Embark on a journey through the world of literature with Literary Travel: Following in the Footsteps of Famous Authors. This comprehensive guide takes you on a global tour of the homes, haunts, and inspirations of some of the most celebrated writers in history. From Shakespeare’s England to Hemingway’s Havana, explore the places that shaped their lives and works. Discover the landscapes and cities that brought their stories to life, and immerse yourself in the rich cultural heritage that continues to inspire readers and travelers alike. Whether you’re a devoted fan of classic literature or a curious traveler seeking new experiences, this book offers a unique and enriching perspective on the world of literary travel.

Richard Holmes’s great work of biographical exploration, published alongside its sister volume ‘Sidetracks’.

Aimed not only at literature enthusiasts, but also at those who love to travel along less beaten paths, In the Poets’ Footsteps: Literature, Tourism, and Promotion tells the story of literary tourism between the beginning of the 1800s and today. Giovanni Capecchi surveys the methods most used today, namely printed and online literary guides, that offer a wide panorama of writers' homes and evaluates literary festivals as events capable of giving cultural and economic opportunities to the territories that host them.

National Geographic leads book-loving adventurers on a whirlwind tour of 500 literary landmarks and offers practical trip-planning advice for visiting in person. Peppered with great reading suggestions and little-known tales of literary gossip, this book is the ultimate browser's delight.

Did Marco Polo reach China? This richly illustrated companion volume to the public television film chronicles the remarkable two-year expedition of explorers Denis Belliveau and Francis O'Donnell as they sought the answer to this controversial 700-year-old question. With Polo's book, The Travels of Marco Polo, as their guide, they journeyed over 25,000 miles becoming the first to retrace his entire path by land and sea without resorting to helicopters or airplanes. Surviving deadly skirmishes and capture in Afghanistan, they were the first Westerners in a generation to cross its ancient forgotten passageway to China, the Wakhan Corridor. Their camel caravan on the southern Silk Road encountered the deadly singing sands of the Taklamakan and Gobi deserts. In Sumatra, where Polo was stranded waiting for trade winds, they lived with the Mentawai tribes, whose culture has remained unchanged since the Bronze Age. They became among the first Americans granted visas to enter Iran, where Polo fulfilled an important mission for Kublai Khan. Accompanied by 200 stunning full-color photographs, the text provides a fascinating account of the lands and peoples the two hardy adventurers encountered during their perilous journey. The authors' experiences are remarkably similar to descriptions from Polo's account of his own travels and life. Laden with adventure, humor, diplomacy, history, and art, this book is compelling proof that travel is the enemy of bigotry—a truth that resonates from Marco Polo's time to our own.

The Teardrop Island follows in the footsteps of the eccentric Victorian James Emerson Tennent, along a route which takes Cherry to pilgrimage trails, tea estates, and rural regions inhabited by indigenous tribes, and through areas of the former warzone, delving under the surface of the contemporary culture via cricket matches and fortune tellers.

This book explores the great influence of twentieth-century artists and art movements on many major writers of the twentieth century. It focuses in particular on four seminal writers who were strongly influenced by very different movements: they are Gertrude Stein and Cubism, William S. Burroughs and Dada, J. G. Ballard and Surrealism, and Douglas Coupland and Pop Art. For these authors the presence and influence of these art movements is not limited to a small cluster of texts, but can be felt much more expansively across their work, infiltrating all manner of multifarious and complex dimensions. These authors are all keen to explore new methods of shifting the signature styles and forms of visual art into the literary world. Alongside these more overt methods of artistic transposition, the authors also often demonstrate a deep philosophical affinity with their chosen movements. This book uproots and examines these kinds of artistic engagements, and also explores the authors’ own personal connections with the world of art. For these are all authors not only interested in visual art, but also intimately connected to the art world. Indeed, some went on to become renowned artists in their own right, while others were closely associated with major historical art figures. Above all however, they are unified by a kindred interest in exploring how the methods and philosophies of art can be transposed into, and even challenge the constraints of traditional forms of literature.