese army attacked. With their house in flames, Zoya and her family fled. So began two terrible years of running from guns, as Zoya joined thousands of refugees hiding in the jungle. Her family scattered, Zoya sought sanctuary across the border in a Thai refugee camp. Conditions in the camp were difficult, and Zoya now had to care for her ailing mother. Zoya, a gifted pupil, was eventually able to escape, first to Bangkok and then, with her enemies still pursuing her, in 2004 she fled to the UK and claimed asylum. The following year, at a 'free Burma' march, she was plucked from the crowd to appear on the BBC, the first of countless interviews with the world's media. She became the face of a nation enslaved, rubbing shoulders with presidents and film stars. By turns uplifting, tragic and entirely gripping, this is the extraordinary true story of the girl from the jungle who became an icon of a suffering land.

In this collection of her finest and best-known short essays, Natalia Ginzburg explores both the mundane details and inescapable catastrophes of personal life with the grace and wit that have assured her rightful place in the pantheon of classic mid-century authors. Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize. "A glowing light of modern Italian literature . . . Ginzburg's magic is the utter simplicity of her prose, suddenly illuminated by one word that makes a lightning streak of a plain phrase. . . . As direct and clean as if it were carved in stone, it yet speaks thoughts of the heart.' — The New York Times Book Review

Reprint of the original, first published in 1872.

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