A collection of essays, stories, poems, plays and novels representing the breadth of Chicano/a literature from 1965 to 1995. The anthology highlights major themes of identity, feminism, revisionism, homoeroticism, and internationalism, the political foundations of writers such as Gloria Anzaldua, Lorna Dee Cervantes, Luis Valdes, Gary Soto, and Sergio Elizondo. The selections are offered in Spanish, English, and Spanglish text without translation and feature annotations of colloquial and regional uses of Spanish. Lacks an index. Annotation copyrighted by Book News, Inc., Portland, OR

This Spanish-language anthology contains selections by 45 Latin-American authors. It is intended as a text for upper division Latin American literature survey courses. The anthology presumes a high level of linguistic command of Spanish, and it contains footnotes to allusions and cultural references, as well as words and phrases not found in standard bilingual dictionaries used in the US. Emphasis is on major 20th-century writers, while important works from colonial and 19th-century literature as also included. The diverse selections of Literature Hispanoamericana will enable students to have a more sustained exposure to major voices of Latin American literature than possible in anthologies built around fragments. By focusing on fewer authors but more significant selections from their writings, students will have a greater grasp of major canonical figures as well as emergent voices.

"Relembrando-A Velha Literatura de Cordel e a Voz dos Poetas" really contains three important studies on the "cordel": 1) the revision and translation of Curran's PhD dissertation from 1968; 2) the augmentation of one of the chapters of the dissertation, treating Brazil's best known and pioneering poet Leandro Gomes de Barros; 3) the publication of a now historic series of interviews with forty "cordel" poets and publishers in the late 1970s. Curran dedicates much time and energy to this endeavor because he believes the researches were little known in their original form, and more importantly, with the passage of time and the evolution of the "cordel" and Brazil in general, they now remain as historic documents in Brazil's national cultural history.

En la Historia de la literatura puertorriqueña a través de sus revistas literarias (2010), Jiménez Benítez aborda desde una perspectiva diferente el devenir histórico de nuestra literatura nacional. El lector encontrará apuntes sobre el periodismo literario en Puerto Rico durante los siglos XIX, XX y XXI. Pero el eje medular será el estudio de las revistas que nos va llevando por todo el proceso histórico de la literatura puertorriqueña: sus movimientos, tendencias, generaciones de autores y sus obras. El libro está dirigido a resaltar la importancia de las revistas literarias, como hilo de Ariadna, para descubrir así el hacer literario y crítico del país.

"The Master of the 'Literatura de Cordel' - Leandro Gomes de Barros. A Bilingual Anthology of Selected Works" is Professor Curran's return to research and writing from his first days in Brazil in 1966-1967 on a Fulbright Hays Fellowship for Ph.D. dissertation work. This book treats "Cordel's" best known and arguably best poet, a translation to English of his selected works, and a commentary on his pioneering days of the "Literatura de Cordel." Among the poet's topics were the changing times, foreigners in Brazil, government-politics-and war, mothers-in-law, sugar cane rum, religion and satire, banditry, the oral poetic duel, and the long narrative poems from the European popular tradition. Curran in addition gives a synopsis of the "Literatura de Cordel" as it was in its heyday in his initial research in the 1960s. The translation was a challenge but also a great pleasure.

Indice: Daniel LINK: Literatura de compromiso. - Jose AMICOLA: La incertidumbre de lo real: la narrativa de los 90 en la Argentina en la confluencia de las cuestiones de genero. - Julio PREMAT: Saer fin de siglo y el concepto de lugar. - Margarita REMON RAILLARD: La narrativa de Cesar Aira: una sorpresa continua e ininterrumpida. - Carmen de MORA: El cuento argentino en los anos 90. - Ana PORRUA: Lo nuevo en la Argentina: poesia de los 90. - Genevieve FABRY: Continuidades y discontinuidades en la poesia de Juan Gelman: una glosa de Incompletamente. - Jorge DUBATTI: Teatro argentino y destotalizacion: el canon de la multiplicidad."