Chiefly on the influence of All-India Progressive Writers Association with special reference to Hindustani literature.

Glenda Sluga traces internationalism through its rise before World War I, its mid-century apogee, and its decline after 9/11. Drawing on archival material and contemporary accounts, this innovative history restores internationalism as essential to understanding nationalism in the twentieth century.

This book aims to provide a historical account of the All-India Progressive Writers’ Association (AIPWA). In a structured narrative, it focuses on the political processes inside India, events and circumstances in South Asia and the debates and literary movements in Europe and the United States to demonstrate how the literary project was specifically informed by literary-political movements. It explores the theorisation of literature and politics that informed progressive writing and argues that the progressive conception of literature, art and politics was closer to the theorisation of two thinkers of whom the writers themselves knew very little – Leon Trotsky and Antonio Gramsci. The book charts the progressive movement’s extension into the cultural arena through the Indian People’s Theatre Association (IPTA) and the deepening of its nation-wide character through a progressive nationalism instilled with left-wing ideology. One of the important aims of the AIPWA project was to advance the development of a popular vernacular based on the demotic language of north India – Hindustani. The book locates this issue within the broader nationalist discussion on the national language. Contrary to what is implied by much of the previous scholarship, the book argues that the progressive movement did survive the ravages of partition and that the progressives maintained organisations in both India and Pakistan. It looks at the short-lived but very colourful history of the PWA in Pakistan, using PWA documents, government records and personal testimonies. Arguing that literary output and cultural production cannot be understood, let alone interpreted, outside the context of the nationalist movement, war, independence and partition, the book presents a narrative that necessarily transcends disciplinary boundaries between literature, politics and history. Supplemented with literary and archival sources and oral testimonies from the members of the movement, it pr

Richard Handler's pathbreaking study of nationalistic politics in Quebec is a striking and successful example of the new experimental type of ethnography, interdisciplinary in nature and intensively concerned with rhetoric and not only of anthropologists but also of scholars in a wide range of fields, and it is likely to stir sharp controversy. Bringing together methodologies of history, sociology, political science, and philosophy, as well as anthropology, Handler centers on the period 1976-1984, during which the independantiste Parti Québéois was in control of the provincial government and nationalistic sentiment was especially strong. Handler draws on historical and archival research, and on interviews with Quebec and Canadian government officials, as he addresses the central question: Given the similarities between the epistemologies of both anthropology and nationalist ideology, how can one write an ethnography of nationalism that does not simply reproduce--and thereby endorse--nationalistic beliefs? Handler analyzes various responses to the nationalist vision of a threatened existence. He examines cultural tourism, ideology of the Quebec government, legislations concerning historical preservation, language legislation and policies towards immigrants and "cultural minorities." He concludes with a thoughtful meditation on the futility of nationalisms.

The city of Jaffa presents a paradox: intimate neighbors who are political foes. The official Jewish national tale proceeds from exile to redemption and nation-building, while the Palestinians' is one of a golden age cut short, followed by dispossession and resistance. The experiences of Jaffa's Jewish and Arab residents, however, reveal lives and nationalist sentiments far more complex. Twilight Nationalism shares the stories of ten of the city's elders--women and men, rich and poor, Muslims, Jews, and Christians--to radically deconstruct these national myths and challenge common understandings of belonging and alienation. Through the stories told at life's end, Daniel Monterescu and Haim Hazan illuminate how national affiliation ultimately gives way to existential circumstances. Similarities in lives prove to be shaped far more by socioeconomic class, age, and gender than national allegiance, and intersections between stories usher in a politics of existence in place of politics of identity. In offering the real stories individuals tell about themselves, this book reveals shared perspectives too long silenced and new understandings of local community previously lost in nationalist narratives.

Both celebrated and condemned, Ukrainian nationalism is one of the most controversial and vibrant topics in contemporary discussions of Eastern Europe. Perhaps today there is no more divisive and heatedly argued topic in Eastern European studies than the activities in the 1930s and 1940s of the Organization of Ukrainian Nationalists (OUN). This book examines the legacy of the OUN and is the first to consider the movement’s literature alongside its politics and ideology. It argues that nationalism’s mythmaking, best expressed in its literature, played an important role. In the interwar period seven major writers developed the narrative structures that gave nationalism much of its appeal. For the first time, the remarkable impact of their work is recognized.

Nationalism in Europe and America